| More Classical Highlights String Quartet: 2 violins, viola, cello De Haske Publications
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arranged by Nico Dezaire. De Haske String Orchestra Series. Set (Score and Parts). De Haske Publications #DHP 1135315-070. Published by De Haske Publications (BT.DHP-1135315-070). ISBN 9789043146814. 9x12 inches. English-German-French-Dutch. More Classical Highlights is the follow-up to Classical Highlights, a collection featuring arrangements of classical themes dating from the 17th century up to the19th century. The parts are quite easy and attractively written, but the arrangements stay as faithful as possible to the original works. Baroque music is represented with two highlights: the well-known Canon by Pachelbel may well be the most performed 17th century composition. The power of the piece lies in a bass line of only eight notes, above which the melodic line of the round itself develops. Réjouissance from Music for the Royal Fireworks is a very joyful composition bythe Anglo-German baroque composer Handel. The 18th century classical style gives us the refined minuet by Boccherini, the Italian composer who wrote a wealth of chamber music. The 19th century features in three famous works: the lively Marche Militaire No 1 by the Austrian composer Schubert originates from 3 Marches Militaires for four-handed piano. The Can Can from Orphée aux enfers (Orpheus in the Underworld) is the best-known separately performed piece by the operetta composer Offenbach. Following this exciting dance music there is the beautiful, lofty Largo theme from the second movement of Czech composer Dvorákâ??s From the New World Symphony. In short: Six varying arrangements - challenging and very suitable for performances!
More Classical Highlights is het vervolg op Classical Highlights, een verzameling arrangementen van klassieke thema´s die dateren uit de periode van de 17e eeuw tot en met de 19e eeuw. De partijen zijn eenvoudig en aantrekkelijk geschreven; tegelijkertijd blijven de arrangementen dicht bij het origineel. De barokmuziek is vertegenwoordigd met twee highlights. De bekende Canon van Pachelbel is wellicht de meest gespeelde 17e-eeuwse compositie. De kracht ervan ligt in een baslijn van slechts acht noten waarboven zich het lijnenspel van de canon ontspint. Réjouissance uit Music for the Royal Fireworks is een zeer opgewekte compositie van deDuits-Engelse barokcomponist Händel. De 18e-eeuwse klassieke stijl horen we terug in het verfijnde menuet van Boccherini, een Italiaanse componist die een schat aan kamermuziek schreef. De 19e eeuw komt naar voren in drie beroemde stukken. De uitbundige Marche militaire nr. 1 van de Oostenrijkse componist Schubert komt uit 3 Marches militaires voor vierhandig piano. De Can Can uit Orphée aux enfers (Orpheus in de onderwereld) is het beroemdste afzonderlijk uitgevoerde stuk van de operettecomponist Offenbach. Na deze opzwepende dansmuziek volgt het prachtige, gedragen thema uit het tweede deel van de symfonie Uit de nieuwe wereld met de titel Largo, van de hand van de Tsjechische componist Dvorák. Kortom: zes zeer afwisselende arrangementen, uitdagend en uitermate geschikt voor uitvoeringen!
More Classical Highlights ist die Fortsetzung von Classical Highlights, einer Sammlung von Arrangements klassischer Themen aus der Zeit vom 17. bis zum 19. Jahrhundert. Die Stimmen sind recht einfach gehalten und reizvoll ausgearbeitet; zugleich sind die Arrangements nah an den Originalstu cken. Der Barock ist mit zwei musikalischen Höhepunkten vertreten: Der bekannte Canon von Pachelbel ist vielleicht die meist gespielte Komposition aus dem 17. Jahrhundert. Die Kraft dieses Stu ckes liegt in einer Basslinie aus nur acht Noten, u ber der sich das eigentliche Gefu ge des Kanons entwickelt. Réjouissance aus der Feuerwerksmusik ist einesehr fröhliche Komposition des deutsch-englischen Barockkomponisten Händel. Ein Kleinod der Klassik aus dem 18. Jahrhundert ist das raffinierte Menuett von Boccherini, einem italienischen Komponisten, der einen gro�en Schatz an Kammermusik schrieb. Das 19. Jahrhundert ist mit drei beru hmten Werken vertreten: Der lebhafte Marche militaire No. 1 des �sterreichers Schubert stammt aus 3 Marches militaires fu r Klavier zu vier Händen. Der Can-Can aus Orphée aux enfers (Orpheus in der Unterwelt) ist das beru hmteste separat aufgefu hrte Stu ck des Operettenkomponisten Offenbach. Nach dieser mitrei�enden Tanzmusik folgt ein schönes, erhabenes Thema aus dem zweiten Satz der Sinfonie Aus der Neuen Welt mit dem Titel Largo aus der Feder des tschechischen Komponisten Dvorák.
