SKU: HL.50603926
ISBN 9781705159088. UPC: 196288050674.
Zoltán Kodály's unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author's edition, being expanded with eight new compositions, but without Elso áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a “commemorative extended edition†of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with the manuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 weemended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály's collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek Úristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), Újesztendot köszönto (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known underthe title of Naphimnusz (Canticle of the Sun), due to earlier editions; the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szedo s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály's mixed choruses to date; it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue.
SKU: SU.80101131
The work is an exciting and spirited setting of a few verses from Psalm 107. A useful anthem for celebratory or festival occasions. 12 pages Published by: Zimbel Press.
SKU: HL.49032119
ISBN 9790001069397.
SKU: HL.49032125
ISBN 9790001069458.
Die Absurditaten der Warenasthetik, die Perfidie der Reklamewelten, das schonungslose Einhammern von Werbespruchen, das rettungslose Ausgeliefertsein an einen Mechanismus des Verkaufens, Anpreisens und An-den-Mann-Bringens um jeden Preis sind Thema dieser Revue und werden mit den Mitteln textlicher wie musikalischer Ironie, Parodie und Persiflage blossgestellt. Die offene Form bietet vielfaltige, unbegrenzte Moglichkeiten zur szenischen Gestaltung; die Einbeziehung anderer Medien (Video, Film) ist durchaus beabsichtigt und bietet gute Moglichkeiten fur facherubergreifende Arbeit.
SKU: HL.49032120
ISBN 9790001069403.
SKU: HL.49032122
ISBN 9790001069427.
SKU: HL.49032121
ISBN 9790001069410.
SKU: HL.49032123
ISBN 9790001069434.
SKU: HL.49032124
ISBN 9790001069441.
SKU: BT.WH31482
ISBN 9788759824412.
For blandet kor a cappellabaseret på Paulus’ Første Brev til KorintherneKapitel 13 om KærlighedenOm jeg så taler med menneskers og engles tunger s. 3Kærligheden er tålmodig s. 8Størst er kærligheden s. 11Når én mann kan forårsake så mye ondt tenk hvor mye kjærlighet vi kan skape sammen.Helle Gannestad, Oslo på Twitter den 23. juli 2011 For mixed chorus a cappella. Based on Paul's First Letter to the Corinthians, Chapter 13 on Charity. Though I speak with the tongues of men and of angels Love is patient The greatest is love.
SKU: HL.49026638
ISBN 9790001019729. German.
SKU: GI.G-10202
UPC: 785147020219. English.
Contains: His Name Should Be Praised, Worthy Is the Lamb, Great Is God in My Soul, Jesus, the Son of God, Thank God for the Blood, Precious Savior and Have You Learned the Precious Secret
SKU: BT.DHP-1115108-050
9x12 inches.
Jacob de Haan begins his arrangement of the well-known hymn Allein Gott in der Höh’ sei Ehr (All Glory Be to God on High) with a quotation from his own Missa Katharina, a mass for choir, soprano, and band. To this melody he sets the Latin text from the last part of the Gloria. The chorale is then heard after an interlude and can, at the director’s discretion, be accompanied by the choir singing in either German or English. A perfect work for church concerts.De bewerking van het bekende koraal Allein Gott in der Höh’ sei Ehr van Jacob de Haan begint met een citaat uit zijn eigen Missa Katharina, een mis voor koor, sopraan en blaasorkest. Daarin maakte de componist de melodiebij de Latijnse tekst uit het laatste deel van Gloria. Na een tussenspel klinkt er een koraal dat net zoals bij het Latijnse deel door het koor kan worden meegezongen. U ontvangt zowel een Duitse als een Engelse tekst.Jacob de Haans Bearbeitung des bekannten Chorals Allein Gott in der Höh’ sei Ehr beginnt mit einem Zitat aus der Missa Katharina von Jacob de Haan, einer Messe für Chor, Sopran und Blasorchester. Darin setzte der Komponist die Melodie zum lateinischen Text aus dem letzten Teil des Gloria. Nach einem Zwischenspiel erklingt der Choral, der genau wie der lateinische Teil nach Belieben vom Chor mitgesungen werden kann. Le choral Allein Gott in der Höh’ sei Ehr se compose d’un cantique de P ques du Xe siècle, du chant grégorien Gloria in excelsis et du Sanctus in festis duplicibus. L’arrangement réalisé par Jacob de Haan, s’ouvre sur un extrait du Gloria de la Missa Katharina (Messe pour choeur, soprano solo et orchestre d’harmonie composée par Jacob de Haan). Après un bref interlude, l’orchestre interprète nouveau le choral qui pourra être augmenté du choeur (sont jointes les versions anglaise et allemande des paroles du choral).Il corale Allein Gott in der Hoh’ sei Ehr si compone di un cantico di Pasqua del X secolo, del canto gregoriano Gloria in Excelsis e del Sanctus in festis duplici bus. L’arrangiamento di Jacob de Haan inizia su di un estratto del Gloria della Missa Katharina (messa per coro, soprano solo e banda composta dallo stesso de Haan). Dopo un breve interludio, l’orchestra interpreta nuovamente il corale al quale si potr aggiungere il coro (le versioni inglesi e tedesche del testo del corale sono incluse).
