SKU: LP.765762181304
UPC: 765762181304.
Telling the tradional Christmas story with a few nontraditional characters particularly Mary and Joseph's parents. The drama along with the dynamic blend of new and traditional music portrays how beautifully God works out His purposes in our lives. Arranged and written by Dennis and Nan Allen for SATB choir with drama. Song titles include: One Quiet Moment; He Is Born; Sing O Zion; Jesus Christ Is Born..
SKU: FG.55011-219-3
ISBN 979-0-55011-219-3.
This work has been chosen as one of the set pieces for the prestigious Klingenthal International Accordion Competition to be held on May 4–8, 2015. Taking part in the competition will be 35 accordionists, and the five who get through to the finals will perform Kyllonen's concerto with an orchestra.
SKU: M7.VHR-1766
ISBN 9783940069528.
Auch im zweiten Band wird besonderer Wert auf das Musizieren in großen Gruppen gelegt; angesprochen sind Kinder ab der dritten Klasse bzw. AkkordiKids, die bereits mit dem ersten Band dieses Schulwerkes gearbeitet haben.In Ergänzung zum Lernmaterial gibt es ein Lehrerhandbuch (Ordner), das zu jedem Stück eine Lehrerstimme enthält.
SKU: HL.49008124
ISBN 9790001121453. UPC: 073999828450. 9.0x12.0x0.295 inches.
The first movement 'Breakfast al fresco' is dominated by impressionistic colour, delicate tremoli sul ponticello and flageolet sounds in the two strings are juxtaposed with precise runs in the piano. The title of the second movement is self-explanatory: 'Parade alla russe' quotes an old Russian soldiers' song 'Nightingale, little bird ...' and is also a reference to Eric Satie's circus pictures. For violin, cello, and piano.
SKU: BA.BA05293-65
ISBN 9790006532674. 32.5 x 25.5 cm inches. Key: B minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.49008410
ISBN 9790001131384. UPC: 073999352238. 8.25x11.75x0.125 inches.
Shchedrin's oeuvre spans nearly every musical genre, and it is hardly surprising that an output of such versatility contains some rather remarkable instrumental combinations, for example Music from afar for 2 bass recorders, or Balalaika for a solo violin playing pizzicato throughout. This predilection for the unusual leads the composer in Parabola concertante with its basically subdued and contemplative mood to add a charcteristic counterpoint by contrasting the accompanying string orchestra with timpani. The piece was composed for master virtuoso Mstislav Rostropovitch, who played the solo part in the first performance at the International Cello Festival in Kronberg. Cello, string orchestra, and timpani. Piano reduction with solo part.
SKU: HL.49036559
SKU: HL.44010956
UPC: 884088613129. 9x12 inches. English-German-French-Dutch.
Philip Sparke selected two well-known marches from the region around Southern Belgium and Luxembourg as the basis for his March Celebration: after we hear an original march theme and second theme in the bass, extracts from the Hammelsmarsh (Hammelmarsch) and the spirited Marsch der Ardennen-Jager, which has become a kind of unofficial national anthem in these parts. This festive march is rounded off with another appearance of Philip Sparke's original theme.In March Celebration verwerkte de componist twee marsen uit het Zuiden van Belgie en Luxemburg. Na het eerste, originele marsthema en een tweede ‚bas'-thema, volgen fragmenten uit de Hammerlsmarsch en de meeslepende Mars van de Ardense Jagers, een mars die bijna kan beschouwd worden als een soort nationaal volkslied. Deze feestelijke mars van Philip Sparke eindigt met het beginthema. Zwei berühmte Marsche aus dem südbelgischen und luxemburgischen Raum wurden in March Celebration verarbeitet: Nach dem ersten, originalen Marschthema und einem zweiten Bass-Thema folgen nacheinander Auszüge aus dem Hammelsmarsch (Hammelmarsch) und dem mitreissenden Marsch der Ardennen-Jager, der dort schon fast eine Art zweite Nationalhymne ist. Mit der Wiederaufnahme seines originalen Themas rundet Philip Sparke diesen festlichen Marsch ab.March Celebration reunit deux celebres marches du Luxembourg et du sud de la Belgique, combinees a un theme original signe Philip Sparke. Apres l'exposition du theme original suivi d'une ligne melodique jouee par les basses, on percoit des fragments de la Hammelsmarsch (Marche des moutons). Cet air populaire fait partie integrante de toutes les fetes de village du sud de la Belgique et du Luxembourg. Puis vient l'exaltante Marche du Regiment des Chasseurs ardennais, devenue une sorte d'hymne pour toute la region. L'oeuvre se conclut sur la reprise brillante du theme original.Philip Sparke arrangia due celebri marce provenienti rispettivamente della parte meridionale del Belgio e dal Lussemburgo. L'apertura vede l'esposizione di un tema originale che anticipa una linea melodica eseguita dai bassi. Seguono gli estratti della Hammelsmarch e della coinvolgente Marsch der Ardennen-Jaeger, divenuta una sorta di inno per l'intera regione. Philip Sparke conclude il brano con la riesposizione del tema originale.
SKU: HL.49007830
ISBN 9790001083812. UPC: 073999554052. 8.25x11.75x0.339 inches.
3. Concerto for Symphony - Orchestra, score.
SKU: HL.49045554
ISBN 9790001165884. UPC: 841886032262. 9.0x12.0x0.069 inches.
An essential feature of attitudes prevailing in the days of Luther was the ubiquitous concern with death and dying, assailed by plague, wars and the never-ending dangers of daily life. The associated fears sometimes escalated to the grotesque, as in paintings by Hieronymus Bosch, and the 'dance of death' was a popular motif in those years. Luther's chorale of 1524 In the very midst of life / we see death all around us (the Erfurt Enchiridion) is based on the Gregorian Media vita in morte sumus that emerged in France in about 750, evoking thoughts of mortality in its outline form.
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