Violin

SKU: BT.PB927

Composed by Francis Darizcuren. Studies & Exercises. Book with CD. 31 pages. Paul Beuscher #PB927. Published by Paul Beuscher (BT.PB927).

French.

Violin

SKU: M7.EPB-1020702

Composed by DIV-V. Sheet music with CD. Performance book. 18 pages. Paul Beuscher #EPB 1020702. Published by Paul Beuscher (M7.EPB-1020702).

15 Standards mit Playback-CD für Violine, z.B. Greensleeves, Strangers In The Night, Yesterday, Ave Maria und Les Yeux Noirs.

Violin, Cello and Piano

SKU: BT.BRUI100425

Book Only. Paul Bruinen #BRUI100425. Published by Paul Bruinen (BT.BRUI100425).

String Quartet and Pre-recorded Sound. Composed by Michael Daugherty (1954-). Boosey and Hawkes Chamber Music. Classical. Softcover with CD, Score and Parts. 52 pages. Boosey and Hawkes #M051105922. Published by Boosey and Hawkes

By Edward Huws Jones. For Violin and Piano. Book; Solo; String - Violin Studies or Collection. Faber Edition. Intermediate. Published by Faber Music

By John Lennon, Paul McCartney. Arranged by Larry Moore. String Quartet. Pops For String Quartet. Grade 3-4. Published by Hal Leonard

Edited by Paul Stewart Cranford. Arranged by Melissa Emmons and Brenda Stubbert. For Fiddle. Perfect binding, Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 72 pages. Published by Cranford Publication

Set of Parts. By Paul Hindemith. Schott. Size 9.5x12 inches. 48 pages. Published by Schott.

Violin

SKU: HL.14047566

Composed by Paul Veiga. CARISCH - MUSIC SALES. Classical. General Merchandise. Play Music Italy #ML3642. Published by Play Music Italy (HL.14047566).

ISBN 9788850726820. Italian.

Violin and viola

SKU: M7.BP-2491

Composed by Paul Wranitzky. Edited by Bernhard Pauler. Sheet music. Set of parts. Amadeus Verlag #BP 2491. Published by Amadeus Verlag (M7.BP-2491).

ISBN 9790015249105.

String quartet

SKU: HL.49019756

Composed by Paul Hindemith. This edition: Full-cloth binding. Sheet music. Edition Schott. Hardcover. 212 pages. Schott Music #PHA504-20. Published by Schott Music (HL.49019756).

ISBN 9783795794712. 11.0x15.0x0.982 inches.

The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of ‚Unpublished pieces for an eventual complete edition‘.The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor.Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary.The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contrabass, Crotales, Cymbals, English Horn, Field Drum, Flute, Glockenspiel, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Snare Drum, Triangle, Trumpet, Vibraphone, Viola and more.

SKU: PR.416411770

For Violin, Piano, and Chamber Orchestra. Composed by William Kraft. Full score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41177. Published by Theodore Presser Company (PR.416411770).

UPC: 680160091508.

I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.