SKU: HL.49021462
ISBN 9783795736293. UPC: 196288056515. 5.0x7.25x0.105 inches. Greek - Latin - German.
Wortlich ubersetzt ist das Libretto ein 'kleines Buch', ein 'Buchlein'. Doch nicht irgendein Buchlein. Seit es Opern gibt, gibt es die Textbucher dazu. Oft erzahlen die Universalsprache Musik und der Ausdruck der Darsteller die Geschichte, auch wenn man die Worte nicht versteht. Trotzdem ist ein Libretto sehr hilfreich fur das Verstandnis der Details. Gerade dann, und das fast immer, wenn die Oper in der Originalsprache aufgefuhrt wird. In den Libretti ist in der Regel das Original der Ubersetzung gegenubergestellt. Sie konnen so problemlos parallel Handlung und Inhalt folgen. In den meisten Fallen existiert das Textbuch Oper bevor die Musik dazu komponiert wird. Spannende und dramatische Geschichten bilden die Grundlage fur faszinierende Opernkompositionen.3 (auch 3 Picc.) * 3 (2. u. 3. auch Engl. Hr.) * 3 * 3 (3. auchKfg.) - 6 * 3 * 3 * 2 - 6 P. S. (Trgl. * 4 Beck. [] * Tamt. * Rohrengl. * Schellentr. * 2 kl. Tr. * 2 gr. Tr. * 4 Mar. * 4 Holzer * 3 Glsp. * Xyl. * Marimb. * Tenxyl. [Trogxyl.]) (10-12 Spieler) - 2 Hfn. * 3 Git. * 3 Klav. - Str. (12-14 * 12-14 * 12 * 12 * 8)3 (auch 3 Picc.) * 3 (2. u. 3. auch Engl. Hr.) * 3 * 3 (3. auchKfg.) - 6 * 3 * 3 * 2 - 6 P. S. (Trgl. * 4 Beck. [] * Tamt. * Rohrengl. * Schellentr. * 2 kl. Tr. * 2 gr. Tr. * 4 Mar. * 4 Holzer * 3 Glsp. * Xyl. * Marimb. * Tenxyl. [Trogxyl.]) (10-12 Spieler) - 2 Hfn. * 3 Git. * 3 Klav. - Str. (12-14 * 12-14 * 12 * 12 * 8).
SKU: CA.315320
ISBN 9790007176266. Key: F major. Language: German. Text: Herman, Nikolaus. Text: Nikolaus Herman.
Original in G major.
SKU: HL.49042434
ISBN 9783795794491. 10.25x13.5x1.141 inches. German.
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.
SKU: GI.G-8232
UPC: 785147823209. English. Text source: Spiritual.
Explore themes of freedom and heaven in these three beautifully crafted spirituals. Sink into the hearty, four-part, a cappella choral writing that supports the soloist and upholds the assembly through prayer. A piano reduction is provided for rehearsal.
SKU: CA.9114509
ISBN 9790007232467. Key: C major. Language: Latin.
Score available separately - see item CA.9114500.
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