More Classical Highlights, qui fait suite au recueil Classical Highlights, rassemble une collection dâ??arrangements de thèmes classiques couvrant une période de trois siècles, du XVIIe au XIXe siècle. Les diverses parties instrumentales sont faciles et agréables jouer, mais les arrangements restent néanmoins fidèles aux compositions originales. La musique baroque est représentée par deux oeuvres toujours appréciées. Parmi toutes les compositions du XVIIe siècle, le célèbre Canon de Pachelbel est peut-être celle que lâ??on entend le plus souvent. Sa puissance réside dans une simple ligne de basse de huit notes par-dessus laquelle se développe le motif ducanon lui-même. Réjouissance, tirée de Music for the Royal Fireworks, est une pièce très enjouée du compositeur baroque anglo-allemand Haendel. Le style classique du XVIIIe siècle est inclus sous la forme dâ??un élégant menuet de Boccherini, un compositeur italien qui a écrit une quantité de musique de chambre. Le XIXe siècle est évoqué par trois oeuvres célèbres. La dynamique Marche militaire n° 1, du compositeur autrichien Schubert, extrait des Trois marches militaires pour piano quatre mains. Le Cancan dâ??Orphée aux enfers est la plus connue des oeuvres dâ??Offenbach, célèbre pour ses opérettes. Cette danse endiablée est suivie du Largo, admirable thème du deuxième mouvement de la Symphonie du Nouveau Monde, du compositeur tchèque Dvorák. En résumé : six arrangements variés, stimulants et parfaits pour être interprétés en concert ! $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony, No. 15 G major, KV 124 Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA05357-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin) SKU: BA.BA05357-74 Composed by Wolfgang Amadeus Mozart. Edited by Gerhard Allroggen. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 124, No. 15. 7 pages. Baerenreiter Verlag #BA05357_74. Published by Baerenreiter Verlag (BA.BA05357-74). ISBN 9790006469079. 32.5 x 25.5 cm inches. Key: G major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony, No. 15 G major, KV 124 Violin (band part) Barenreiter
Second violin (2. Violin) SKU: BA.BA05357-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin) SKU: BA.BA05357-75 Composed by Wolfgang Amadeus Mozart. Edited by Gerhard Allroggen. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 124, No. 15. 7 pages. Baerenreiter Verlag #BA05357_75. Published by Baerenreiter Verlag (BA.BA05357-75). ISBN 9790006469086. 32.5 x 25.5 cm inches. Key: G major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| String Quartet No. 4 "chaconne" - Score And Parts String Quartet: 2 violins, viola, cello Schott
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl...(+)
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl. This edition: Saddle stitching. Sheet music. String Ensemble. Softcover. Composed 2016. 108 pages. Duration 990 seconds. Schott Music #ED 30174. Published by Schott Music (HL.49045639). ISBN 9781540004796. UPC: 888680710774. 9.5x12.0x0.37 inches. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach's D minor violin partita and the finale of Brahms's Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl. $118.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 40 Flute, Violin and Violoncello [Score] Edition HH
By Wolfgang Amade Mozart. Edited by Christopher Hogwood. For Flute, violin, cell...(+)
By Wolfgang Amade Mozart. Edited by Christopher Hogwood. For Flute, violin, cello, piano. Full score and parts. Published by Edition HH Music Publishers (U.K. Import).
$55.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Symphony, No. 9 C major, KV 73(75a) Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA05359-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin) SKU: BA.BA05359-74 Composed by Wolfgang Amadeus Mozart. Edited by Gerhard Allroggen. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 73(75a), No. 9. 7 pages. Baerenreiter Verlag #BA05359_74. Published by Baerenreiter Verlag (BA.BA05359-74). ISBN 9790006469130. 32.5 x 25.5 cm inches. Key: C major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony D major Violin (band part) Barenreiter
Second violin (2. Violin) SKU: BA.BA09174-75 Based on Serenade K. 250 ...(+)
Second violin (2. Violin) SKU: BA.BA09174-75 Based on Serenade K. 250 (248b). Composed by Wolfgang Amadeus Mozart. Edited by Günter Haußwald. This edition: urtext edition. Stapled. Barenreiter Urtext. Based on Serenade K. 250 (248b). Single part. KV 250 (248b). 15 pages. Baerenreiter Verlag #BA09174_75. Published by Baerenreiter Verlag (BA.BA09174-75). ISBN 9790006528646. 32.5 x 25.5 cm inches. Key: D major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony D major Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA09174-74 Based on Serenade K. 250 (...(+)
First violin (1. Violin) SKU: BA.BA09174-74 Based on Serenade K. 250 (248b). Composed by Wolfgang Amadeus Mozart. Edited by Günter Haußwald. This edition: urtext edition. Stapled. Barenreiter Urtext. Based on Serenade K. 250 (248b). Single part. KV 250 (248b). 15 pages. Baerenreiter Verlag #BA09174_74. Published by Baerenreiter Verlag (BA.BA09174-74). ISBN 9790006528639. 32.5 x 25.5 cm inches. Key: D major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lobgesang / Hymn of Praise, op. 52 MWV A 18 Violin (band part) Barenreiter
