Harp

SKU: HL.227553

Harp Solo. Composed by Agustin Lara. Arranged by R. Elster. Peermusic Classical. Classical. 8 pages. Peermusic Classical #60552-557. Published by Peermusic Classical (HL.227553).

UPC: 680160421831. 9.0x12.0x0.041 inches.

Harp

SKU: HL.227944

Harp Solo. Composed by Robert Starer. Peermusic Classical. Classical, Prelude. 4 pages. Peermusic Classical #60944-557. Published by Peermusic Classical (HL.227944).

UPC: 680160424115. 9x12 inches.

Harp

SKU: HL.227905

For Pedal or Troubadour Harp. Composed by Alberto Dominguez. Peermusic Classical. Classical. 4 pages. Peermusic Classical #60905-557. Published by Peermusic Classical (HL.227905).

UPC: 680160423903. 9x12 inches.

Harp

SKU: HL.228357

Harp Solo. Composed by Rudolf Maros. Peermusic Classical. Classical, Suite. Peermusic Classical #61356-557. Published by Peermusic Classical (HL.228357).

UPC: 680160427130. 9.0x12.0x0.057 inches.

Harp

SKU: HL.227040

Harp Solo. Composed by Charles Fox. Peermusic Classical. Classical. 12 pages. Peermusic Classical #60041-557. Published by Peermusic Classical (HL.227040).

UPC: 680160418688. 9x12 inches.

Harp

SKU: HL.228128

Harp Solo. Composed by Halsey Stevens. Peermusic Classical. Classical. 8 pages. Peermusic Classical #61128-557. Published by Peermusic Classical (HL.228128).

UPC: 680160425433. 9x12 inches.

Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Amadeus Mozart, arranged for harp by Ekaterina Afanasieva (2015). Composed by Fazil Say. Arranged by Ekaterina Afanasieva. This edition: Saddle stitching. Sheet music. Der Finalsatz der Sonate A-Dur KV 331 von Wolfgang Amadeus Mozart, das Rondo Alla Turca, ist eines der bekanntesten Klavierstucke uberhaupt. An diese Popularitat knupft das als effektvolle Zugabe entstandene Stuck von Faz?l Say in der Bearbeitung fur Harf. Classical. Single sheet. Composed 1993. Op. 5b. 8 pages. Duration 4'. Schott Music #ED22797. Published by Schott Music

(Harp Part). By Paul Csonka. Harp. Peermusic Classical. Softcover. 16 pages. Peermusic #60246-158. Published by Peermusic

Composed by Chuck Bird and Susan Peters. Squareback saddle stitch. Book and online audio. 120 pages. Published by Mel Bay Publications, Inc (MB.95500M).

(Harp Solo). By Carlos Salzedo (1885-1961). Peermusic Classical. 10 pages. Peermusic #60646-557. Published by Peermusic

(Harp Solo). By Jose Serebrier (1938-). Peermusic Classical. 28 pages. Peermusic #60202-566. Published by Peermusic

Folk Harp; Harp

SKU: HL.720360

For Harp. Composed by Johann Pachelbel. Arranged by Sylvia Woods. Harp. Classical. 40 pages. Hal Leonard #0936661186. Published by Hal Leonard (HL.720360).

ISBN 9780936661186. UPC: 073999451405. 8.5x10.8x0.113 inches.

This popular piece is in great demand and is now available for folk harp. This book includes several arrangements: an easy solo version, an advanced solo version in the keys of G and D, and a duet version for harp and melody instrument. Playable on lever harp or pedal harp. Arrangements in this folio include: â?¢ Easy harp solo in the key of D â?¢ Advanced harp solo in the key of D â?¢ â??Aâ? part for harp duet in the key of D â?¢ â??Bâ? part for harp duet or ensemble in the key of D â?¢ Melody instrument part for ensemble in the key of D â?¢ Easy harp solo in the key of G â?¢ Advanced harp solo in the key of G â?¢ â??Aâ? part for harp duet in the key of G â?¢ â??Bâ? part for harp duet or ensemble in the key of G â?¢ Melody instrument part for ensemble in the key of G.

By Huguette Geliot. For harp. Classical. Score. 47 + 8 pages. Published by Editions Henry Lemoine score Classical

Composed by Star Edwards. Harp: Folk and Pedal,Style,Celtic / Irish,Classical,Folk,Featured Products,Method. Young Beginner. Book and Online Audio. 80 pages. Published by Mel Bay Publications, Inc

Harp

SKU: UT.MAG-274

Composed by Philipp-Joseph Hinner. Edited by Francesca La Carrubba Jessica Pettenà. Saddle stitching. Magadis. Classical. Score and Parts. Ut Orpheus #MAG 274. Published by Ut Orpheus (UT.MAG-274).

ISBN 9790215326859. 9 x 12 inches.

Rediscovering, studying and analyzing the musical art of Philipp Joseph Hinner means enhancing a piece of the eighteenth-century harp music mosaic. Hinner's work intrigues for its extraordinary simplicity, for its regularity and harmony; the ordered balance of the parts, symmetry and sense of proportion are essential elements for the author, and give character and unity to his work. The harp repertoire has long been overshadowed by the keyboard one, which boasts extensive solo and chamber literature, and consolidated for over two centuries. The rediscovery of the history of our instrument, however, is still recent and the research work in the field of harp music is still long.
Hinner, with the apparent simplicity of his opus 10, can thus regain his role in the harp repertoire of the eighteenth century, as well as covering a considerable didactic value today. The part of the first harp undoubtedly presents characteristics of greater rhythmic and virtuosic complexity than that of the second, which consists of a continuous accompaniment interspersed with simple thematic imitated episodes. Furthermore in the composition are included arias such as O ma tendre Musette, a French popular melody of the 18th century (previously set to music by Pierre-Alexandre Monsigny), and <>, taken from the opera-comique L'erreur d'un moment ou la Suite de Julie by Nicolas Dezede, as well as themes from Gluck's Iphigenie en Aulide, which had been all used also by Hinner's first harp master, Francesco Petrini (1744-1819).
Hinner's opus 10, originally written in separate parts for two harps, or harp and fortepiano, is presented here updated and completed with its score, for a thorough perception of the work.