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| Messiah
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra [Vocal Score]
Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siem...(+)
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Vocal score. Language: English/German. Composed 1742. HWV 56. 184 pages. Duration 150 minutes. Published by Carus Verlag
$17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Messiah
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra [Score]
Carus Verlag
By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arra...(+)
By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB soli, S(S0ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Messiah kart GA-Format. Oratorios. Full score. Language: English/German. Composed 1742. HWV 56. 328 pages. Duration 150 minutes. Published by Carus Verlag
$142.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| George Frideric Handel: Dettinger Te Deum
Soli, Mixted choir and accompaniment
SATB, Piano [Vocal Score]
Peters
(Te Deum For The Victory Of Dettingen) Composed by George Frideric Handel (1685-...(+)
(Te Deum For The Victory Of Dettingen) Composed by George Frideric Handel (1685-1759), edited by Carl Eberhardt. HWV 283. For ATB solos, SSATB choir and piano accompaniment. Format: vocal score. With choral notation, piano reduction and introductory text. Baroque. Text language German/English. 99 pages. 7.5x10.5 inches. Published by C.F. Peters.
$20.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Messiah
Soli, Mixted choir and accompaniment
Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siem...(+)
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Complete orchestral parts. Language: English/German. Composed 1742. HWV 56. Duration 150 minutes. Published by Carus Verlag
$316.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Messiah
Soli, Mixted choir and accompaniment
Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemo...(+)
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition ; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids, Sacred vocal music, Oratorios. Vocal score. Composed 1742. HWV 56. 256 pages. Duration 150 minutes. Carus Verlag #CV 55.056/02. Published by Carus Verlag (CA.5505602).
$34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Messiah
Soli, Mixted choir and accompaniment
Carus Verlag
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemo...(+)
Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition ; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids
$204.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Theodora
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Vocal Score]
Novello & Co Ltd.
By George Frideric Handel. For SMATB Soli, SATB Choir, Piano Accompaniment. Baro...(+)
By George Frideric Handel. For SMATB Soli, SATB Choir, Piano Accompaniment. Baroque, Choral. Sheet Music. 244 pages. Published by Novello and Co Ltd.
(1)$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Te Deum for the Victory of Dettingen
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Carus Verlag
(Soli ATB, Coro SSATB, 2 Ob, Fg, 3 Tr, Timp, 2 Vl, Va, Bc) SKU: CA.5528345(+)
(Soli ATB, Coro SSATB, 2 Ob, Fg, 3 Tr, Timp, 2 Vl, Va, Bc) SKU: CA.5528345 Dettingen Te Deum. Composed by George Frideric Handel. Carus Choir Coach (audio only). Composed 1743. HWV 283. Duration 38 minutes. Carus Verlag #5528345. Published by Carus Verlag (CA.5528345). English/German. In keeping with the victorious mood, Handel often splits the chorus into five voices (with divided sopranos) for passages of pure homophony. When the choir declaim as one, the effect is of joyful celebration. To start each phrase on the right note, it is essential to be familiar with the orchestral interludes. The cantabile movements, such as No. 3, can be particularly tricky to perform: The vocal leaps in these demanding choral-soprano sections become much easier if you can hear the underlying harmonies while practicing. The same is true for No. 5.
The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a download containing each choir part is available. The Carus Choir Coach is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions:
Original recording
Coach: each part is accompanied by the piano, with the original recording sounding in the background
Coach in slow mode: the tempo of the coach slows down to 70% of the original version â through this reduction passages can be learned more effectively.
Performers: Dorothee Mields (soprano), Ulrike Andersen (alto), Mark Wilde (tenore), Chris Dixon (basso) â Alsfelder Vokalensemble, Concerto Polacco â Wolfgang Helbich. Score available separately - see item CA.5528300. $28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Alexander's Feast (Vocal Score)
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Novello & Co Ltd.
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.
