SKU: FH.WC7

ISBN 978-1-55440-583-1.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Level 7:
De Hebriden, op. 26: Overture - Felix Mendelssohn
Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart
Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky
Symphony No. 2, op. 36: II - Ludwig van Beethoven
Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff
Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven
Level 8:
Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin
Il barbiere di Siviglia: Overture - Gioachino Rossini
Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn
Symphony No. 4, op. 98: II - Johannes Brahms
Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder
Symphony No. 8 (Unfinished), D 759: II - Franz Schubert
Symphonie fantastique: III - Hector Berlioz
Level 9:
Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven
Symphony No. 3, op. 90: I, II - Johannes Brahms
Symphony No. 4, op. 60: II - Ludwig van Beethoven
Semiramide: Overture - Gioachino Rossini
Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn
Prelude a l'apres midi d'un faune - Claude Debussy
Symphony no. 9, op. 125: II - Ludwig van Beethoven
Level 10:
Symphony No. 2, op. 27: III - Sergei Rachmaninoff
Violin Concerto, op. 61: II - Ludwig van Beethoven
Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn
Symphony No. 1, op. 39: I, III - Jean Sibelius
Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms
Symphony No. 8, op. 93: III - Ludwig van Beethoven
Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov
Associate: B_, A, C Clarinet:
Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov
Dances of Galanta - Zoltan Kodaly
Pini di Roma: III - Ottorino Respighi
Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky
Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky
Symphony No. 9, op. 70: II, III - Dmitri Shostakovich
Don Juan, op. 20 - Richard Strauss
Symphonie fantastique: V - Hector Berlioz
Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev
Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin
Associate: E_ Clarinet:
Symphony no. 5, op 100: IV - Sergei Prokofiev
Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss
Symphony no. 5, op. 47: II - Dmitri Shostakovich
Symphonie fantastique: V - Hector Berlioz
Bolero - Maurice Ravel
Associate: Bass Clarinet:
Les Huguenots: Trio from act 5 - Giacomo Meyerbeer
Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich
Grand Canyon Suite: III - Ferde Grofe
Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss.

SKU: FH.WCE1

ISBN 978-1-55440-588-6.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Level 7:
De Hebriden, op. 26: Overture - Felix Mendelssohn
Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart
Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky
Symphony No. 2, op. 36: II - Ludwig van Beethoven
Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff
Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven
Level 8:
Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin
Il barbiere di Siviglia: Overture - Gioachino Rossini
Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn
Symphony No. 4, op. 98: II - Johannes Brahms
Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder
Symphony No. 8 (Unfinished), D 759: II - Franz Schubert
Symphonie fantastique: III - Hector Berlioz
Level 9:
Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven
Symphony No. 3, op. 90: I, II - Johannes Brahms
Symphony No. 4, op. 60: II - Ludwig van Beethoven
Semiramide: Overture - Gioachino Rossini
Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn
Prelude a l'apres midi d'un faune - Claude Debussy
Symphony no. 9, op. 125: II - Ludwig van Beethoven
Level 10:
Symphony No. 2, op. 27: III - Sergei Rachmaninoff
Violin Concerto, op. 61: II - Ludwig van Beethoven
Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn
Symphony No. 1, op. 39: I, III - Jean Sibelius
Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms
Symphony No. 8, op. 93: III - Ludwig van Beethoven
Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov
Associate: B_, A, C Clarinet:
Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov
Dances of Galanta - Zoltan Kodaly
Pini di Roma: III - Ottorino Respighi
Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky
Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky
Symphony No. 9, op. 70: II, III - Dmitri Shostakovich
Don Juan, op. 20 - Richard Strauss
Symphonie fantastique: V - Hector Berlioz
Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev
Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin
Associate: E_ Clarinet:
Symphony no. 5, op 100: IV - Sergei Prokofiev
Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss
Symphony no. 5, op. 47: II - Dmitri Shostakovich
Symphonie fantastique: V - Hector Berlioz
Bolero - Maurice Ravel
Associate: Bass Clarinet:
Les Huguenots: Trio from act 5 - Giacomo Meyerbeer
Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich
Grand Canyon Suite: III - Ferde Grofe
Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss.

SKU: HL.49046242

ISBN 9783795716691. UPC: 888680950040. 9x12 inches. German - English - French.

“These real masterpieces, even if only a few minutes long, are of tremendous melodiousness and expressiveness!”, Franz Schubert said about Friedrich Kuhlau's sonatinas.

