SKU: BT.DHP-1125286-400

ISBN 9789043145541. 9x12 inches.

Let's go back in time to the roaring twenties, a turbulent period between the two world wars... It was the era of the Charleston, Ragtime, short bob haircuts and Coco Chanel - and also of saxophone virtuoso Rudy Wiedoeft (1893-1940). In this album you will find his best-known compositions for alto saxophone and piano. They give you a glimpse of the cheerful music of the 1920s and introduce you to Wiedoeft's unequalled playing style. Rudy Wiedoeft - Spirit of the Saxophone: an homage to a great artist.

Welkom terug in de â??roaring twentiesâ?, het tijdperk van de Charleston, ragtime, korte page boy kapsels en Coco Chanel - en ook de tijd van de saxofoonvirtuoos Rudy Wiedoeft (1893-1940). Dit album is een verzameling van zijn bekendstecomposities voor altsaxofoon en piano. Beleef de unieke en vrolijke muziek van de jaren twintig!Op de meegeleverde CD kunt u de werken beluisteren.

Willkommen zurück in den roaring twenties, der �ra von Charleston, Ragtime, kurzen Pagenkopf-Frisuren und Coco Chanel - und auch die Zeit des Saxophonvirtuosen Rudy Wiedoeft (1893-1940). In diesem Album sind seine bekanntesten Kompositionen in Arrangements für Altsaxophon und Klavier versammelt. Sie erlauben einen Einblick in die fröhliche Musik der 1920er-Jahre und stellen Wiedoefts unvergleichlichen Spielstil vor.

Remontons le temps jusquâ??aux Années folles, la période mouvementée de lâ??entre-deux-guerres â?¦ Câ??était lâ??époquedu charleston, du ragtime, de la coupe de cheveux au carré et de Coco Chanel - mais aussi celle du saxophonistevirtuose Rudy Wiedoeft (1893-1940). Cet ouvrage rassemble ses plus célèbres compositions pour saxophonealto et piano. Elles vous donneront un aperçu de la musique enjouée des années vingt et vous feront découvrir letalent hors pair de Wiedoeft. Rudy Wiedoeft - Spirit of the Saxophone : un hommage un grand artiste.

Bentornati ai ruggenti anni Venti, l'era di charleston e ragtime. Ed anche il tempo del virtuoso del sax Rudy Wiedoeft (1893-1940). In questo album sono raccolte le sue composizioni più popolari trascritte per sassofono contralto e piano.

SKU: BR.CB-215

ISBN 9790001157223. 9 x 12 inches.

The triumphal concert hall success of Tchaikovsky's most popular and musically most valuable concert pieces for solo instrument and orchestra was preceded by severe teething troubles. His Piano Concerto No. 1 Op. 23 of 1874/75 was slated by Tchaikovsky's mentor and potential performer at the premiere, the pianist, conductor and director of the Moscow Conservatory, Nikolai Rubinstein. So Hans von Bulow premiered it gratefully and enthusiastically (in Boston, USA, on 25 October 1875). Leopold Auer, violin virtuoso and professor at the Petersburg Conservatory, to whom Tchaikovsky wanted to dedicate his Violin Concerto Op. 35 of 1878, refused to premiere it - he regarded the solo part as unrewarding and unplayable. On 4 December 1881, Adolf Brodsky premiered the Violin Concerto in Vienna, with Hans Richter conducting, but Eduard Hanslick wrote a crushing and unpleasant review. The Variations on a Rococo Theme for Cello and Orchestra Op. 33 were finally published by their dedicatee, the German cellist and professor at the Moscow Conservatory, Wilhelm Fitzenhagen, after he had almost completely rewritten and then premiered it on 18 December 1877 in Moscow, while Tchaikovsky, who had asked him to publish the work, was abroad. The original version, which can be found in this edition, was not published until the 1950s.

SKU: BR.EOS-1900-16

ISBN 9790004789384. 9 x 12 inches.

The triumphal concert hall success of Tchaikovsky's most popular and musically most valuable concert pieces for solo instrument and orchestra was preceded by severe teething troubles. His Piano Concerto No. 1 Op. 23 of 1874/75 was slated by Tchaikovsky's mentor and potential performer at the premiere, the pianist, conductor and director of the Moscow Conservatory, Nikolai Rubinstein. So Hans von Bulow premiered it gratefully and enthusiastically (in Boston, USA, on 25 October 1875). Leopold Auer, violin virtuoso and professor at the Petersburg Conservatory, to whom Tchaikovsky wanted to dedicate his Violin Concerto Op. 35 of 1878, refused to premiere it - he regarded the solo part as unrewarding and unplayable. On 4 December 1881, Adolf Brodsky premiered the Violin Concerto in Vienna, with Hans Richter conducting, but Eduard Hanslick wrote a crushing and unpleasant review. The Variations on a Rococo Theme for Cello and Orchestra Op. 33 were finally published by their dedicatee, the German cellist and professor at the Moscow Conservatory, Wilhelm Fitzenhagen, after he had almost completely rewritten and then premiered it on 18 December 1877 in Moscow, while Tchaikovsky, who had asked him to publish the work, was abroad. The original version, which can be found in this edition, was not published until the 1950s.