SKU: HL.14028172
6.75x9.75x0.055 inches.
Praise the Lord, O My Soul is a long anthem for Chorus SATB with solo lines.Composer and Organist Samuel Sebastian Wesley is the grandson of Charles Wesley, founder of Methodism, and son of composer Samuel Wesley. He composed music almost entirely for the Anglican church and his works are frequently performed there.
SKU: HL.49046717
UPC: 842819114024. 9.0x12.0x0.405 inches.
The 24 Soul Etudes constitute a kaleidoscope of soulful landscapes nested in human souls depth. These pieces are destined for pianists yearning to express their utter sensitivity and poetry in perfect osmosis with their audiences. These compositions can be savored as chosen flower bouquets in completion of a given piano recitals varied repertoire program by coloring through such sound paintings approaches revealing infinitely cap-tivating atmospheric and evocative universes. Alternatively, they could be presented in their entirety for a total immersion experience combining compelling meditative and reflective daydreamed worlds which lay in each of us. Their performance valorizes the pianist interpreter in a fusional communion with the listener merging both in a transcendental longing into a truly blossomed unison of human feelings. (Emile Naoumoff).
SKU: CL.032-3994-01
Crisp unison horn licks, funky backgrounds, and a high energy soul groove make Soulin’ an excellent chart for all mid-level bands. Playable with a minimum instrumentation, the open solo section includes suggested solos for your students. A dynamic chart with a soul groove that will be a big favorite with students and audiences alike!
SKU: BT.DHP-0991494-130
Soul Time by Roland Kernen has the two most important elements of any hit pop song - a driving rhythm and an attractive and catchy melody. This work has a three-part structure - a lively and exciting opening, a more peaceful middle section and an exuberant reprise. Get into the groove with this soulful work for brass band. Soul Time enthält alle Elemente, nach denen ein Unterhaltungsmusikstück verlangt: ein treibender Rhythmus und eine gefällige Melodie. Ein schwungvoller Titel, der zu Tanz und Showeinlagen inspiriert. Soul Time de Roland Kernen est un triptyque qui contient tous les éléments caractéristiques d’une œuvre de musique légère : une mélodie plaisante associée un rythme entraînant. Que du plaisir !
SKU: BT.DHP-0991494-030
SKU: PR.114419980
UPC: 680160681723. 9 x 12 inches.
The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.
SKU: LO.30-3322H
UPC: 000308142174.
Esteemed composer Z. Randall Stroope realizes the profound, soul-searching words of Tennyson’s Ulysses in a grand and expansive setting. Premiered in Carnegie Hall, Soulspeak is an absolutely stunning program closer that is well within the grasp of most high school, college, and professional ensembles.
SKU: LO.99-3572H
UPC: 000308142198.
SKU: BT.1267-05-010-MS
9x12 inches. English-German-French-Dutch.
Ray Charles (1930-2004) was a multitalented and pioneering American pianist and soul singer who became very popular in the late fifties, and remained respected for his music in the decades that followed. By incorporating gospel, jazz, blues, and big band elements, he helped shape the sound of rhythm and blues, and brought a soulful sound to everything from country music to pop standards. Ray Charles embodied the American dream, starting out a poor, blind boy from the southern United States and becoming an international music phenomenon; his nickname was “the Genius†for a good reasonIn this arrangement for concert band, Peter Kleine Schaars presents five of the songs thatcontributed to Ray Charles’ fame: I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So, and Unchain My Heart. Ray Charles (1930-2004) was een vernieuwend Amerikaans pianist en soulzanger die populair werd in de jaren vijftig en geliefd bleef in de decennia die volgden. Hij gaf mede vorm aan de sound van de rhythm & blues en hij gaf een soulachtigeklank aan alle muziek van country tot aan popstandards - waarin hij gospel, jazz, blues en bigband-elementen verwerkte. Dit arrangement bevat vijf van de songs die bijdroegen aan de roem van Ray Charles: I Can’t StopLoving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So en Unchain My Heart.In den fünfziger Jahren erlangte der Pianist und Soulsänger Ray Charles große, bis heute ungebrochene Popularität. In dieser Bearbeitung für Blasorchester präsentiert Peter Kleine Schaars fünf der Lieder, die wesentlich zu