SKU: TM.02702SC

Orch. by Reinecke trumpets are ad lib.

SKU: BA.BVK02312

ISBN 9783761823125. 23.7 x 16.5 cm inches. Preface: Seidel, Wilhelm.

Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture

As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.

The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.

This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch.

The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.

The edition of the complete letters
This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown.

Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.

This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.

The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.

The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search.
(The 12 volumes as well as the CD-ROM can only be purchased complete).

- German text only


The Editors
Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe.

Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.

SKU: BR.CHB-5234-02

ISBN 9790004411537. 7.5 x 10.5 inches. German.

Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.

Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).

SKU: UT.XXS-111

ISBN 9790215324299. 9 x 12 inches.

SKU: CU.EC5572

ISBN 9790215908925.