SKU: HL.48025422
UPC: 196288207511.
The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the Violin Edition (with an optional easy violin part and guitar chords); or the Complete Edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means themusic can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.
SKU: AP.1-ADV8416
UPC: 805095084160. English. Traditional.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view, yet they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The interpretation of 'S mo lamh air a stiuir---the song of a helmsman living on the Isle of Skye---should be interpreted with the musicians paying careful attention to its dynamics and phrasing, which reflect the up-and-down motion of the stormy Arctic Ocean. For this arrangement, the key D minor, which is one whole tone lower than the original, has been chosen to make sure that the piece is playable, especially for a clarinet quartet.
SKU: BT.FORFDH02
SKU: AP.41915S
UPC: 038081481708. English.
A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The Air is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. The Jig of Slurs is a traditional Irish dance with a melody and feel that is infectious! (2:30) Air and Jig correlates to Book 2, Level 2 of Sound Innovations for Concert Band.
SKU: HL.4008821
UPC: 196288210542. 9.0x12.0x0.315 inches.
This tender and mournful traditional folk song remains a favorite with ensembles of all levels. Even in the easy flex format scored for four parts, this arrangement provides ample variety in textures, and musicality with effective emotional pacing.
SKU: LO.30-3731L
UPC: 000308154597.
Full Score for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
SKU: LO.99-4064L
UPC: 000308154665.
Bulk Performance CDs for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
SKU: ST.C183
ISBN 9790570811830.
Drunken Sailor — the sequelThis needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36, for example, might even be close to a glissando. Use your imagination to recreate the sailor’s state of health!The Vulgar BoatmanNot only more hidden melodies but more appalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four, eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman, you might spot just a hint of Sailing down the River on a Sunday Afternoon, We Sail the Ocean Blue (H.M.S. Pinafore), The Eton Boating Song and even Wagner’s Flying Dutchman.Last Tango in HarrisEveryone must surely know these thinly disguised Scottish tunes, but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict, but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be, as in bars 4 and 5 in the bassoon part.Rheumanian StretchesOr was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don’t always begin where you might expect. Think of this piece as a song.Four Pieces for Bassoon and PianoGrade 3Former Spartan Press Cat. No.: SP1163.
SKU: HF.FH-2509
ISBN 9790203425090. 8.3 x 11.7 inches.
1. Kegel; 2. Windmollerdanz; 3. Figaro; 4. Manchester; 5. Sett-Quadrille; 6. Rusch-Quadrille; 7. Schneidertanz (Sniderdans); 8. Vier-Turiger; 9. Grossvatertanz; 10. Dunkelschatten; 11. Schornsteinfeger und Besentanz; 12. Webertanz; 13. Katz und Maus (Mus, Ik krieg di); 14. Schwed'sche oder Schwitz-Quardrille; 15. Nummeri (Nummer drei); 16. Herr Schmidt; 17. Wi will'n nich wedder; 18. Wenn ich wusste; 19. Kiekbusch; 20. Oll Burdanz (Alter Bauerntanz); 21. Wunschwalzer (Erntebier); 22. Ruckelei; 23. Brautleuchtertanz (Rheinlander); 24. Bruthahnen; 25. Kussertanz; 26. Rosenpolka; 27. Lott is doot; 28. Gah von mi; 29. Dreh dich mal um; 30. Wenn die Hoffnung nicht war; 31. Schustertanz; 32. Winkerschottisch; 33. Bruder Jakob; 34. Plummenschurrer (Mecklenbur. Schottisch); 35. Plummenpflucker; 36. Afklopper; 37. Mudder Wittsch; 38. Trotz-Polka, oder: Trotzkopp; 39. Sieben Sprunge; 40. Schwarze Rippen; 41. Holsteiner Galopp; 42. Freut euch des Lebens; 43. Mann, kumm her, will'n danzen; 44. Schottisch Nr. 1; 45. Nickepolka; 46. Walzer, 47. Putzpeter, oder: Barbiertanz; 48. Kehraus.
