Choral SAB choir

SKU: XC.SAB2002

Composed by C. 12th Century LATIN. Arranged by Jamey Ray. Christmas and Holiday. Octavo. Excelcia Music Publishing #SAB2002. Published by Excelcia Music Publishing (XC.SAB2002).

UPC: 812598034820. 6.8 x 10.5 inches.

Voctave's arranger Jamey Ray has created a hauntingly beautiful setting of this traditional Christmas hymn in an arrangement that is accessible for any choir. The piano motive and chromatic accompaniment surround this well-known melody with lush harmonies and choral lines to create an elegantly simple selection that will speak to the hearts of your singers and audience in the Christmas season.

By Gabriel Faure. For Orch. (SATB with SB Soli). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred. Book. 80 pages. Published by Alfred Publishing.

SAB choir, assembly, piano reduction, flute 1, flute 2, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, percussion - Beginning

SKU: GI.G-9499

Arranged by Chris De Silva. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day, Epiphany. Christmas. Sacred. Octavo. 8 pages. GIA Publications #9499. Published by GIA Publications (GI.G-9499).

UPC: 785147949909. English, Latin. Text Source: Ref. Piae Cantiones, 1582, vv. Joseph S. Cook, 1859-1933. Text by Joseph S. Cook.

The traditional 16th-century Christmas hymn “Gaudete” has been arranged by Chris de Silva for SAB voices, winds and percussion. At the center of this piece is the hymn itself surrounded by choral fanfares inviting listeners to rejoice at the birth of Christ, the Son of Mary. Percussion part is for snare drum.

By Sherri Porterfield. For Choir. (SSA). Choral Octavo. Choral Designs. Choral Octavo. 12 pages. Published by Alfred Publishing.

Chorus (with soloists) and orchestra (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str)

SKU: BR.PB-16109

Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; Softbound. Partitur-Bibliothek (Score Library). Requiem; Romantic; Late-romantic. Full score. 224 pages. Duration 75'. Breitkopf and Haertel #PB 16109. Published by Breitkopf and Haertel (BR.PB-16109).

ISBN 9790004214367. 10 x 12.5 inches.

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)

authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).

Double bass (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp - 2hp - org(ad lib) - str)

SKU: BR.OB-16109-27

Urtext based on the new Complete Edition. Composed by Johannes Brahms. Edited by Michael Musgrave and Michael Struck. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Requiem; Romantic; Late-romantic. Part. 16 pages. Duration 75'. Breitkopf and Haertel #OB 16109-27. Published by Breitkopf and Haertel (BR.OB-16109-27).

ISBN 9790004347416. 10 x 12.5 inches.

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressing the Last Judgment's terror and sinful human beings' redemption through death on the cross. His attention, on the contrary, was on Biblical texts that focus on human transience and comfort: comfort to the bereaved and comfort to all who fear death. To some extent, it could be called the epitome of Brahms's work. In the relevant volume of the new Brahms Complete Edition, on which this new practical edition is based, editors Michael Musgrave and Michael Struck clear up all sorts of legends, errors, and erroneous readings. Brahms's subsequent minor compositional changes are taken into account, poor decisions in previous editions are corrected, and the Bible texts sung contain writing and meaning corrections. In addition, the texts elucidate many myths about the composition's origin. Thus, this Urtext edition creates a fresh perspective on the People's Requiem, as Brahms would have preferred to call the composition. This new B&H publication is extremely good value, and it really does breathe new life into an old master. The pages of the full score are delightfully easy on the eye. The edition's visual effect is precise, lucid, and sympathetic - as, indeed, a good performance of Brahms's choral masterpiece should be.(Jeremy Summerly, Choir & Organ)

authoritative music text based on the current state of research; erroneous traditional readings corrected; orchestra material tried and tested; new piano vocal score (compact engraving, clear legibility).

Unison voices, two-part chorus - early intermediate

SKU: XC.HRMG2143

Composed by Michael John Trotta. Michael John Trotta. Sacred. Octavo. 8 pages. Hampton Roads Music Group LLC #HRMG2143. Published by Hampton Roads Music Group LLC (XC.HRMG2143).

UPC: 785147103059. Latin. Text source: Traditional.

