SKU: HL.48182998

UPC: 888680877194. 9.0x12.0x0.053 inches.

“As a prestigious composer of the early 20th century, Maurice Ravel's Piece in the Habanera style, transcribed for the Oboe by Fernand Gillet, or for Cor Anglais by G. A. Leduc, contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies, Piece in the Habanera style clearly exemplifies these qualities through flourishing Oboe or Cor Anglais lines and evocative, chordal and rhythmic Piano accompaniments. Moreover, Habanera rhythms heard throughout the piece create further excitment. All of these musical elements combine to create a highly enjoyable piece for the Oboe and Cor Anglais repertoire. In addition, the clear print of separate solo and accompaniment parts in this edition of Piece in the Habanera style make this an irresistable purchase for aspiring Oboe and Cor Anglais players.”.

SKU: ST.C461

ISBN 9790570814619.

This edition replaces the old Nova Edition NM394 and the subsequent but also now defunct EMA142. Both previous editions are now out of print. This is a freshly edited, updated and greatly improved edition.

[bg_collapse view=link color=#4a4949 icon=arrow expand_text=Show More collapse_text=Show Less ]

Gioacchino Rossini: Variations for Oboe and Piano
Rossini was still a student at the Liceo Filarmonico in Bologna when he wrote these Variations at the age of 18. Originally thought to have been written for Clarinet in C and Orchestra, recent scholarship, culminating in Heinz Holliger’s brilliant recording (Philips 9500 564), has provided many good reasons why the oboe is clearly the solo instrument. Not only does it ‘look like’ oboe music but the writing (within the oboe’s exact range at that time) ignores more than an octave of the clarinet’s potential range. Also, it is most unusual to find the solo wind instrument duplicated in the accompanying orchestral parts, thus providing unnecessary competition in timbre.

Frédéric Chopin: Variations on a Theme by Rossini
No such ambiguity surrounds the origin of Chopin’s Variations on a Theme from Rossini’s opera La Cenerentola — orginally for flute. It is not definitely known for whom they were written, but they may have been either for his father (who played the flute), or for his close friend Matuszynski. They date from 1826-30 and here transposed from the original E major into D major for the oboe, provide a valuable addition to the oboist’s nineteenth century repertoire.

[/bg_collapse]

Arranged by Mark Goddard
Grades 7–8
Former Spartan Press Cat. No.: EMA142.