Violin, strings, organ (harpsichord); 2 horns in A ad libitum (HR1)

SKU: HL.49027114

Composed by Pietro Nardini. Edited by Guenter Kehr. Sheet music. Edition Schott. Separate part, Horn I. Op. 1/1. 3 pages. Schott Music #CON109-11. Published by Schott Music (HL.49027114).

Violin and string orchestra; 2 horns in F ad libitum - intermediate

SKU: HL.49012305

Composed by Pietro Nardini. This edition: Saddle stitching. Sheet music. Violin-Bibliothek (Violin Library). Classical. Piano Reduction with Solo Part. Op. 1/3. 40 pages. Duration 14'. Schott Music #VLB 23. Published by Schott Music (HL.49012305).

ISBN 9790001102698. 9.0x12.0x0.139 inches.

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for singing, as is shown by reports of his contemporaries. Leopold Mozart, for example, wrote in one of his letters that he had heard a certain Nardini and that there could not be heard anything more beautiful in the tonal beauty, purity, harmony and in the singable taste.The two concertos in A major and F major consist of three movements with the traditional tempo order quick-slow-quick, each movement giving the soloist the opportunity to play a solo cadence.

String Quartet (2vl,va,vc)

SKU: BR.KM-2280

Composed by Pietro Nardini. Edited by Clemens Risi. Chamber music; Softcover. Kammermusik-Bibliothek (Chamber Music Library). Classical; Early classical. Score. 28 pages. Breitkopf and Haertel #KM 2280. Published by Breitkopf and Haertel (BR.KM-2280).

ISBN 9790004502419. 9 x 12 inches.

One could see icecold princes and ladies of the court weep when he played an Adagio. Tears even fell from his own eyes onto his violin while he was playing, reported an eye witness about the violinist Pietro Nardini, whose works for string instruments were hardly less celebrated than his emotional playing style. Once popular examples of light string quartets from the early classical period are available here in a reliable and fundamentally revised reprint based on the first edition (Florence, after 1770) and on a contemporary copy. The additions willfully added by Wilhelm Altmann in his edition (1937) have been eliminated and many irregularities corrected.