Second violin (2. Violin) SKU: BA.BA09092-75 A Symphony-Cantata after ...(+)
Second violin (2. Violin) SKU: BA.BA09092-75 A Symphony-Cantata after Texts from the Holy Scriptures. Composed by Felix Bartholdy Mendelssohn. Edited by John Michael Cooper. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 52, MWV A 18. 27 pages. Baerenreiter Verlag #BA09092_75. Published by Baerenreiter Verlag (BA.BA09092-75). ISBN 9790006565825. 32.5 x 25.5 cm inches. Text: Mendelssohn Bartholdy, Felix (nach der Luther-Bibel und Martin Rinckart) / Monicke, Charles Henry. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony, No. 6 C major D 589 Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA05646-74 Composed by Franz Schubert. E...(+)
First violin (1. Violin) SKU: BA.BA05646-74 Composed by Franz Schubert. Edited by Arnold Feil and Douglas Woodfull-Harris. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. D 589, No. 6. 16 pages. Baerenreiter Verlag #BA05646_74. Published by Baerenreiter Verlag (BA.BA05646-74). ISBN 9790006499151. 32.5 x 25.5 cm inches. Key: C major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony, No. 18 F major, KV 130 Violin (band part) Barenreiter
Second violin (2. Violin) SKU: BA.BA04715-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin) SKU: BA.BA04715-75 Composed by Wolfgang Amadeus Mozart. Edited by Wilhelm Fischer. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 130, No. 18. 7 pages. Baerenreiter Verlag #BA04715_75. Published by Baerenreiter Verlag (BA.BA04715-75). ISBN 9790006453771. 32.5 x 25.5 cm inches. Key: F major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony, No. 18 F major, KV 130 Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA04715-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin) SKU: BA.BA04715-74 Composed by Wolfgang Amadeus Mozart. Edited by Wilhelm Fischer. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 130, No. 18. 7 pages. Baerenreiter Verlag #BA04715_74. Published by Baerenreiter Verlag (BA.BA04715-74). ISBN 9790006453764. 32.5 x 25.5 cm inches. Key: F major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony, No. 47 D major, KV 97 (73m) Violin (band part) Barenreiter
Second violin (2. Violin) SKU: BA.BA05377-75 Composed by Wolfgang Amadeus...(+)
Second violin (2. Violin) SKU: BA.BA05377-75 Composed by Wolfgang Amadeus Mozart. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 97 (73m), No. 47. 5 pages. Duration 9 minutes. Baerenreiter Verlag #BA05377_75. Published by Baerenreiter Verlag (BA.BA05377-75). ISBN 9790006501540. 32.5 x 25.5 cm inches. Key: D major. Gerhard Allroggen. Urtext der Neuen Mozart-Ausgabe. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony, No. 47 D major, KV 97 (73m) Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA05377-74 Composed by Wolfgang Amadeus ...(+)
First violin (1. Violin) SKU: BA.BA05377-74 Composed by Wolfgang Amadeus Mozart. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. K. 97 (73m), No. 47. 5 pages. Duration 9 minutes. Baerenreiter Verlag #BA05377_74. Published by Baerenreiter Verlag (BA.BA05377-74). ISBN 9790006501533. 32.5 x 25.5 cm inches. Key: D major. Gerhard Allroggen. Urtext der Neuen Mozart-Ausgabe. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 4 Violin Sonatas e 1 Capriccio (Venezia, 1629) Violin, Basso continuo [Score and Parts] Musedita
By Biagio Marini (1587-1663). Edited by Alessandro Bares. For violin and basso c...(+)
By Biagio Marini (1587-1663). Edited by Alessandro Bares. For violin and basso continuo. This edition: Paperback. I piaceri del violino. Early Baroque. Score and set of parts. Published by Musedita Edizioni Musicali
$21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Divergence for string quartet - Score & parts String Quartet: 2 violins, viola, cello [Score and Parts] Fennica Gehrman
2 violins, viola, violoncello SKU: FG.55011-853-9 Composed by Lara Poe. C...(+)
2 violins, viola, violoncello SKU: FG.55011-853-9 Composed by Lara Poe. Classical, contemporary. Score & parts. Fennica Gehrman #55011-853-9. Published by Fennica Gehrman (FG.55011-853-9). Lara Poe's (b. 1993) energetic Divergence (2015-2016) for string quartet was conceived cyclically: the four movements explore drifting in and out of focus between different materials. A light ditty of the second movement diverges to the third movement's overtone derived chords.
Duration: c. 25'
This product includes a set of parts (violin I, violin II, viola, violoncello) and a score.
Lara Poe is a Finnish-American composer who is currently based in London. Her works have been performed across a wide range of venues throughout the US, Europe, and Asia. Her piece Kaamos, which she wrote for the Lahti Symphony Orchestra, was recently nominated for a Ivors Composer Award in the Large Scale Composition category. Kaamos also was selected by YLE Radio Finland to represent Finland at the International Rostrum of Composers 2021 in Belgrade, Serbia. Poe was the 2019 Tanglewood Music Patricia Plum Wilde Fellow and represented Finland at Ung Nordisk Musik 2019 in Piteå. She was also a 2018-2019 participant in the London Symphony Orchestra's Panufnik Scheme, where she worked under the guidance of Colin Matthews and Christian Mason. $48.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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