SKU: HF.FH-2508
ISBN 9790203425083. 8.3 x 11.7 inches.
1. Achterum; 2. Amati-Polka; 3. Ballett-Quadrille; 4. Hackeblock; 5. Haker; 6. Hamburger Kontra; 7. Heirassa; 8. Hops-Kontra; 9. Jagerschottisch; 10. Kegeltanz, 11. Klapperschottisch; 12. Langenhager; 13. Leicht-Quadrille; 14. Rosenpolka; 15. Siebensprung; 16. Viertour mit Walzer; 17. Voss vor de Eggen; 18. Tampet; 19. Walzer-Kontra; 20. Windmuller; 21. Kontra mit der Windmuhle; 22. Schottisch-Quadrille.
SKU: FH.VC2
ISBN 978-1-55440-538-1.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Baroque and Classical Repertoire:Chaconne - Handel, George Frideric arr. Peter HeilbutUn ballo (A Ball) - Steibelt, Daniel arr. Eugen RappSchwedisch (Swedish) - Romberg, Bernhard arr. Percy SuchWhen I Am Laid in Earth (from Dido and Aeneas) - Purcell, HenryConcertino No. 4 in C Major, op. 22 - Breval, Jean-Baptiste arr. L.-R. FeuillardOmbra mai fu (Never Was a Shade) Handel, George Frideric arr. Gaston BorchTraditional and Romantic Repertoire:The Joker, op. 126b, no. 3 - Grechaninov, AlexandrAnitra's Dance - Grieg, Edvard arr. Ann LindsayShe's Like the Swallow - Canadian folk song arr. Forrest KinneyJoyeuse (Joyful) - Squire, William HenryAfter the Bass Is Over - Harris, Charles K. arr. Pat Legg and Alan GoutRepertoire Composed after ca 1930:Hen and Rooster - Konicek, ZdenekLatin Nights - Blackwell, David and Kathy BlackwellRunning of the Bulls - Cheney, Elliott W.Wrist Watch - Birston, HaroldSunday Drag - Perry, Anita D.Soft-Shoe Dance - Reubart, DaleFor a Blue Note - Allerme, Jean-Marc.
SKU: HL.49003135
ISBN 9780946535132. UPC: 884088991623. 8.25x11.75x0.436 inches. English.
This anthology of 72 music examples, consisting of the Teacher's Manual, Pupil's Questions, Music Book and two recordings on CD or cassettes, is intended to provide comprehensive resource materials for the listening component of the GCSE music syllabuses. The extracts have been selected especially to illustrate the periods, styles and rudiments of music encompassed within the syllabuses, and the four components of the publication produced to ensure maximum assistance to the teacher in the classroom. Selected contents: MUSIC IN THE LATE RENAISSANCE O quam gloriosum est regnum * T. Morley: MUSIC IN THE BAROQUE ERA: H. Purcell: Hark, each tree (from Ode for St Cecilia's Day) * A. Vivaldi: Second Allegro (from Op. 3 No. 11) * G.F. Handel: Lascia ch'io * J.S. Bach: Erschienen ist der herrliche Tag (BWV 629) * F. Couperin: Le Petit-Rein MUSIC IN THE ROMANTIC PERIOD: F. Schubert: Am Meer (from Schwanengesang) * H. Berlioz: Un Bal (from Symphonie fantastique) * F. Chopin: Mazurka (Op. 7 No. 5) * R. Schumann: Fantasiestuck (Op. 73 No. 1) * R. Wagner: Prelude (to Tristan and Isolde) * R. Strauss: Epilog (from Till Eulenspiegels lustige Streiche) * MUSIC IN THE TWENTIETH CENTURY: B. Bartok: Third movement (from Sonata for two Pianos and Percussion) * K. Stockhausen: Zyklus * C. Berberian: Stripsody * JAZZ AND POP: F. Molton: Peace in the Valley * Bix Beiderbecke and his Gang: Jazz Me Blues * The Platters: Only You * E. Fitzgerald: Mack the Knife * S. Getz and A. Gilberto: The Girl From Ipanema and more.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version