Now for unision voices (opt. 2-part) thie beautiful modern harmonies create the backdrop for this elegantly simple work that is well within reach for most choirs. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the solo chant line, which may be sung by a soloist, small group, or performed by a C instrument. Also available for SATB, SAB, 3pt, SA, and unsion voices with piano. This artistic setting is equally appropriate for litugical use or the concert stage.

Composed by Darin Lewis. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Christmas; Sacred. Choral Octavo. 12 pages. Alfred Music #00-48354. Published by Alfred Music

SATB with S,Bar Soli (Orch.) (German Language Edition). Composed by Johannes Brahms (1833-1897). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Masterwork; Romantic; Sacred. Book. 96 pages. Kalmus Classic Edition #00-K06110. Published by Kalmus Classic Edition

Composed by Grace Chung. Hinshaw Music. Sacred. Octavo. Hinshaw Music Inc. #HMC2584. Published by Hinshaw Music Inc.

Choral SAB choir, piano

SKU: CF.CM9760

Composed by James Kevin Gray. Duration 3 minutes, 12 seconds. Carl Fischer Music #CM9760. Published by Carl Fischer Music (CF.CM9760).

ISBN 9781491162484. UPC: 680160921232. Key: D major. Original.

Go Now in Peace, My Friends was written as a celebration of friendship and joy. The lyrics remind us of the gift of shared experiences, like singing in a choir. When we part from these gathered experiences, we are fuller of the good than we came; we learn from each other and are forever blessed by it.I wanted this song to feel like home to several traditions. Therefore, I used English, Latin, and Hebrew. The latter are two ancient languages that have endured millennia.Ite nunc in pace is Latin for go now in peace.Shalom chaverim is Hebrew for peace friends.It is my great hope that this song inspires you to appreciate the friends you have and the ones you will meet in the future.James Kevin Gray.

Soprano voice

SKU: OT.28101

Composed by Daniel Akiva. For mezzo-soprano and piano. Classical, Jewish. Performance score. OR-TAV Music Publications #28101. Published by OR-TAV Music Publications (OT.28101).

ISBN 9789655050752. 8.27 x 11.69 inches.

Song cycle in Ladino for mezzo-soprano and piano.
The song cycle Sarina kanta is sung in Ladino and was inspired by Sephardic folk songs. Various folk songs are quoted in the work. The first movement is a fantasia based on a poem by Avner Perez, Sarina kanta romansas, (Sarina sings romances). Sarina is Perez' grandmother, whose memory is recalled in this cycle of poems. The remaining movements are based on songs from the Ladino repertoire. Sarina kanta is also published for soprano and piano, and in the original version for mezzo-soprano and string orchestra.
Contents:
Sarina kanta
Una matika de ruda
Ya abasha la novia
La Estreyas
Ya salio de la mar
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. FOr many years he chaired the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-1019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709669

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. Separate instruments. Sacred vocal music, Mass sections. Set of Orchestra Parts. CG 74. Duration 35 minutes. Carus Verlag #CV 27.096/69. Published by Carus Verlag (CA.2709669).

ISBN 9790007239800. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and parts available separately - see item CA.2709600.

Soli SATB, SATB Choir, 4 Tr, 3 Trb, Vl solo, Arpa, Org (statt Blaser alternativ Pfte, Org)

SKU: CA.2709631

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. 4 Trrumpets + 3 Trombones. Sacred vocal music, Mass sections. Single Part, 4 Trumpets + 3 Trombones. CG 74. 4 pages. Duration 35 minutes. Carus Verlag #CV 27.096/31. Published by Carus Verlag (CA.2709631).

ISBN 9790007239848. Language: Latin.

Gounod's Messe a la memoire de Jeanne d'Arc was composed in 1887 for a festive mass in Reims to commemorate the arrival of the national heroine in the city on the occasion of the coronation of Charles VII in 1429. Performed a cappella or only accompanied by an organ, vast stretches of the work are in an archaic style in the tradition of Palestrina. The royal procession into the cathedral is conveyed in the splendid Prelude at the beginning, which was performed at the premiere by eight trumpets, three trombones, and organ. In the performance material, the present edition also offers a version of the movement for piano and organ. For the Offertoire, Gounod composed a cantilena for violin and organ (or piano), which is also included in the edition, as a Vision of Jeanne d'Arc. Score and part available separately - see item CA.2709600.