$25.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Messiah - Carus Choir Coach
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Carus Verlag
SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 viol...(+)
SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.5505694 Composed by George Frideric Handel. Carus Choir Coach. Messiah.Ccc (3 Cds). Sacred vocal music, Oratorios. Compact Disc. Composed 1742. HWV 56. Duration 150 minutes. Carus Verlag #CV 55.056/94. Published by Carus Verlag (CA.5505694). Text language: English. Text: Jennens, Charles. George Frideric Handel is considered England's first and foremost composer of oratorios. Above all, the Messiah is regarded as the epitome of sacred music and in German-speaking countries it is also one of the most often performed works in the genre. The version of the Messiah which is most often performed today is a combination of various versions. Consequently, the present critical edition by Ton Koopman contains all the surviving alternative versions of the solo movements. A concordance makes it possible to assign these movements to those various performances of the work conducted by Handel between the Dublin premiere in 1742 and the London concerts which took place up to 1759. In accordance with the wishes voiced by many choral conductors and singers, the vocal score is available in separate English and German versions. Score available separately - see item CA.5505600. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Acis and Galatea HWV 49b (2nd version)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3Alto Voice Solo, Tenor Voi...(+)
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir: SATTB, Flauti1(Fl-picc, recorder1, Fl), Flauti2 (Fl-picc, recorder2 , Fl), 2 Ob, 2 Hn, Trp, 2 V, Va, Bassi(Vc, double bass, bassoon)Continuo(Erzlaute, harpisc., Org)) SKU: BA.BA10700 Serenade in three parts. Composed by George Frideric Handel. Edited by Artie Heinrich. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) I, 9.2. 2nd version. Complete edition, Score. HWV 49. Duration 1 hour, 20 minutes. Baerenreiter Verlag #BA10700_00. Published by Baerenreiter Verlag (BA.BA10700). ISBN 9790006550135. 33 x 26 cm inches. Text Language: English, Italian. Preface: Heinrich, Artie. Text: Gay, John / Hughes, John / Pope, Alexander / Giuvo, Nicola. Handel set the myth about the love of the shepherd Acis for the sea nymph Galatea from Ovid’s “Metamorphoses†a total of three times: in the cantata “Aci, Galatea e Polifemo†HWV 72 (1708), the masque “Acis and Galatea†HWV 49a (1718) and finally the pasticcio-like serenata “Acis and Galatea†HWV 49b (1732) of which the original version is now made available in its complete form for the first time.
A particular charm is provided by the use of two languages in the serenata. The work was originally conceived in English, as was required for the first performance. However, Handel’s Italian singers were criticised for their poor command of English, – so in the end, many numbers were sung in Italian.
The extensive appendix to the vocal score includes the additional arias and newly composed movements for the versions used in the 1734 and 1736 performances.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| La Resurrezione HWV 47
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voic...(+)
Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir , Fl, 2 recorder, 2 Ob, bassoon, 2 Trp, trombone, 4V, Va, Vagb, Bassi (Vc, double bass, Erzlaute, Lt-B, harpisc.)) SKU: BA.BA04096 Oratorio in two parts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 3. Complete edition, Score. HWV 47. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA04096_00. Published by Baerenreiter Verlag (BA.BA04096). ISBN 9790006550098. 33 x 26 cm inches. Text Language: Italian. Preface: Terence Best. Text: Carlo Sigismondo Capece. The Italian oratorio La Resurrezione (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli.
In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera Agrippina. The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Dettingen Te Deum
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra [Score]
Carus Verlag
(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt P...(+)
(Dettinger Te Deum). By George Frideric Handel (1685-1759). Edited by Benedikt Poensgen. For Soli ATB, SSATB choir, 2 oboes, bassoon, 3 trumpets, timpani, 2 violin, viola, basso continuo. This edition: Paperbound. Praise and thanks. Full score. Language: English/German. Composed 1743. HWV 283. 144 pages. Duration 40 min. Published by Carus Verlag
$66.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Jephta HWV 70
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voi...(+)
Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voice Solo, Alto Voice Solo, Bass Voice Solo, Mixed choir:SSATB, Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, 3V, Va, Bassi(Vc, double bass, bassoon, harpisc., Org)) SKU: BA.BA04014 Oratorio in three acts. Composed by George Frideric Handel. Edited by Kenneth Nott. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 30. Complete edition, Score. HWV 70. Baerenreiter Verlag #BA04014_00. Published by Baerenreiter Verlag (BA.BA04014). ISBN 9790006442935. 33 x 26 cm inches. Text Language: English. Preface: Nott, Kenneth. Text: Thomas Morell. “Jephtha†is Handel’s last oratorio. Handel had to break off from composing several times because of his increasing blindness in 1751. The first performance at the Covent Garden Theatre in February 1752 was the last performance he conducted before he went completely blind.
In “Jephthaâ€, Handel succeeded in achieving the perfect fusion between a biblical plot and the spirit of classical tragedy. With great intensity and dramatic expression he highlighted in particular the fates of Jephtha and Iphis , thereby portraying convincing and complex characters.
The chorus “How Dark, O Lord, are Thy Decrees†at the end of part two is of crucial importance in the work and is regarded as the dramatic high point of the oratorio.
