(230 Selected Technical and Orchestral Studies for Oboe and English horn). Edited by Albert Andraud. For Oboe. Woodwind Solos and Ensembles - Oboe Method/Studies. Southern Music. Instructional, Studies and Classical. Collection. 200 pages. Southern Music Company #B412. Published by Southern Music Company

Horn (Horn)

SKU: HL.48184273

Composed by Maxime-Alphonse. Leduc. Classical. Softcover. Alphonse Leduc #AL27237. Published by Alphonse Leduc (HL.48184273).

Vol.1, No.3, 6, 7, 10, 36 and 37; Vol.2, No.17, 28, 29 and 37; Vol.3, No.7 and No.20.

Traite-Methode et Exercices. By Francis Orval. For horn in F. Swiss import. Instructional Methods; Etudes. Level: 5-6. Instructional method. Published by Editions Marc Reift. (EMR 159)

By J. Cotrell. For Horn (Methods/Studies/Etudes). Published by Cimarron Music Press.

By James Ifor. For horn in Eb. Swiss import. Instructional Methods; Etudes. Level: 3-4 . Instructional method. Published by Editions Marc Reift. (EMR 145)

By Michael Davis. Composed by Michael Davis. For trombone. 13 energizing etudes covering all aspects of contemporary trombone playing. Book and CD. C bass clef edition. 35 pages. Published by Hip-Bone Music. (74) Level: intermediate.

By James Ifor. For horn in F. Swiss import. Instructional Methods; Etudes. Level: 3-4 . Instructional method. Published by Editions Marc Reift. (EMR 128)

By Kaucky Emanuel - Petr Miloa. Czech title: Etudy pro lesni roh I (Male etudy pro lesni roh). Published by Praha (Czech import).

Composed by Gallay, Jacques Francois. Boosey and Hawkes Chamber Music. Softcover. 20 pages. Boosey and Hawkes #M221120458. Published by Boosey and Hawkes (HL.48022776).

By Uwe Komischke. For horn in Eb. Swiss import. Instructional Methods; Etudes. Level: 2 -4. Instructional method. Published by Editions Marc Reift. (EMR 117J)

Chamber Music oboe

SKU: PR.114422520

Sonata for Oboe and Piano. Composed by Katherine Needleman. Set of Score and Parts. 24+8 pages. Duration 15:45. Theodore Presser Company #114-42252. Published by Theodore Presser Company (PR.114422520).

ISBN 9781491134788. UPC: 680160683833.

After decades as a renowned oboe virtuoso, Katherine Needleman was improvising at the piano during the quarantine summer of 2020 when her ideas congealed in a powerful way. Within a week she completed a 16-minute oboe sonata inspired by the world’s overlapping crises. This riveting three-movement sonata bears the title qua resurget ex favilla, drawn from the Dies Irae text referring to rising back from ashes. Needleman won the International Double Reed Society’s Inaugural Commissioning Competition by entering her own recording of this work, performing as both oboist and pianist from her living room. As a result, IDRS commissioned her to compose a new work for English horn and piano which was premiered at their 2021 Virtual Symposium and programmed for the live 2022 convention.
I’m not exactly sure how, in a life consumed by music, I never put anything on paper between the time I stopped at age 10 and the age of 42. I mean, I have some ideas why, but that could easily dissolve into a feminist manifesto or a condemnation of my musical education and the overwhelming culture of American oboe playing, the vehicle through which I’ve made a living my entire adult life. Rather than go there, I will just say this is the first piece I put on paper in my adult life.Six months into COVID-19 lockdown in the US, the world was feeling pretty weird. I had familiarized myself with the music notation program, Sibelius, for recent arranging projects. I had written some mockeries of A.M.R. Barret oboe etudes in response to an assignment I was given (and did appropriately first). When I descended into a dark chorale in the middle of the fourth mockery, I realized I needed a new vehicle. I wrote a short, ridiculous piece for my husband’s birthday, and then, the next night, when improvising at the piano, like I’ve done since I was seven years old, this piece came to me. However, this time, I sketched it out into Sibelius. Over the course of the next week, I found notating and picking permanent, official notes to enter into the computer challenging. But it was all done on paper in seven days, and I took another few for dynamics and articulations thinking they might be useful for someone else, if I would ever be lucky enough for someone else to play it.I don’t have much to say about the music of qua resurget ex favilla itself. It’s a personal statement couched in the feelings of that time. The US presidential election was looming large and ugly in my mind, well, that and the end of life as we knew it, but I also had some bizarre feeling that everything would be okay.