Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

By Robert Schumann. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 800 pages. Published by Subito Music.

Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 great masterpieces from the baroque, classical, romantic and modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.

Arrangement for Piano. Composed by Johann Sebastian Bach (1685-1750) and Ferruccio Busoni (1866-1924). Edited by Christian Schaper and Ullrich Scheideler. Henle Music Folios. Classical. Softcover. 18 pages. G. Henle #HN1376. Published by G. Henle

Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 232 pages. Published by Hal Leonard.

Edited by Denes Agay. For piano. Music For Millions: Volume 27. Format: piano solo book. With fingerings. Baroque, Classical Period, Romantic Period and 20th Century. 160 pages. 9x12 inches. Published by Music Sales.

By Amy Appleby. For Piano. Children's, Folk. Sheet Music. 240 pages. Published by Music Sales

Composed by John Brimhall and Jonathon Robbins. Collection; Classical. Book. Santorella Publications #O114. Published by Santorella Publications

By Amy Appleby. For Piano. Classical. Sheet Music. 192 pages. Published by Music Sales.

Edited by Amy Appleby. For piano. Format: piano solo book (spiral bound). With fingerings. Baroque, classical period, romantic period and americana. 240 pages. 9x12 inches. Published by Music Sales.

Edited by Lynn Freeman Olson. For Piano. Piano Collection. Essential Keyboard Repertoire. Masterwork. Level: Early Intermediate / Late Intermediate (grade 3/4/5/6). Book. 144 pages. Published by Alfred Publishing.

Composed by Cesar Auguste Franck (1822-1890), edited by Emil Von Sauer. For piano. Format: piano solo book. Romantic period. 23 pages. 9x12 inches. Published by C.F. Peters.

Composed by Johann Sebastian Bach (1685-1750), edited by Georg Von Dadelsen. For piano (or harpsichord). Urtext of the New Bach Edition. Format: piano solo book. With introductory text. Baroque. 47 pages. 9x12 inches. Published by Baerenreiter-Ausgaben (German Import).

Piano

SKU: BT.MUSM570364459

Composed by Robert Saxton. Classical. Book Only. 24 pages. University of York Music Press #MUSM570364459. Published by University of York Music Press (BT.MUSM570364459).

English.

Robert Saxton 's Hortus Musicae , Book 1 was commissioned by Ian Richie for the 2013 City of London Festival with funds provided by the John S. Cohen Foundation. The first performance was given by Clare Hammond on June 24th 2013 at the church of St Mary Le Bow. The title, less 'literal' in Latin than in the vernacular, refers to the idea of an allegorical/metaphysical garden (reference to a 'real', or existing, garden might be implied by Hortus Musicus) with various facets. The titles of the individual pieces/movements, with their respective garden image, are as follows: 1) Hortus Somniorum: a fleeting vision of a 'magical' garden 2) Hortus Temporis: a reflection of/on the floralclock described by Andrew Marvell (1621-1678) in his [metaphysical] poem The Garden: How well the skilful gardener drew Of flowers and herbs this dial new Where from above the milder sun Does through a fragrant zodiac run; And, as it works, the industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckoned but with herbs and flowers! 3) Hortus Cantus: A garden in which nature 'sings' (praises), in the manner of a 'chorale prelude' and ending with the cantus firmus transformed into bells. 4) Hortus Infinitatis: A meditative/formal garden representing Time suspended, in the form of a palindromic prolation canon combined with a harmonic ground (chaconne). 5) Saltatio Hortensis: A (summer) garden of dancing, celebratory nature. Its essence (and that of the entire cycle, both metaphorically and structurally/formally) is summed up in words spoken by Miranda in WH Auden's 1944 Tempest [Shakespeare]-inspired poem The Sea And The Mirror; So, to remember our changing garden, we Are linked as children in a circle dancing. Duration: 15 minutes.