The vocal score is based on volume I/30 of the “Halle Handel Edition†(BA 4014), which contains the complete critical version of the music of the oratorio for the first time.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Samson HWV 57
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (8Soprano Voice Solo, Alto Voice Solo, 4Tenor Voic...(+)
Solo voices, choir, orchestra (8Soprano Voice Solo, Alto Voice Solo, 4Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 V, Va, Bassi(Vc, double bass, bassoon, Lt-B, harpisc., Org)) SKU: BA.BA04099 Oratorio in three acts. Composed by George Frideric Handel. Edited by Hans Dieter Clausen. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Voume 18, Nos. 1 2. Complete edition, Score. Composed 1743. HWV 57. Duration 3 hours. Baerenreiter Verlag #BA04099_00. Published by Baerenreiter Verlag (BA.BA04099). ISBN 9790006550111. 33 x 25.7 cm inches. Text Language: English. Preface: Hans Dieter Clausen. Text: Newburgh Hamilton. Handel composed Samson directly after completing the Messiah.
After its premiere in 1743 in the Covent Garden Theatre in London, the work rapidly became one of the composerâ??s most successful oratorios alongside Esther and Judas Maccabaeus. This probably had as much to do with the popular Old Testament story of the libretto as with Handelâ??s masterly shaping of the arias and choruses.
By including some movements in the appendix, this edition makes it possible for the first time to perform the work in its original 1741 version.
The edition is based on the complete edition volume of the Halle Handel Edition (BA 4099), offering the complete music text of the oratorio for the first time.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Te Deum for the Victory of Dettingen
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Carus Verlag
(Soli ATB, Coro SSATB, 2 Ob, Fg, 3 Tr, Timp, 2 Vl, Va, Bc) SKU: CA.5528348(+)
(Soli ATB, Coro SSATB, 2 Ob, Fg, 3 Tr, Timp, 2 Vl, Va, Bc) SKU: CA.5528348 Dettingen Te Deum. Composed by George Frideric Handel. Carus Choir Coach (audio only). Composed 1743. HWV 283. Duration 38 minutes. Carus Verlag #5528348. Published by Carus Verlag (CA.5528348). English/German. Great occasions call for great music
The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handelâs express use of timpani and trumpets. Gentler and more serious movements effectively complement the work.
The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus âMake them to be numberâdâ has been published in this edition. In this version Handel strived for a more compact and stricter voice leading.
Edition based on the autograph, from which Handel conducted the first performance
Detailed foreword in three languages
Critical report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.). Score available separately - see item CA.5528300. $28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Te Deum for the Victory of Dettingen
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Carus Verlag
(Soli ATB, Coro SSATB, 2 Ob, Fg, 3 Tr, Timp, 2 Vl, Va, Bc) SKU: CA.5528346(+)
(Soli ATB, Coro SSATB, 2 Ob, Fg, 3 Tr, Timp, 2 Vl, Va, Bc) SKU: CA.5528346 Dettingen Te Deum. Composed by George Frideric Handel. Carus Choir Coach (audio only). Composed 1743. HWV 283. Duration 38 minutes. Carus Verlag #5528346. Published by Carus Verlag (CA.5528346). English/German. Great occasions call for great music
The Dettingen Te Deum is a brilliant example of how Handel could capture the tone for festive occasions as had never been done before. The expression of the exalted character of this official work is imparted through Handelâs express use of timpani and trumpets. Gentler and more serious movements effectively complement the work.
The basis for the present critical edition of this work is the London autograph, which has survived and from which Handel probably conducted the first performance. In addition, the initial concluding version of the chorus âMake them to be numberâdâ has been published in this edition. In this version Handel strived for a more compact and stricter voice leading.
Edition based on the autograph, from which Handel conducted the first performance
Detailed foreword in three languages
Critical report with information about the source situation, the edition, and containing the individual readings (alternative readings, etc.). Score available separately - see item CA.5528300. $28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Occasional Oratorio HWV 62
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice ...(+)
Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir: SSAATTBB, 2 Ob, 2 bassoon, 2 Hn, 3Trp, timpani, 3V, Va, Bassi, Org) SKU: BA.BA04089 Oratorio in three parts. Composed by George Frideric Handel. Edited by Merlin Channon. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 23. Complete edition, Score. HWV 62. Duration 2 hours, 20 minutes. Baerenreiter Verlag #BA04089_00. Published by Baerenreiter Verlag (BA.BA04089). ISBN 9790006550081. 33 x 26 cm inches. Text Language: English. Text: Newburgh Hamilton. The “Occasional Oratorio†was composed as a reaction to a political event which shook the whole of England : the Jacobite rebellion of 1745-46 against the Hanoverian monarchy was crushed under the leadership of the Duke of Cumberland. Handel, who was working on the oratorio “ Judas Maccabaeus†at the time, composed the oratorio quickly and reused some movements from earlier works. With the choice of a libretto by Newburgh Hamilton he demonstrated his support for the monarchy. The work was first performed on 14 February 1746 at the Covent Garden Theatre in London .
