Arranged by and ed. Gwyn Arch and Ben Parry. Choir Sacred. 3-Part Mixed Choir (SAB). Book; Choral (Sacred); Choral Worship Collection; Worship Resources. Faber Edition. Christmas; Sacred; Winter. Published by Faber Music

Arranged by Alexander L'Estrange. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Published by Faber Music

By Howard Goodall. Choir Secular. For with Piano (3-Part Mixed Choir (SAB)). Book; Choral Collection. Faber Edition: Choral Basics. Published by Faber Music

Arranged by Gwyn Arch. Choral Collection; Collections; Performance Music Ensemble. Faber Edition: Faber Young Voices. Folk; Secular. Book. Faber Music #12-0571515339. Published by Faber Music

Clarinet, Strings, percussion, tuba

SKU: OT.37019

Composed by Lev Kogan. Arranged by Alan Kaufman. For clarinet, strings, percussion, and tuba. Klezmer. Score. OR-TAV Music Publications #37019. Published by OR-TAV Music Publications (OT.37019).

ISBN 9789655050851. 8.27 x 11.69 inches.

Lev Kogan
Klezmer Dance Suite for clarinet, strings, percussion, and tuba
arranged by Alan Kaufman, with cadenzas by Gene Kavadlo
Score. A set of parts may be ordered separately.
There is also an edition for small ensemble including a score and one copy each part, SKU 37019set
I have been Principal Clarinetist with the Charlotte Symphony Orchestra, North Carolina, since 1975. My interest in klezmer music began in 1984 when I realized how unique the clarinet voice can be in the klezmer idiom - it is totally different from playing in a symphony orchestra, and I found that unique voice to be very appealing. I formed a quartet called Viva Klezmer!, and we have been concertizing and recording ever since.
I discovered Lev Kogan's Hassidic Tunes for Clarinet and Piano a number of years ago and was struck by the lovely melodies and harmonies that Mr. Kogan had composed. The tunes were always enjoyed by audiences whenever I performed them, and it occured to me that several of them could be orchestrated and grouped together to form a very attractive klezmer suite. I enlisted the aid of my talented colleague, Alan Kaufman, and the result is this publication. There is dearth of klezmer music featuring clarinet with orchestra or chamber ensemble, and this publication helps fill that void.
The suite can be performed with orchestra or, if percussion and tuba are unavailable, as chamber music with clarinet and strings. In the absence of tuba, the part may be played by another bass instrument.
Gene Kavadlo
Lev Kogan (1927-2007) was born in Baku, Azerbaijan, and immigrated to Israel in 1972. Kogan attended the Moscow State Conservatory from 1946-1952 where he studied piano and was a composition of Aram Khatchturian. He has devotred much time to the research, creation and performance of Jewish music. In Israel, he has composed many productions for the Yiddish theater and Chassidic, Yiddish songs and chamber music.
Originally from New York State, Alan Kaufman graduated from Potsdam State University with a Bachelor's Degree in Music Education and a Master's Degree in Music Performance in Percussion. Since then, he has been a performer, arranger, educator, producer and composer of commercial jingles, recordings and movie and television soundtracks. He has produced albums and/or has arranged for an array of groups from The Buddy Rich Band to performing with artists as diverse as Luciano Pavoratti and Bernadette Peters, to Dave Brubeck and Johnny Cash. Since 1978, Alan has resided in Charlotte, NC where he continues his musical journey.

Arranged by Peter Gritton. Choir Secular. For with Piano. Book; Choral Collection. Faber Edition: Faber Young Voices. World. Published by Faber Music

Choir

SKU: ST.B375

Composed by William Byrd. Edited by David Mateer. Library Volumes. The Byrd Edition Volume 13. Edited by David Mateer. First published: 2004. Pages: 312. Format: Paperback. Dimensions (mm): 254 x 177 x 20. Choral collection. Stainer & Bell Ltd. #B375. Published by Stainer & Bell Ltd. (ST.B375).

ISBN 9790220220449.

Published in 1589, following the successful issue of Psalmes, Sonets and Songs the previous year, Songs of Sundrie Natures is a more diverse collection than its predecessor. Though the contents include one consort song in its original form, they contain a relative dearth of adaptations of this genre for unaccompanied voices. In contrast, there is arguably a higher percentage of recently composed works and 'sundrie' material, including two carols, the very fine verse anthem Christ rising again, and two chanson-like pieces, Susanna fair and The Nightingale, probably written in 'friendly aemulation' with Ferrabosco.