SKU: M7.KECF-3
ISBN 9790502360030. German English.
Eine Sonate in frischer moderner Tonsprache ohne atonal zu sein, die auf dem Motiv F-B-Es-C-F aufgebaut ist und aus den drei Sätzen Allegro, Adagio und Allegro con brio besteht.
SKU: CY.CC2566
Bartok's Allegro Barbaro, composed in 1911 is one of his most famous solo piano works, written in his typical style using folk elements based on Hungarian Pentatonic and Romanian chromatic scales. The music has even been used on a composition by the Progressive rock group Emerson, Lake and Palmer from their 1970 debut album.
Ralph Sauer's brilliant arrangement for Trombone and Piano is reminiscent of the famous Trombone passage from the Miraculous Mandarin ballet suite.
This 3 minute work is suitable for advanced performers.
The sound clip is performed by Mr. Sauer with Mac Booke on piano.
SKU: CY.CC2578
The Cello Sonata No. 2 was published in 1887, more than 20 years after his first. The Sonata is dedicated to Robert Hausmann who had premiered the 1st Sonata and was a collaborator with Joseph Joachim in the premier of the Double Concerto.The work is in four movements:Allegro vivaceAdagioAllegro passionataAllegro molto (rondo)Sonata No. 2 is a major work of over 30 minutes in length, having been exquisitely arranged by Ralph Sauer for advanced performers,Cherry Classics is the distributor for Balquhidder Music.
SKU: HL.48181221
UPC: 888680867829. 9.0x12.0x0.056 inches.
Concerto in F minor by G.F. Handel is a piece transcribed for Trombone and Piano by Andre Lafosse, soloist at the Paris Opera. Quite difficult, for it to be played well this piece will require the skills and abilities of advanced players. This concerto is a really melodious piece to play in recitals. It is divided into four sections: I. Grave II. Allegro III. Sarabande ? Largo IV. Allegro The Piano introduces first and the third parts, which are quite slow compared to the second one and the final. G.F. Handel was a German composer famous for his operas, oratorios and concertos..
SKU: CY.CC3136
ISBN 9790530111055. 8.5 x 11 in inches.
This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
SKU: CY.CC3168
ISBN 9790530111383. 8.5 x 11 in inches.
Sonatina for Trombone and Piano by composer Armand Russell is a continuation of a large body of fine works for the low brass family. The music is in three movements: Allegro, Lento e cantabile, Vivo and is about 7 minutes in length and is perfect for intermediate level performers. All in bass clef.
SKU: MA.EMR-33867
Possible instrumentations:Alto Trombone & CD Play Back / Play AlongAlto Trombone & Organ (+ Play Back / Play Along CD optional)Alto Trombone & Piano (+ Play Back / Play Along CD optional).
SKU: CY.CC2654
--This work is the third from a collection of five short pieces Beethoven wrote for Flotenuhr or mechanical clock, discovered a number of years after his death. --Their true origin was uncovered by Professor Albert Kopfermann, a German musician/librarian, who solved the mystery about their instrumentation.--This delightful Allegro movement has been transposed into the key of D from G and arranged for moderately advanced performers by Ralph Sauer.--Your audience will love this little gem as the clock slows down and stops before the final cadence. It will make a great encore piece.
SKU: SU.50015290
Allegro GiocosoCopyright 1979. Published by: Seesaw Music.
SKU: LM.C06389
ISBN 9790230363891.
Mini-ouverture - Pour une fete - Valse tres lente - Petit allegro de concert - Romance en Fa - Reverie Nostalgique - Courte recreation - Premier concert - Petite valse - Second concert.
SKU: HL.48182327
UPC: 888680840426. 10.5x13.5x0.069 inches.
1st Movement from the Trombone Concerto.
SKU: ND.TRBN23
SKU: ND.TRBN10
SKU: ND.TRBN26
SKU: SS.50015290
allegro giocosocopyright 1979. published by: seesaw music.
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