SKU: MB.94207
ISBN 9780871662194. UPC: 796279007016. 8.75 x 11.75 inches.
Artistically beautiful clarinet solos with keyboard accompaniment on familiar sacred and classic melodies. This collection aims to provide repertoire for the Church instrumentalist from the best composers of the eighteenth and nineteenth centuries: J. S. Bach, Handel, and Mendelssohn. Much of this is well-known in concert and in church settings. The variety of length of the works provides music that can be used for Prelude, offertory, instrumental interlude, or Postlude in the Church Service. The music here is of the highest quality, and can also be used for recital or concert purposes. Includes a 16-page pull-out part for the soloist.
SKU: HL.863548
ISBN 9780793569793. UPC: 073999635485. 9.0x12.0x0.125 inches.
Original series (black cover) Intermediate to advanced studies featuring full band chorales, chromatic exercises and articulation studies, color woodwind trill charts, a wide variety of multicultural songs, and much more. Authors: Tom C. Rhodes, Donald Bierschenk, Tim Lautzenheiser.
About Essential Elements Band Method
About Essential Elements Band Method: Essential Elements Band Method provides a complete system of books and accompanying materials that make the educator's job easier, and the students' learning more thorough and enjoyable. By Tom C. Rhodes, Donald Bierschenk, Tim Lautzenheiser, John Higgens, Linda Petersen.
SKU: SU.94010763
Dedicated to Anthony McGill, Principal Clarinet, New York PhilharmonicClarinet Duration: 5'30 Composed: 2020 Published by: Subito Music Publishing PROGRAM NOTE: The year 2020 has definitely been a very challenging year with many upheavals. During this time of the COVID-19 health crisis, wearing masks, and high racial tensions, I decided to compose four short solo woodwind works for flute, oboe, clarinet, and bassoon, which represent the core woodwind section in an orchestra. I was inspired to compose these short pieces after I first heard Igor Stravinsky's three short pieces for clarinet, which totals a little more than four minutes in duration. I thought that it would be nice to highlight and honor my African-American male colleagues in the orchestral music world. I wanted to celebrate the fact that they are the principal player in the section of their respective orchestras. The short pieces are as follows: Principal Brother No. 1 for flute solo for Demarre McGill, Principal Flute of the Seattle Symphony Orchestra, Principal Brother No. 2 for oboe solo for Titus Underwood, Principal Oboe of the Nashville Symphony Orchestra, Principal Brother No. 3 for clarinet solo for Anthony McGill, Principal Clarinet of the New York Philharmonic, and Principal Brother No. 4 for bassoon solo for Bryan Young, Principal Bassoon of the Baltimore Chamber Orchestra. These works all begin with notes that are representative of their name; D for Demarre, B for Titus (ti in solfège starting on C), A for Anthony, and Bb for Bryan. There is also a rhythmic figure in the opening measures of each piece, which represent the utterance of their names. All four of these works are rhapsodic in nature with elements of improvisation. - James Lee III.
SKU: HL.48185797
UPC: 888680832414. 9.0x12.0x0.103 inches.
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and Jean-Pascal Post's arrangement for the Clarinet of ten of these loved works are indispensable for aspiring clarinetists. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. Post's transcription of ten Sonatas for Clarinet include Sonata K. 9. Post's arrangements for Clarinet enhance the lyricism and melodic invention of the Sonatas as well as enabling the student to study ornamentation and articulation. Bearing in mind that Domenico Scarlatti was a highly competent and popular musician in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, and Post's arrangement of these for Clarinet create an essential addition to the repertoire of all clarinetists..
SKU: HL.50600566
8.25x11.75x0.07 inches.
