SKU: SP.TS171
ISBN 9781585604531. UPC: 649571101718.
Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications. Santa's Little Helper for Trumpet is written as solos or duets in accommodating keys for Flute, Clarinet, Alto Sax or Trombone. This complete collection of Christmas songs from Santorella Publications includes an accompaniment CD and lyrics for the whole family to enjoy. The Piano Accompaniment book for Brass and Reed instruments is sold separately. Santorella's String Edition is also available for violin, viola, cello and bass. Angels We Have Heard on High - Away in a Manger - Birthday of a King - Deck the Halls - God Rest Ye, Merry Gentlemen - Good King Wenceslas - Hark! The Herald Angels Sing - I Saw Three Ships - It Came Upon a Midnight Clear - Jingle Bells - Jolly Old Saint Nicholas - Joy to the World - O Christmas Tree - O Come All Ye Faithful - O, Holy Night - O Little Town of Bethlehem - Silent Night - We Wish You A Merry Christmas - Good Christian Men Rejoice - I Heard The Bells On Christmas Day - We Three Kings Of Orient Are - Star Of The East - The First Noel - Here We Come Awassailing.
SKU: CF.W2686
ISBN 9781491150948. UPC: 680160908448. 9x12 inches.
This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trumpet in Bb, edited by Thomas Hooten and Jennifer Marotta, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) will end.There are things which appear clear enough when stated verbally but which when written downon paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech nor wordcan clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level of perfection,should above all things, always try to hear good music well interpreted. They must seek out,among singers and instrumentalists, the most illustrious models, and by doing this purifytheir taste, develop their sentiments, and bring themselves as near as possible to that which isbeautiful. Perhaps then the innate spark which may someday be destined to demonstrate theirown talent, will reveal itself and render them worthy of being, in their turn, cited and imitatedin the future.
SKU: M7.AHW-202
English.
Whenever possible, practice these exercises and etudes with a wide variety of dynamics and styles of articulation. These styles might include: I. Smooth legato tonguing also known as portato . . . . II. Staccato, very clear and crisp. Also practice a kind of staccato that is less clearly articulated, more of a 'puffy' shape. III. Marcato, very strongly articulated with every note maintained at full value, very intense. Excerpt from Introduction by Chris Gekker.
SKU: HL.14062588
About A New Tune A Day
Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionized music-making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD-with actual performances and backing tracks-will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: easy-to-follow lessons on clear, uncluttered pages; tips for technique; improvising hints; audio CD with a virtuoso performance, backing tracks, and audio examples; great music, including duets and ensemble pieces; useful pull-out fingering chart
SKU: HL.14062595
SKU: BT.DHP-1053900-400
ISBN 9789043124119. 9x12 inches. English.
Learn to play the trumpet a step at a time with Step by Step. This complete method contains clear explanations, exercises, games, well-known songs and medleys. The accompaniments for all the exercises and tunes can be found on the CDs - and there are demo versions of most tunes as well, played by the one and only Frits Damrow, solo trumpet player of the Concertgebouw Orchestra. The practical instruction video on the DVD shows the first important stages. This way, learning to play the trumpet is extra enjoyable! The method is intended for use in lessons, and leaves plenty of room for your own interpretation.The book includes two CDs and a DVD:? CD 1 features tracks 1.1 to1.71 (demo and play-along versions)? CD 2 features tracks 2.1 to 2.61 (demo and play-along versions)? the DVD features an instructional video.
SKU: HL.48185347
UPC: 888680838133. 9.0x12.0x0.229 inches.
Learn as you play Trumpet & Cornet is part of the award-winning series of tutor books for woodwind and brass instruments by Peter Wastall. Written for beginner to intermediate players to grasp the basics, this book features theory and exercises with some melodic concert pieces. Easy to use, the book is divided into different sections with clear comments and explanations, following every step necessary to acquire the beginner techniques. Peter Wastall is also the author of the series ''Practice Sessions'', which will introduce the player to some improvisations and ensemble pieces, and of ''Session Time'', which is more focused on jazz and rock themes..
SKU: HL.48181341
UPC: 888680867775. 9.0x12.0x0.075 inches.
“Born in Toulouse, Marcel Bitsch (1921-2011) went on to study at the Paris Conservatoire before becoming a professor of counterpoint at the institution. As an exceptionally versatile composer, Bitsch has composed orchestral works, chamber works and numerous pieces and studies for wind instruments. Four Variations on a Theme by Domenico Scarlatti is a significant addition to the Trumpet and Cornet repertoire. Suited to advanced level trumpeters and cornetists, Bitsch's Four Variations on a Theme by Domenico Scarlatti includes a variety of technical aspects as well as sublime musicality. In his latter years, Bitsch dedicated himself to the analysis of music by the Baroque masters. It is clear that his inspiration for Four Variations on a Theme by Domenico Scarlatti comes from his passion for and interest in the era. The variety of this exciting Bitsch piece is outstanding, creating a necessary, inspiring addition to the Trumpet and Cornet repertoire.â€.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version