SKU: CF.CM8489
ISBN 9780825828317. 6.875 X 10.5 inches. Terry York.
Schwoebel is a tireless Minister of Music. The composer of over 150 published works with 16 different publishers, he also directs six choral organizations, four handbell choirs, and a 32-piece orchestra from his post at Derbyshire Baptist Church in Richmond. He is active as a choral clinician and adjudicator, leads publisher reading sessions, has served as Music & Worship Chair for the Virginia ACDA, and travels extensively for lectures and workshops, and still finds time to perform occasional concerts and act as accompanist. To celebrate this life in music, we make available his 1997 Carl Fischer Music publication of God's Gift.
SKU: HL.14050045
ISBN 9781785580321. UPC: 888680600730. 9.0x12.0x0.195 inches.
Five great songs are given the gospel treatment, and the result is a guaranteed showstopper - fun, funky, slick and stylish. The arrangements are by vocal coach and choral director Mark De-Lisser, and were performed by his choir, ACM Gospel Choir, on BBC's Last Choir Standing - they are all uplifting, modern and a joy to sing.
SKU: HP.9118
UPC: 763628191184. Mark Hayes.
Small Ensemble Choral Collection Here are s seven popular contemporary worship songs expertly arranged for Two-Part Mixed voices. Arranger, Mark Hayes, is known for his creative, yet playable piano accompaniments and this collection does not disappoint. They support the singer and elevate the easy-to-sing vocals to an inspiring level of artistry and worship.
SKU: HL.1466075
ISBN 9798892702331. UPC: 196288212614. 9.0x12.0x0.186 inches.
Written for the Chapel Choir of University College, Oxford, Giles Underwood, Director of Music. This setting of Pireeni Sundaralingam's poem LOT'S WIVES (about the Sri Lankan Civil War that took place between 1983-2009) was written in June of 2023, during the war between Russia and Ukraine and four months before the escalation between Israel and Palestine. Bruce Adolphe describes the work: “As a composer, I was drawn to the way the poem looks back in time as the women look back on destruction, creating a temporal counterpoint of past and present. To set these words, I combined the sorrowful lyricism of looking back to the past with the fierce dissonance of present violence. The cello plays several roles: it triggers memory; it comments on the text and on the music that is sung; it provides accompaniment.”.
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