The Finnish composer Osmo Tapio Räihälä reports that he experienced a phase whilst working on his Horn Concerto in 2011 during which he had the feeling of “having landed in a deadendâ€. To find a remedy, he decided to develop a kind of “finger exercise†for composers, comparable to the “warming-up process of an instrumental soloist before performingâ€. Räihälä remembers furthermore: “Instead of writing for orchestra, I started a short solo piece for clarinet. Little did I know that I had opened a Pandora's box! I wrote 'Soliloque 1: Étoffé' in two days. Perhaps this frenzy caused the music to become restless, with quick turns – in short, a rather virtuosic etude. The clarinet seeks paths, at first without success, but obviously finding one in the end. And what about the Pandora's Box? I had given the title the number one, and during the next two years I wrote five more Soliloques, solos of six to seven minutes, for various instruments, as well as one for soprano a cappella. The title Étoffé means 'rich', or 'well rounded', but also 'fabric' or even a 'patch' - and I felt that I had patched something in my work that was broken; indeed, working on the concerto now gave me a fresh start.â€.
SKU: HL.14011933
ISBN 9788759859902.
Work for Clarinet solo. The composer writes 'The title refers to several levels in the piece. Partly a method I have used, where three lines are weaved, so they become one line, here the clarinet which can (nearly) only play one tone at the time. Either the three parts disappear and become one waving melodic line as in the beginning of the piece. Or they are put in different registers of the clarinet, so they are heard as separate lines weaving into one another. On a different level there is three different sequences, which are also weaved into one another; one which rises (for instance in the beginning), and one which falls, and one which falls in parallels in several registers. These three sequences become faster and faster every time they reappear. The idea of weaving melodic lines was inspired by Bach's pieces for solo strings, where he in a marvellous way established several simultaneous melodic lines, without simultaneous sounding notes. This happened by weaving parts, which in other works would sound simultaneously, into one another, so that only one note was heard at the time. This meant that in that long line, which was heard as the instrument's development of the piece, other melodies were weaving around each other with different focuses. Woven Lines was commissioned by DUT with support from the Danish Arts' Council.'.
SKU: BA.BA07897-75
ISBN 9790006564392. 32.5 x 25.5 cm inches.
Debussy's Premiere Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA07897-82
ISBN 9790006564415. 32.5 x 25.5 cm inches.
SKU: BA.BA07897-74
ISBN 9790006564385. 32.5 x 25.5 cm inches.
SKU: BA.BA07897-85
ISBN 9790006564422. 32.5 x 25.5 cm inches.
Debussy's Premiere Rhapsodie is one of only two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention among clarinettists for over a century. The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that sheds new light on the piece.
SKU: BA.BA07897-79
ISBN 9790006564408. 32.5 x 25.5 cm inches.
SKU: HL.48024204
ISBN 9781784542672. UPC: 888680751647. 9x12 inches.
The composer states: “Acequia Madre demonstrates an approach which was somewhat new to the style of my musical expression at the time of its composition [2012]: structuring a work with the focus on its melodic aspects. I drew inspiration from other creative artists through one of my 'rituals': I surrounded myself with the scores of composers who, for one reason or another, were on my mind at the time, like Iannis Xenakis, Alban Berg's 'Four Pieces for Clarinet and Piano,' and 'Contrasts for violin, clarinet and piano' by Bela Bartok, plus Schubert's haunting final 'String Quartet No. 15.' Conquering technical difficulties is something I find particularly rewarding when playing acoustic instruments: fully aware that today's electronics can triumph over a composer's most demanding technical challenges, I love the idea of performers encountering their instruments with virtuosity ... doing something that seems to defy physical boundaries.&rdquo.
SKU: BT.DHP-1084553-400
ISBN 9789043130585. 9x12 inches. English.
The first volume in the Step by Step series contains 14 structured lessons, a DVD and 2 CDs. The aim of this book is to provide all beginners with an opportunity to have fun whilst learning the clarinet. The 2 CDs included with this book contain performances of each piece to demonstrate how it should be done, along with play along tracks. The separate piano accompaniment book that is available for live performances also helps to develop the listening and interactive skills required for playing as part of an ensemble. Throughout the clearly presented lessons the student will find entertaining pieces, games and other activities which reinforce the area of learning within thelesson. Step by Step, together with the DVD, demonstrates the more practical aspects of playing and is a comprehensive and innovative method designed to achieve the theoretical and technical knowledge required for playing the clarinet. Due to the fact that Step by Step proceeds at a slow place it is an ideal method for younger learners or those who need to progress at a more gradual rate. Step by Step - A definitive method covering all aspect of learning.
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