SKU: HL.48014855
UPC: 073999148558. 9.0x12.0x0.097 inches.
Originally for Basson, Violin, Viola and Cello. Arranged here for Bassoon and Piano by Masahito Tanaka.
SKU: HL.14007456
John Joubert's Concerto For Bassoon And Chamber Orchestra, Op.77 is scored here for Bassoon with a Piano Reduction.
SKU: FL.FX072790
Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... - Pascal SAINT-LEGER ; Instruments: 1 Bassoon 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 50 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Pascal SAINT-LEGER;.
SKU: FL.FX074181
Here's how a little theme can travel in various musical styles and also around the world... - Jerome NAULAIS ; A piece to be played from 6 years of practice. ; Instruments: 1 Bassoon 1 Piano; Difficuly Level: Grade 4.
SKU: BT.DHP-1185973-401
ISBN 9789043157513. International.
This short work is partly based on the well-known bassoon solo from Peter and the Wolf, the musical fairy tale by Sergei Prokofiev. However, the original melody is presented in â??inversionâ??: ascending intervals become descending ones, and vice versa. The middle cantabile section is mainly situated in the higher bassoon register, thus forming a lovely contrast with the other parts. The piano accompaniment is modest and transparent, so that the bassoon is not drowned out.Dit korte werkje is deels geënt op de bekende fagotsolo uit Peter en de Wolf, het muzikale sprookje van Sergei Prokofjev. De oorspronkelijke melodie wordt echter in â??omkeringâ?? gepresenteerd: stijgende toonafstanden worden dus dalende en vice versa. Het middendeel is zangeriger en ligt vooral in het hogere register van de fagot, wat een fraai contrast vormt met de hoekdelen. De pianobegeleiding is bescheiden en transparant, zodat de fagot niet overstemd wordt.Dieses kurze Werk basiert zum Teil auf dem bekannten Fagott-Solo aus Sergei Prokofjews musikalischem Märchen Peter und der Wolf. Die ursprüngliche Melodie wird jedoch als Umkehrungâ?? vorgestellt: aufsteigende Intervalle werden zu absteigenden und umgekehrt. Der Mittelteil ist kantabler und liegt hauptsächlich in der höheren Stimmlage des Fagotts, womit er einen schönen Kontrast zu den Eckteilen bildet. Die Klavierbegleitung ist zurückhaltend und transparent, sodass das Fagott nicht übertönt wird.Cette Å?uvre courte est basée en partie sur le célèbre solo pour basson de Pierre et le Loup, le conte musical de Sergue Prokofiev. Toutefois, la mélodie originale est présentée en « inversion » : les intervalles ascendants deviennent ainsi descendants, et vice-versa. La partie du milieu est plus cantabile et profite surtout du registre aigu du basson, ce qui crée un magnifique contraste avec les parties qui lâ??entourent. Lâ??accompagnement pour piano est modeste et simple : ainsi il ne couvre pas le basson.
SKU: BT.AMP-430-400
ISBN 9789043148610. English-German-French-Dutch.
Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke’s 15 Easy ChristmasCarols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book willprovide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkes 15 Intermediate Christmas Carols sind Teil der Reihe Anglo Music Play-Along und richten sich an junge Instrumentalisten, die einen Tonumfang von ungefähr eineinhalb Oktaven beherrschen. Die Ausgabe schließt sich anSparkes 15 Easy Christmas Carols an. Für diesen Band wurden einfache und zugleich ansprechende Melodien ausgewählt, die genau auf das jeweilige Instrument zugeschnitten sind, sich für dessen begrenzten Tonumfang eignen, und den soSchüler an die weltweit beliebtesten Weihnachtslieder heranführen. 15 Intermediate Christmas Carols bietet damit wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschulepasst und sowohl eine Klavierbegleitung als auch einePlay-Along-CD enthält.Faisant partie de l’Anglo Music Play-Along Series, les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent jouer environ une octave etdemi. Adapté pour convenir chaque instrument spécifique, ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.
SKU: FG.55011-524-8
ISBN 9790550115248.
In Kirmo Lintinen's Rondo burlesque (2007-2008) for bassoon and piano , the qualitative elements of the bar, with their upbeats, accents and GPs, create a refined musical rhetoric and are very much to the fore. At the premiere, Lintinen's manner of playing, with its sparing use of the pedal obscuring the first beat but not the sense of time, underlined the inherent character of the piece. The roguish poetic metres gambolled jerkily along, and although at surface level the music may appear guileless, Lintinen knows his polyphony, judging by the capital roving of his voices even in the homophonic textures. Kirmo Lintinen (b. 1967) is a man of many musical talents: composer, pianist and conductor. His catalogue encompasses almost all gen-res and categories of composition, from solo work to opera, and he operates with ease from one to another without being a crossover artist; in his case, the versatility is both internalised and innate. He often finds inspiration in French music of the 1920s and its intrinsic musicality. Humour and playfulness are characteristic elements of his music, as are a natural, musicianly approach and an enchantingly effervescent, even tongue-in-cheek texture.
SKU: HL.253938
9.0x12.0 inches.
Sonata for bassoon and piano is one of Swiders first works for a wind instrument. It was written most probably in the years 1953-1954, under a clear influence of neo-classicist stylistics. The only documented performance took place on 5th May 1955 in Katowice, or Stalinogrod, as such was the name of that city in those days. The first part of Sonata is written in a form of scherzando of a light and witty character, where the composer fully uses the facture and bassoons sound potential. The second part, full of meditation and cantilena, bears a particular expression of lower registers of the instrument. Part three is a traditional minuet in moderato tempo, with stylised folk elements in the middle fragment. The last part resumes the scherzo form, capped by a cadenza written by Marek Baranski, in which attempting to imitate the language of Jozef Swider's compositions that include numerous elements of a synthetic finale he included most music concepts outlined in the entire Sonata.
SKU: FG.55011-438-8
ISBN 9790550114388.
All of Heininen's sonatas have different characters that are informed by the force fields created by classic solos and melodies in orchestral repertoire. There is also a certain encyclopaedic nature to the sonata cycle; many have been composed to various instruments. The character of the bassoon sonata is serious and classical, somewhat solemn.
SKU: LM.C05234
SKU: MA.EMR-44975
Scotland / Fleas Jumping / There Is A Green Hill Far Away / Cadet Rousselle / Dangerous Liaisons / Sadness / Toys' Procession / Home On The Range / The Blue Danube / Can-Can / Farther and Farther / Going Up / The King of Sliding / Swanee River...
SKU: M7.DOHR-88837
ISBN 9790202098370.
There comes a time in life when your parents have passed on. What we are left with is the memories of their love, guidance, support, and the happy times together. Last August when my mum sadly passed away, I wrote an Elegy as part of my grieving. However, as a family we had happy times together and it seemed only right to compose a work which would celebrate this. So, I added a first and last movement to create a short concertino. The movements are: Prelude: Peter John Connell: The Cheeky Chap Elegy: Mavis June Connell (Time To Remember) Rondo: Family Fun (Adrian Connell) Performance note The work can also be performed with accompaniment of string orchestra and harp using the set of parts for the version for clarinet and orchestra (E.D. 88833).
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