SKU: BT.1945-14-400-M

ISBN 9789043135573. 9x12 inches. International.

The pieces collected in LA FLAUTA ROMANTICA were written by three of the greatest Spanish instrumental virtuosi of their time: the pianists Isaac Albéniz and Enrique Granados as well as the violinist Pablo de Sarasate. When transcribing their piecesthe aim was to both create convincing chamber music works for flute and to preserve the typical Spanish sound idiom of this music. The CD provides demo tracks as well as the accompaniments of each piece.

Contents: Tango in D (Albéniz) • Intermezzo (Granados) • Malagueña (Albéniz) • Prière et Berceuse (De Sarasate) • Oriental (Granados) • Serenata española (Albéniz) • Danza melancólica (Granados).

De werken die in La flauta romántica zijn samengebracht, zijn afkomstig van drie van de grootste Spaanse instrumentale virtuozen van hun tijd: de pianisten Isaac Albéniz en Enrique Granados evenals de violist Pablo de Sarasate. Bij detranscriptie van hun composities heeft Franco Cesarini zijn speciaal gericht op het creëren van authentieke kamermuziek voor fluit, waarbij ik tegelijkertijd het kenmerkende Spaanse klankidioom heb gehandhaafd.Op de meegeleverde cd staat van elk stuk een demoversie, gevolgd door een play-alongversie met alleen de pianobegeleiding.

Inhoud: Tango in D (Albéniz) • Intermezzo (Granados) • Malagueña (Albéniz) • Prière et Berceuse (De Sarasate) • Oriental (Granados) • Serenata española (Albéniz) • Danza melancólica (Granados).

Die Stücke, die in LA FLAUTA ROMANTICA versammelt sind, wurden von drei der bedeutendsten spanischen Virtuosen komponiert: von den Pianisten Isaac Albéniz und Enrique Granados sowie vom Violinisten Pablo de Sarasate. Der versierte Arrangeur FrancoCesarini war bei der Schaffung der Kammermusikversionen besonders darauf bedacht, den spanischen Charakter der Stücke zu bewahren. Auf der beiliegenden CD sind sowohl Demoversionen als auch Play-Along Tracks für die Begleitung enthalten.

Inhalt: Tango in D (Albéniz) • Intermezzo (Granados) • Malagueña (Albéniz) • Prière et Berceuse (De Sarasate) • Oriental (Granados) • Serenata española (Albéniz) • Danza melancólica (Granados).

Sommaire: Tango in D (Albéniz) • Intermezzo (Granados) • Malagueña (Albéniz) • Prière et Berceuse (De Sarasate) • Oriental (Granados) • Serenata española (Albéniz) • Danza melancólica (Granados).

SKU: BT.EMBZ14505

English-German-Hungarian.

Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.

Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war.