Classic Rock for the String Orchestra (Teacher's Score). Arranged by Bob Phillips and Daryl Silberman. Book; CD; Play-Along; String Orchestra Collection. Rock. 48 pages. Published by Alfred Music (AP.40742).

(includes 24 student books plus Conductor w/ CD). Arranged by Lloyd Conley. Essential Elements String Folio. BOOK W/CD. Size 10x13 inches. Published by Hal Leonard.

(A Revolutionary Method for Early-Intermediate Musicians (Combined Percussion)). By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips. Concert Band. For Combined Percussion. Band Method; Book; CD; DVD; Method/Instruction. Sound Innovations. Early Intermediate. 96 pages. Published by Alfred Music Publishing

By Conaway. Concert band. Young Band. Rising Band Series for Developing Bands!. Audio recording available separately (item CL.WFR374). Grade 1.5. Score and set of parts. Composed 2011. Duration 2 minutes, 10 seconds. Published by C.L. Barnhouse

Arranged by Lloyd Conley. Full score and accompaniment CD for violin 1, violin 2, viola, cello, string bass, piano and percussion. With full score notation. Series: Hal Leonard Essential Elements String Method. 84 pages. Published by Hal Leonard.

By Andrew Lloyd Webber. Arranged by Henk Ummels. For Concert Band (5 parts flexible) and Percussion. Flexible Wind Series. Broadway, Musicals. Grade 2. Score only. Duration 9 minutes. Published by Molenaar Edition

Orchestra 1-3 part children's choir (6-18 years, 1 men's choir-solo), soloists, bass flute, oboe, soprano saxophone, violin, cello, contrabass, percussion, 2 electric pianos, [3 trumpet, 2 trombone, timpani, lute ad lib]

SKU: CA.1201208

Musical frei nach Prinz und Bettelknabe von Mark Twain. Composed by Wolfgang Konig. This edition: Paperbound. Carus book series: More music books. London Dreams Musical. Musicals for children, Songs for children, Secular choral music. Lyrics. 52 pages. Duration 120 minutes. Carus Verlag #CV 12.012/08. Published by Carus Verlag (CA.1201208).

ISBN 9790007143558. Language: German. Text: te Reh, Veronika. Text: Veronika te Reh.

Score available separately - see item CA.1201200.

Orchestra 1-3 part children's- and youth choir (6-18 years, 1 male voice solo), soloists, recorder, oboe, soprano saxophone, violin, cello, contrabass, percussion, 2 electric pianos, [3 trumpets, 2 trombones, timpani, lute ad lib]

SKU: CA.1201299

Musical frei nach Prinz und Bettelknabe von Mark Twain. Composed by Wolfgang Konig. Carus book series: More music books. London Dreams Musical. Musicals for children, Songs for children, Secular choral music. Compact Disc. Duration 120 minutes. Carus Verlag #CV 12.012/99. Published by Carus Verlag (CA.1201299).

Language: German. Text: te Reh, Veronika. Text: Veronika te Reh.

Score available separately - see item CA.1201200.

Orchestra 1-3 part children's choir and youth choir (6-18 years, 1 male voice solo), vocal solos, recorder, oboe, soprano saxophone, violin, cello, contrabass, percussion, 2 electric pianos, [3 trumpets, 2 trombones, timpani, lute ad lib]

SKU: CA.1201205

Musical frei nach Prinz und Bettelknabe von Mark Twain. Composed by Wolfgang Konig. Carus book series: More music books. London Dreams Musical. Musicals for children, Songs for children, Secular choral music. Choral Score. 28 pages. Duration 120 minutes. Carus Verlag #CV 12.012/05. Published by Carus Verlag (CA.1201205).

ISBN 9790007160968. Text language: German. Text: te Reh, Veronika. Text by Veronika te Reh.

Score available separately - see item CA.1201200.

Concert Band (2 flutes, piccolo, 2 oboes, 3 clarinets*, 2 bass clarinets, 2 bassoons; 2 alto saxophones, tenor saxophone, baritone saxophone; 4 horns, 6 trumpets, 3 trombones, 2 euphoniums, 2 tubas; timpani, 6 percussion, string bass (*at least 2 per part))

SKU: SU.90810030

For Concert Band. Composed by Nancy Galbraith. Woodwinds, Woodwind Ensemble. Study Score. Composed 1998. Duration 9'. Subito Music Corporation #90810030. Published by Subito Music Corporation (SU.90810030).

Instrumentation: 2fl, picc, 2ob, 3cl*, 2bs-cl, 2bn; 2a-sax, t-sax, b-sax; 4hn, 6tpt, 3tbn, 2euph, 2tba; timp, 6perc, string-bass (*at least 2 per part) Duration: 9' Full Score & Parts: available for sale (#90810031) Composed: 1998 Published by: Subito Music Publishing ... a high-energy score .... The music drives hard from its opening to a lullaby-like woodwind passage about two-thirds of the way through. The dreaminess is dispatched by the arrival of a snare drum that slowly ratchets the excitement level back to that of the work's opening. --Fanfare Magazine.

Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flute, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3 and more.

SKU: PR.41641515L

Composed by Behzad Ranjbaran. Premiered by the Philadelphia Orchestra, Yannick Nezet-Seguin, Music Director, Jeffrey Khaner, flute; Verizon Hall, Philadelphia. Contemporary. Large Score. With Standard notation. Composed 2013. Duration 28 minutes. Theodore Presser Company #416-41515L. Published by Theodore Presser Company (PR.41641515L).

UPC: 680160621750.

The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice. In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions. In writing my flute concerto, I aimed not only to highlight the modern flautist's ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages. Two prominent characters permeate the first movement of my concerto. They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively. The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra. Apart from these two characters there are moments of mystery, comedy and the grotesque, among others. In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors. The solo flute is left out in an agitated middle section that references the first movement. In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp. The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute. Some of the materials from the earlier movements are presented again with joyous character. The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy.
The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice.  In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions.In writing my flute concerto, I aimed not only to highlight the modern flautist’s ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages.Two prominent characters permeate the first movement of my concerto.  They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively.  The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra.  Apart from these two characters there are moments of mystery, comedy and the grotesque, among others.In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors.  The solo flute is left out in an agitated middle section that references the first movement.  In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp.The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute.  Some of the materials from the earlier movements are presented again with joyous character.  The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy.