SKU: BA.BA00356-75
ISBN 9790006401703. 32.3 x 25.5 cm inches. Key: B-flat major.
SKU: BA.BA09071-74
ISBN 9790006527618. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA06154-74
ISBN 9790006476176. 32.5 x 25.5 cm inches.
SKU: BA.BA06154-75
ISBN 9790006476183. 32.5 x 25.5 cm inches.
SKU: BA.BA11304-75
ISBN 9790006566174. 32.5 x 25.5 cm inches.
SKU: BA.BA11304-74
ISBN 9790006566167. 32.5 x 25.5 cm inches.
SKU: BA.BA02490-74
ISBN 9790006421961.
Print on demand (POD).
SKU: BA.BA03940-74
ISBN 9790006441617. Text: Angelus Silesius.
SKU: BA.BA07590-74
ISBN 9790006541614. 32.5 x 25.5 cm inches. Preface: Marco Uvietta.
For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Barenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the Liber scriptus for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.
