| Hugh Wood: String Quartet No.4 Op.34 (Score And Parts) String Quartet: 2 violins, viola, cello Chester
String Quartet SKU: HL.14036341 Composed by Hugh Wood. Music Sales Americ...(+)
String Quartet SKU: HL.14036341 Composed by Hugh Wood. Music Sales America. Classical. Set. Composed 2001. Chester Music #CH60931. Published by Chester Music (HL.14036341). ISBN 9780711955080. Commissioned by the BBC and premiered by the Chilingirian String Quartet. Quoting Wood: In my Second and Third Quartets I attempted sectional, agglutinative forms: in my Fourth I return to the conventional four movement form of my First Quartet of 1962. Both works build up (as in the 19th century symphony) to the Finale, thus making it the most substantial movement, which provides a climax to the work. The First Movement has, in both works, only the status of an Introduction. But there the consciously willed resemblances end. This Introduction follows the Second Quartet to a certain extent, in that it provides a sort of 'cauldron', from which elements to be used later can all be plucked. Its opening will reappear at various points throughout the work, most completely at a climatic point of the Finale (bar 110). Subsequent material will be more fully worked out in the second movement, a large Scherzo. The Introduction concludes with an unusually placed violin cadenza (itself a rare feature in a string quartet, the idea lifted from Elliott Carter's First Quartet) of which the opening is to reappear halfway through the Finale. The Scherzo (which follows attacca) does not have at its centre a discretely characterized Trio: a figure in double-stops like a distant fanfare supplies the necessary contrast of a second idea. The Slow Movement has a secondary idea first heard on the cello and marked appassionato: an agitato middle section recalls the opening of the work, but in a formulation which will be found closely to anticipate its reappearance in the Finale. The Finale is planned on a broad scale. Only after a fully worked exposition of both primary and secondary material does the opening of the whole work return, now in a greatly extended form. Then, at bar 140, the tune of the violin cadenza is first harmonized in fanfare style on the upper instruments, then presented as a chorale on the lower ones, with a rushing semiquaver accompaniment above. This climatic activity mounts to the very end. The work is dedicated to the Chilingirian Quartet, old friends over many years. Score available separately: SOS04044. $83.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gateway to French Mélodies High voice Alfred Publishing
(High Voice). Edited by John Glenn Paton. For Voice (High voice (Medium-High)). ...(+)
(High Voice). Edited by John Glenn Paton. For Voice (High voice (Medium-High)). Book; Masterworks; Vocal Collection. Gateway Series. Masterwork. 240 pages. Published by Alfred Music Publishing
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gateway to French Mélodies High voice [Sheet music + CD] Alfred Publishing
(High Voice). Edited by John Glenn Paton. For Voice (High voice (Medium-High)). ...(+)
(High Voice). Edited by John Glenn Paton. For Voice (High voice (Medium-High)). Book; CD; Masterworks; Vocal Collection. Gateway Series. Masterwork. 240 pages. Published by Alfred Music Publishing
$44.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Turbulent Times Flute, Oboe, Bassoon [Score and Parts] Brixton Publications
Composed by Howard J. Buss (1951-). For flute, oboe, and bassoon. The music of T...(+)
Composed by Howard J. Buss (1951-). For flute, oboe, and bassoon. The music of Turbulent Times suggests the ebb and flow of the intense uncertainty felt by many with the more pleasant aspects of everyday life. Following the lyrical and plaintive introduction, stormy passages give way to sections of relative tranquility,. 21st Century. Grade 6. Score and parts. Composed 2009. Duration 11'. Published by Brixton Publications
$18.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Colour Flute (Book A) Flute - Beginner Fennica Gehrman
Composed by Jaana Laasonen and Riikka Rahivaara-Tarkka. Tutor. Published by Fenn...(+)
Composed by Jaana Laasonen and Riikka Rahivaara-Tarkka. Tutor. Published by Fennica Gehrman (FG.55009-566-3).
$47.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Gateway to French Mélodies Low voice Alfred Publishing
(Low Voice). Edited by John Glenn Paton. For Voice (Low voice (Medium-Low)). Boo...(+)
(Low Voice). Edited by John Glenn Paton. For Voice (Low voice (Medium-Low)). Book; Masterworks; Vocal Collection. Gateway Series. Masterwork. 240 pages. Published by Alfred Music Publishing
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gateway to French Mélodies Low voice [Sheet music + CD] Alfred Publishing
(Low Voice). Edited by John Glenn Paton. For Voice (Low voice (Medium-Low)). Boo...(+)
(Low Voice). Edited by John Glenn Paton. For Voice (Low voice (Medium-Low)). Book; CD; Masterworks; Vocal Collection. Gateway Series. Masterwork. 240 pages. Published by Alfred Music Publishing
$44.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Consolations, Grand solo de concert and Other Work Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgnes Sas. By Franz Liszt. EMB New Listz Edition. Book Hardcover. Composed 2014. 224 pages. Editio Musica Budapest #EMBZ14505A. Published by Editio Musica Budapest (BT.EMBZ14505A). English-German-Hungarian. Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.
Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.
Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war. $118.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Interruptions Concert band [Score and Parts] BCM International
Composed by Steven Bryant. Steve Bryant. Softcover. Published by BCM Internation...(+)
Composed by Steven Bryant. Steve Bryant. Softcover. Published by BCM International (HL.4003278).
