SKU: BT.EMBZ14872
The three movements reflect classical romantic concertos in not only their structure but also their character. The relations between soloist and orchestra echo the dramatic composition of traditional concertos besides providing a significant role for wind and percussion instruments in tonality, which creates a specific tone familiar from László Dubrovay's earlier compositions. His Violin Concerto No. 2, completed in April 2011, is dedicated to the internationally noted young Hungarian violinist, Kristóf Baráti, whose extraordinary performing skills inspired the flexible melodiousness and virtuoso perfection of the themes.
SKU: UT.XXS-83A
ISBN 9790215320307. 9 x 12 inches.
Performance Material on Hire[2.1.1.2 - 2.0.0.0 - Str].
SKU: HL.50600198
8.0x11.75 inches.
SKU: HL.50494167
PER VIOLINO E ORCHESTRA - RIDUZIONE PER VIOLINO E PIANOFORTE.
SKU: BT.EMBZ13427
(Hungaroton HCD 31787).
SKU: LM.JJ10043
ISBN 9790230810043.
SKU: LM.JJ07157
ISBN 9790230807157.
SKU: LM.29209
ISBN 9790230992091.
SKU: LM.JJ19152
ISBN 9790230819152.
SKU: LM.28883
ISBN 9790230988834.
SKU: LM.JJ11699
ISBN 9790230811699.
SKU: BA.BA09099-65
ISBN 9790006565672. 32.5 x 25.5 cm inches. Key: E minor.
WithElverskud(The Erl-Kings Daughter), Gade presented his secondsecular cantata for soloists, choir and orchestra, the first having been his successfulComalaOp. 12 (1845/46). The genre was quite popular among his contemporaries. This time, Gade planned to base the work on the text of a folk song. Originally, he had approached Hans Christian Andersen for a text but a collaboration did not materialize. The text Gade ultimately chose for his music was that of a ballad most likely penned by Emil Erslev and Gade himself. A German translation by Edmund Lobedanz was added at a later time.The composition, started in 1851 and finished in March of 1854, soon became an international success and one of Gade's most-performed works. In 1864, the composer made a number of changes to the instrumentation. While the new version was subsequently used for all performances conducted by Gade, the changes were never incorporated into the printed edition of the score. This edition is the first to present this 1864 version.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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