For the first time this seldomly performed oratorio which nevertheless contains wonderful music is available in an Urtext edition based on the “ Halle Handel Edition†. All available sources have been consulted. Further movements which Handel added for later performances are included in the appendix.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Anthems for the Chapel Royal
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Singing voice/mixed choir/chamber orchestra (Voice, Mixed choir, chambOrch) S...(+)
Singing voice/mixed choir/chamber orchestra (Voice, Mixed choir, chambOrch) SKU: BA.BA04051 Seven sacred compositions. Composed by George Frideric Handel. Edited by Gerald Hendrie. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series III, Volume 9. Complete edition, Score. Duration 3 hours. Baerenreiter Verlag #BA04051_00. Published by Baerenreiter Verlag (BA.BA04051). ISBN 9790006443611. 33 x 26 cm inches. Text Language: English, German. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| Solomon HWV 67
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
4 soprano voice solos/mezzo-soprano voice solo/tenor voice solo/bass voice solo/...(+)
4 soprano voice solos/mezzo-soprano voice solo/tenor voice solo/bass voice solo/SSAATTBB choir/orchestra (4Soprano Voice Solo, Mezzo Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir(SSAATTBB), Fl, 2 Ob, 2 bassoon, 2 Hn, 2 Trp, timpani, 2 V, 2 Va, Bassi, 2 V(ripieno), 2 Va(ripiena), Bassi(ripieni)) SKU: BA.BA10709-01 Oratorio in Three Acts. Composed by George Frideric Handel. Edited by Hans Dieter Clausen. This edition: complete edition, urtext edition. Linen. Complete edition, Score. HWV 67. Duration 2 hours, 30 minutes. Baerenreiter Verlag #BA10709_01. Published by Baerenreiter Verlag (BA.BA10709-01). ISBN 9790006550180. 33 x 25.5 cm inches. Text Language: English. Preface: Hans Dieter Clausen. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
| | | |
| La Bellezza ravveduta nel trionfo del Tempo e del Disinganno, HWV 46a
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Soloists, Orchestra (2Sg-S-solo,Sg-A-solo,Sg- T-solo,Orch) SKU: BA.BA10721-90...(+)
Soloists, Orchestra (2Sg-S-solo,Sg-A-solo,Sg-T-solo,Orch) SKU: BA.BA10721-90 Oratorio in two Parts. Composed by George Frideric Handel. Edited by Michael Pacholke. Arranged by Christopher Sokolowski. This edition: urtext edition. Paperback. Barenreiter Urtext. Rome 1707. Vocal Score. HWV 46A. Baerenreiter Verlag #BA10721_90. Published by Baerenreiter Verlag (BA.BA10721-90). ISBN 9790006568680. 27 x 19 cm inches. Text Language: Italian. Preface: Annette Landgraf. Text: Pamphili, Benedetto. Handel composed his first Italian oratorioLa Bellezza ravveduta nel trionfo del Tempo e del DisingannoHWV 46a in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili who also commissioned this work.
Disinganno (Illumination) and Tempo (Time) try to get the young, beautiful and frivolous Bellezza (Beauty) to recognise the true values of life and to act accordingly. The audience accompanies Bellezza in her spiritual development, in which she increasingly distances herself from Piacere (Pleasure) and listens more and more to Tempo and Disinganno.
The oratorio contains some of the most beautiful music Handel ever composed. This includes the enchanting ariaLascia la spina, in which he uses the music of the sarabande from the operaAlmira, composed in Hamburg in 1704, and which then achieved immortal fame inRinaldo(1711) asLascia ch'io pianga.
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| Il trionfo del Tempo e della Verità, HWV 46 b
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three parts. Composed by George Frideric Handel. Edited by Michael Pacholke. This edition: Complete edition. Linen. Complete edition, Score. HWV 46. Baerenreiter Verlag #BA10726-01. Published by Baerenreiter Verlag (BA.BA10726-01). ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael. In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.
In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.
The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
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