Ray Charles’ Ruhm beitrugen und auch heute noch ein hoch ansteckendes Soul-Fieber unter Musikern und Zuhörern auslösen können. Ray Charles (1930-2004) était un pianiste et un chanteur de soul américain l’esprit novateur et aux multiples talents. Il connut le succès dès la fin des années 1950 et son immense notoriété ne le quittera plus. En intégrant dans son jeu des éléments venus du gospel, du jazz, du blues et du big band, il a contribué la naissance et au développement du rhythm and blues et apporté une sonorité pleine de sensibilité tous les styles musicaux, de la musique country aux grands classiques de la musique pop. Ray Charles incarnait le rêve américain : musicien noir, aveugle, issu du milieu défavorisé du Sud des États-Unis, il accède au statut de phénomène musical dans le mondeentier. On ne l’a pas surnommé “the Genius†par hasard. Dans cet arrangement pour Orchestre d’Harmonie, Peter Kleine Schaars a rassemblé cinq titres emblématiques de Ray Charles : I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So et Unchain My Heart. Ray Charles è un vero mito: cinque decenni di successi, una carriera eccezionale ricca di decine di successi che hanno fatto il giro del mondo diventando fonte di ispirazione per intere generazioni di giovani artisti. Soprannominato “The Geniusâ€, questo pioniere del R&B e della soul music, cieco dall’et di sette anni, ha composto alcune delle canzoni memorabili della musica nera americana tra cui I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her so e Unchain My Heart.
SKU: HL.148932
UPC: 888506040016. 2.75x6.0x2.16 inches.
Hotone's all-new Soul Press 3-in-1 Volume/Expression/Wah-Wah pedal offers the convenience of each of these pedals in a single design. Inspired by the legendary CryBaby wah pedal, the Soul Press produces premium wah-wah effects. In addition, guitar volume and expression pedal modes are available with the flip of a switch. The easy-to-use design of the Soul Press features a metal footswitch and analog-style parameter knobs. Featuring multiple LEDs (Effects, Bypass/Off) and a strong casing, this pedal looks great and is built to last. The pedal offers true bypass circuitry for the highest quality sound when passing through un-effected signals. Soul Press enables players to craft the lightest, most compact pedalboard imaginable in combination with Hotone's Skyline Series Stompboxes. The 3-in-1 design of the Soul Press also makes for a great addition to an existing pedalboard where more effects are desired, but space and weight are at a premium. With great sound and maximum portability, Hotone's Soul Press Volume/Expression/Wah-Wah pedal is an optimal solution for guitarists that want excellent guitar tone for jam sessions, home office settings, bedroom setups and more. Features: • True bypass • Extreme compact size • LED lights • 3-in-1 pedal (Volume/Expression/Wah) • Sound based on the original CryBaby wah pedal • Adjustable control range (bottom value) • Active volume mode for keeping lossless tone • 9V DC or 9V battery power supply.
SKU: BT.DHP-1165684-015
English-German-French-Dutch.
The spiritual can be seen as the precursor of the black gospel music genre. Eric J. Hovi used the famous spiritual Rock My Soul in the Bosom of Abraham to make a simple but swinging arrangement for four-part variable wind ensemble with percussion. De spiritual kan worden gezien als de voorloper van de zogenoemde black gospelmuziek. Eric J. Hovi maakte van de beroemde spiritual Rock My Soul in the Bosom of Abraham geheel in stijl een eenvoudige maar swingende bewerking voor vierstemmige variabele blazersbezetting met slagwerk. Das Spiritual kann als Vorläufer der sogenannten schwarzen Gospelmusik angesehen werden. Eric J. Hovi verwendete das berühmte Spiritual Rock My Soul in the Bosom of Abraham als Vorlage für ein einfaches, aber swingendes Arrangement für vierstimmige variable Besetzung mit Schlagzeug. Le spiritual peut être classé comme prédécesseur du gospel. Eric J. Hovi fait usage du célèbre spiritual Rock my Soul in the Bosom of Abraham pour en faire un arrangement simple mais rythmé pour orchestre d’harmonie variable quatre voix avec percussion. Lo spiritual può essere considerato l’antesignano del genere gospel. Eric J. Hovi ha rivisitato il noto canto tradizionale Rock My Soul in the Bosom of Abraham per un arrangiamento dall’andamento “swingato†per organico variabile a quattro voci e percussioni.
SKU: BT.DHP-1165684-215
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