The four Sonatinas Op. 88 were written in 1827, i.e. during Friedrich Kuhlau's middle creative period, even before the great success of the opera “Elfenhügel.” and the year of Beethoven's death. All four works contain beautiful melodic ideas, but Sonatina Op. 88 No. 3 with its minor tonality, its free treatment of form and tempo in the first movement and the lively last movement is something special. Of medium difficulty, this sonatina is great fun to play.

This edition is accompanied by a preface and “Teaching Notes” by Monika Twelsiek. It is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. For further information on this series, see www.schott-student-edition.com.

About Schott Student Edition

The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.

The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.

Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.

SKU: AP.1-ADV14725

UPC: 805095147254. English.

Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book features 21 solo etudes based on chord changes to standards and blues.
The same 21 etudes transposed and adapted for the main jazz instruments.
Play along with one of today's finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums.
Start out fairly easy, then get progressively more difficult.
Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.
Learn melodies and lines that will give you a solid jazz vocabulary and musicality.
Use the book/audio downloads sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.
If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes off the audio downloads (then check against the book) or for just having fun playing along with a great jazz rhythm section.
Use as an improvisation study, learning how to construct a swinging, logical solo - works especially well in combination with the Study Guide.
The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.

SKU: FH.WCS1

ISBN 978-1-55440-585-5.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Level 1:
Etude in F Major - Friedrich Demnitz
May the Fourths Be With You - James Rae
Level 2:
Schnitzel Waltz - James Rae
Etude in C Major - Henry Lazarus
Etude in D Minor - Friedrich Demnitz
Moto perpetuo - Chris Allen
Etude in F Major - Friedrich Demnitz
Beyond the Mist - James Rae
Etude in G Major - Victor Polatschek
Etude in C Major - Friedrich Demnitz
Etude in F Major - Henry Lazarus
Autumn Clouds - James Rae
Prairie Lament - Ted Hegvik
Level 3:
The Bear Is Dancing - Ted Hegvik
The Demon's Delight - James Rae
Etude in G Minor - Nilo W. Hovey
Latin - Chris Allen
Etude in C Major - Gustave Langenus
Strange, but True - James Rae
Summer Day - Leon Lester
Promenade - Leon Lester
Etude in F Major - Jean-Xavier Lefevre
Level 4:
Soft-shoe Dance - Leon Lester
Etude in C Major - Friedrich Demnitz
Etude in C Major - Jean-Xavier Lefevre
Etude in G Minor - Jean-Xavier Lefevre
Swing Five - James Rae
Etude in A Minor - Friedrich Demnitz
Whole-tone Capers - Leon Lester
Andante - Chris Allen
Etude in D Major - Nilo W. Hovey
Reflections - Leon Lester.

SKU: HL.49018017

ISBN 9790001152419. 9.0x12.0x0.2 inches.

After completing his studies with Zoltan Kodaly, the Hungarian composer Mathias Seiber (1905-1960) first worked as a musician in a dance orchestra on an ocean liner which gave him the opportunity to listen to jazz music in New York. From 1928 he taught the first jazz class worldwide at Dr. Koch's Conservatoire in Frankfurt. In the winter term of 1928/29, 19 students had registered with whom he gave a public concert on 3 March 1929 which was broadcast by Radio Frankfurt. After the Nazis had seized power, the jazz class was dissolved, Seiber lost his job and emigrated to London.In 1932 he wrote his piano cycle 'Leichte Tanze' (Easy Dances), one of the early examples of the adoption of jazz forms and styles in so-called serious music. The present arrangement for orchestra is easily playable and is aimed at youth and amateur orchestras. Instrumentation: 2 flutes, clarinet, oboe (ad lib.), alto saxophone, trumpet, bassoon and strings. Movements: Cake Walk - Novelty Foxtrot - Gipsy Tango - Waltz - Walzer - Blues - Charleston.

SKU: AP.1-ADV14722

UPC: 805095147223. English.

Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book set features 21 solo etudes based on chord changes to standards and blues.
Play along with one of today's finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums.
Start out fairly easy, then get progressively more difficult.
Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.
Learn melodies and lines that will give you a solid jazz vocabulary and musicality.
Use the book sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.
If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes (then check against the book) or for just having fun playing along with a great jazz rhythm section.
Use as an improvisation study, learning how to construct a swinging, logical solo - works especially well in combination with the Study Guide.
The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.