SKU: FP.FCG08

ISBN 9790570504084.

Born in Bury in 1937, Gordon Crosse is one of the most distinguished composers of his generation. He studied at Oxford University under Egon Wellesz and, during a long academic career, was Composer-in-Residence at King's College Cambridge from 1973-75. His best known works include the oboe concertante Ariadne, the Three Choirs Festival Oratorio Changes, the opera Purgatory, the children's entertainment Meet my Folks, to words by Ted Hughes, the orchestral Dreamsongs (a homage to the music of Benjamin Britten) and Memories of Morning: Night (a monodrama for mezzo-soprano and orchestra).

Three Twitchings was first performed by John Turner (recorder) and Nathan Williamson (piano) in the Library at The Red House, Aldeburgh, on October 4th 2018. Two scores are provided, rather than a separate recorder part, so that the recorder player can see and respond to the pianist's part as they play.

SKU: FP.FSR01

ISBN 9790570504152.

Robin Steven’s Balmoral Suite is an affectionate tribute to the Royal Family in the late reign of Queen Elizabeth II. Featuring musical sketches of imagined family life during summers at their Scottish home, the work is a pastiche of well known Scottish folk tunes, delivered with the occasional modernist twist and plenty of humour.

A version a version for string orchestra and harp accompaniment is also available and can be heard recorded by John Turner with the Manchester Sinfonia conducted by Richard Howarth, on the album Balmoral Suite and Other Recorder Favourites.

SKU: FP.FDD02

ISBN 9790570503834.

Vernon Park, Stockport’s oldest park, was created on land donated by Lord Vernon (George John Warren). It was built by poor mill workers who called it pinch-belly park and opened on 20th September 1858. Comprising twenty-one acres, it houses a museum, a bandstand, ornamental fountains, a fernery, rockery, borders and sunken rose garden as well terraced walkways that overlook the river and weir. The piece depicts a solitary walker engrossed in his own thoughts on a winter’s day, the landscape, and the park’s Victorian past.

At the very end of the piece a reminder of the park’s Victorian origins can be detected in a quote from Elgar’s Salut d’amour of 1899, which may well have been played by a band in the bandstand. Stockport market celebrated its 750th anniversary in 2010. It dated back to September 1260 when a Royal Charter allowed Robert de Stokeport, the Mayor, to hold a weekly market within the defensive walls of the Norman Castle on the present site of Castle Yard.

The Glass Umbrella was a popular name given to the 1861 covered market built of timber, glass and iron - nine bays with open sides and a glass canopy. In 1912, one bay was removed to enable electric trams and trolley buses to turn a sharp corner.

The piece depicts a lively market day, the multiculturalism of the present day and the old cries of pick and pay without delay. The bells of St Mary’s Church are depicted by a cascading peel tuned to the ten bells of the church tower, and a fleeting reference to John Wainwright’s famous Christmas hymn Christians Awake, and the Westminster chimes striking the hour from St Mary’s, bring to piece to a conclusion. Separate parts are provided for recorder and oboe.

SKU: FP.FBM04

ISBN 9790570504077.

The opening movement is a free fantasia, contrasting with the middle movement, a scherzetto, in homage to, and based on the letters of the name of, the composer Douglas Steele, an assistant to Sir Thomas Beecham and a founding father of Chethams School, and which quotes from Steele’s beautiful carol The Snow Falls.
Divertimento was first performed by John Turner and Janet Simpson at a concert in aid of the Peter Cunningham Memorial Fund at Mellor Church on 17th January 2005. It uses both treble and descant instruments. The second movement was originally composed for a concert in Manchester Cathedral in memory of Douglas Steele, one of the founding fathers of Chetham's School, and quotes (by kind permission of Forsyth Brothers Ltd.), from his well-known carol The Snow Falls. It has been separately recorded by John Turner and Stephen Hough on Autumn Sequence – the music of Douglas Steele and his Circle (Campion Cameo 2040/41).
Martin Bussey was born in London in 1958. He was a Choral Scholar at King’s College, Cambridge, during which time he studied composition with Robin Holloway. Following postgraduate singing study at the RNCM he settled in Manchester and held a number of posts, including Head of Academic Music and Director of Choirs at Chetham’s School of Music until 2013. He continues as Musical Director of the Chester Bach Singers, a Vocal Tutor at Manchester University, Chairman of the Finzi Friends and a Director of the Ludlow Song Weekend. Compositions include the highly successful monodrama about Mary I, Mary’s Hand, premiered in 2018; a significant collection of solo songs which includes settings of Housman, Hardy, and Walt Whitman, many recorded on the disc Through a glass; and much choral music, recorded by Sonoro under Neil Ferris in 2019.

SKU: BT.CAMCM234

Creative Variations provides musicians with the opportunity to explore and develop their own musical ideas in the preparation and performance of contemporary compositions. Each piece offers a different approach to'variation on a theme' either through demonstration or by composition or improvisation. Even fully notated sections are open to musical interpretation and musicians should feel free to add their own dynamics, phrasing andarticulations.

Written by Jeffery Wilson and Malcolm Miles, this volume is for Treble or Descant Recorder and includes a playalong CD.

SKU: BR.EB-8609

Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.

ISBN 9790004179956. 9 x 12 inches.

It is generally quite easy to adapt sonatas for Baroque oboe (and continuo) to the soprano recorder since both instruments have an identical range. Yet considering the great popularity of the previously published works, it is strange that Antonio Vivaldi's only sonata for this instrument has received little attention to date. This edition is based on a manuscript preserved in the Sachsische Landesbibliothek Dresden under the class. no. Mus. 2389-S-1. The preparation of the edition entailed the adjustment of the accidentals to present-day practice, and the realization of the (unfigured) thoroughbass part. No slurs were added to those already contained in the manuscript so as to allow the performer to find his own solutions. Otherwise the virtually error-free manuscript was reproduced without change. We wish to thank the directors of the Sachsische Landesbibliothek Dresden for their authorization to publish the work. (Hamburg, Fall 1995 - Martin Nitz)

Vivaldi's only oboe sonata requires an interpretation, since the thoroughbass part is not figured. Thanks to Martin Nitz's stylistically authentic realization and careful editorial work, this rather neglected piece is sure to find many new friends.

SKU: BT.CAMCM233

This collection of tuneful and engaging pieces ranges from Grades 1-5 in standard and is an ideal introduction to developing improvisation. Includes parts for both Treble and Descant recorders as well as a CD which givesfull-length demos and tracks to play along with.

SKU: LM.C05906

ISBN 9790230359061.