(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Various. Arranged by Daniel Kelley. String Trio, Wind Trio, Mixed Trio, Clarinet Trio, Saxophone Trio, Piano Trio, Piano Quartet. For Cello or Bassoon in C. Trios. Intermediate Music for Three. Classical. Intermediate. Partbook - Part 3. Published by Last Resort Music Publishing

Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios. Music for Three. Sacred / Spirituals. Level: Intermediate/Advanced. Part 3. Published by Last Resort Music Publishing.

By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Quartets. Music for Four. Baroque / Classical. Level: Intermediate/Advanced. Part 4. Published by Last Resort Music Publishing.

Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios. Music for Three. Late 19th/Early 20th Century Favorites. Level: Intermediate/Advanced. Part 3. Published by Last Resort Music Publishing.

By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Quartets. Music for Four. Christmas. Level: Intermediate/Advanced. Part 4. Published by Last Resort Music Publishing.

Popular and Traditional Holiday Favorites. Composed by Various. Arranged by Daniel Kelley. Duets. Music for Two series. A festive new collection for the holiday season including Holly Jolly Christmas, Rockin' Around the Christmas Tree, Rudolph, Hanukkah Medley, O Holy Night and more! Christmas. Score with 2 parts. Published by Last Resort Music Publishing (LR.46652).

(Late 19th and 20th Century Favorites). By Various. Arranged by Daniel Kelley. Wind quartet, mixed quartet. For Flute, Oboe, Clarinet, Bassoon. Quartets. Late 19th/Early 20th Century Favorites. Intermediate/Advanced. Set of 4 parts. Published by Last Resort Music Publishing

By Gernot Wolfgang. Chamber Music (Strings and Winds). For bassoon and cello. Score and set of parts. Composed (2005). 52 pages. Published by Doblinger Music Publishers

Bassoon and Piano

SKU: ST.C183

Composed by Graham Sheen. Wind & brass music. Clifton Edition #C183. Published by Clifton Edition (ST.C183).

ISBN 9790570811830.

Drunken Sailor — the sequel
This needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36, for example, might even be close to a glissando. Use your imagination to recreate the sailor’s state of health!

The Vulgar Boatman
Not only more hidden melodies but more appalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four, eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman, you might spot just a hint of Sailing down the River on a Sunday Afternoon, We Sail the Ocean Blue (H.M.S. Pinafore), The Eton Boating Song and even Wagner’s Flying Dutchman.

Last Tango in Harris
Everyone must surely know these thinly disguised Scottish tunes, but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict, but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be, as in bars 4 and 5 in the bassoon part.

Rheumanian Stretches
Or was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don’t always begin where you might expect. Think of this piece as a song.
Four Pieces for Bassoon and Piano

Grade 3
Former Spartan Press Cat. No.: SP1163.

Oboe, bassoon and piano - difficult

SKU: HL.49016219

Composed by Benjamin Schweitzer. This edition: Saddle stitching. Sheet music. Misc. Score (also performance score). Composed 2006. 73 pages. Duration 10'. Schott Music #ED 20121. Published by Schott Music (HL.49016219).

ISBN 9790001146449. UPC: 884088202538. 9.0x12.0x0.195 inches.

The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments, on the other hand, they have an often underestimated potential of 'twilight': air-sounds and fragile, shady colours have a especially attractive when being produced by double-reed instruments (which are often, and superficially regarded as being less capable of differentiated sounds than flute or clarinet). The piano, too, has a broad bandwidth of possibilities between percussive and delicate playing to complement the woodwinds which, in return, can absorb and continue the fading piano sounds.The beginning introduces the two contrasting elements that form the basic material for the piece: a clear, sharp chord, followed by fragile, dim sounds. The changes between these elements as well as their combination and amalgamation produce an enormous spectrum of colours and gesture. After this 'motto-like' opening follow four quite clearly separated short sections, each of them being characterised by a well-defined texture: a partly almost imperceptible air-sound passage, a short sequence of microintervallic notes, a burst of virtuosity and a recourse to the fragile sounds of the beginning.The second, longer main part consists of three sections merging subtly into each other: a short unisono-passage, marked elastic [federnd], is being dissolved into its basic elements; from these remainders, a confrontation of low, 'arcane' bassoon and piano sounds and a strongly ornamented melodic line of the oboe emerges, leading to a short but powerful climax. The piece is concluded by an extended, relaxed epilogue, containing a short piano solo and a duet of oboe and bassoon and, finally, a quotation of the 'elastic' character of the middle section.Benjamin Schweitzer.

SKU: HL.48182845

Composed by Eugene Bozza. Leduc. CD. 40 pages. Alphonse Leduc #AL24538. Published by Alphonse Leduc (HL.48182845).

UPC: 888680871802. 9.0x12.0x0.122 inches.

“Sérénade en trio is a piece for Flute, Clarinet and Bassoon by Eugène Bozza. Lasting 14 minutes, this is a really nice work for concerts and recitals. It is divided into three parts: 1. Entrée ? Allegro Vivo 2. Fuguette ? starting with the Bassoon ?Expressivo? 3. Guigue ? Vivace This volume features the score and parts. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.”.