$65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Consolations Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other Works (Suppl. B 10). By Adrienne Kaczmarczyk_Ãgnes Sas. By Franz Liszt. EMB Liszt Works. Book Only. Composed 2014. 208 pages. Editio Musica Budapest #EMBZ14505. Published by Editio Musica Budapest (BT.EMBZ14505). English-German-Hungarian. Of the early versions of works included in this volume the first versions of the notably popular Consolations cycle and Grand solo de concert (published in 1850) are of particular interest. In the first version of Consolations the third movement was a style hongrois piece whose thematic material was later used by Liszt in his Hungarian Rhapsody No. 1 (published in 1851). The first version of Grand solo de concert shows that the work did not originally include a slow middle section to be recapitulated towards the end as seen in the final version. This is a characteristically Lisztian feature that would reappear a few years later in his Sonata in B minor. A detailed preface inHungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included.
Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement†that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor.A detailed preface in Hungarian, English and German, including new research result and, numerous manuscript facsimiles make the practical paperback version of this volume of the New Liszt Edition a specially important publication of scholarly value.
Von den im vorliegenden Band veröffentlichten Werkversionen dürften der außerordentlich populäre Consolations-Zyklus sowie die Erstfassung des 1850 entstandenen Grand solo de concert (Großes Konzertsolo) auf besonderes Interesse stoßen. In der ersten Fassung der Consolations stand an dritter Stelle noch ein Stück im ungarischen Stil, dessen Thematik Liszt später im 1851 herausgegebenen 1. Stück der Ungarischen Rhapsodien verwendete. Die erste Version des Großen Konzertsolos belegt, dass der in der Mitte der Komposition angelegte und kurz vor Ende rekapitulierte langsame Teil, welcher zum typisch Lisztschen Element der endgültigen Fassung des Konzertsolos - und einige Jahre späterauch der H-Moll-Sonate - wird, noch kein Bestandteil der ursprünglichen Konzeption war. $49.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Elburg Fantasy Marching band - Intermediate/advanced De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-020 Composed by Jacob De Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 2013. De Haske Publications #DHP 1135396-020. Published by De Haske Publications (BT.DHP-1135396-020). 9x12 inches. English-Dutch. This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents.Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre.
Deze muzikale fantasie vertelt de geschiedenis van de Nederlandse vestingstad Elburg. Het werk begint met een middeleeuws sfeerbeeld vanuit het Agnietenklooster, het nonnenklooster dat in de eerste helft van de 15e eeuw werd gebouwd. We horen de kloosterklok samen met een opwaarts motief, dat ook later in het werk terugkomt. Vervolgens komt de rest van Elburg aan bod, inclusief de vesting - van waaruit de klokken van de Grote of Sint-Nicolaaskerk weergalmen. Dan klinken bij de Vischpoort de vrolijke geluiden van een dansgroep die daar een 16e-eeuwse Franse volksdans (branle des chevaux) uitvoert. Ook horen we oude karren over de kinderkopjes van de stad denderen. Dehandel maakt deze Hanzestad tot een levendige plaats. Het zich steeds herhalende opwaartse motief uit de inleiding krijgt hier een nadrukkelijker karakter en verbeeldt de handelsgeest van de stedelingen.Dan volgt het langzame middendeel, waarin de klok wordt teruggedraaid naar de tijd dat Elburg nog direct aan de Zuiderzee lag en te kampen had met overstromingen. Na de tweede Sint-Marcellusvloed (1362) en de watervloed van 1367 werd besloten dat de stad verplaatst zou worden. We horen het thema van de branle des chevaux in mineur, gevolgd door een doodsklok, die de verdronken inwoners van de voormalige stad herdenkt. Terug in onze eigen tijd verklankt een langzaam, expressief thema in barokke stijl de verstilde plekken in de stad, zoals het Feithenhof en het Weduwenhofje. Dan keert de levendigheid terug met motieven uit de inleiding, gevolgd door een aansprekend thema waarin het Elburg van nu met zijn vele toeristen doorklinkt. Plotseling is er dan nog even een echo uit het verleden: de dramatiek van de overstromingen en oorlogen die de stad ooit teisterden. Hieruit vloeit het grootse slotthema voort: de branle des chevaux is voor de laatste keer te horen vanuit het perspectief van de historische binnenstad. $203.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Elburg Fantasy Marching band - Intermediate/advanced De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-120 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 4 SKU: BT.DHP-1135396-120 Composed by Jacob De Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Score Only. Composed 2013. 52 pages. De Haske Publications #DHP 1135396-120. Published by De Haske Publications (BT.DHP-1135396-120). 9x12 inches. English-Dutch. This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents.Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre.
Deze muzikale fantasie vertelt de geschiedenis van de Nederlandse vestingstad Elburg. Het werk begint met een middeleeuws sfeerbeeld vanuit het Agnietenklooster, het nonnenklooster dat in de eerste helft van de 15e eeuw werd gebouwd. We horen de kloosterklok samen met een opwaarts motief, dat ook later in het werk terugkomt. Vervolgens komt de rest van Elburg aan bod, inclusief de vesting - van waaruit de klokken van de Grote of Sint-Nicolaaskerk weergalmen. Dan klinken bij de Vischpoort de vrolijke geluiden van een dansgroep die daar een 16e-eeuwse Franse volksdans (branle des chevaux) uitvoert. Ook horen we oude karren over de kinderkopjes van de stad denderen. Dehandel maakt deze Hanzestad tot een levendige plaats. Het zich steeds herhalende opwaartse motief uit de inleiding krijgt hier een nadrukkelijker karakter en verbeeldt de handelsgeest van de stedelingen.Dan volgt het langzame middendeel, waarin de klok wordt teruggedraaid naar de tijd dat Elburg nog direct aan de Zuiderzee lag en te kampen had met overstromingen. Na de tweede Sint-Marcellusvloed (1362) en de watervloed van 1367 werd besloten dat de stad verplaatst zou worden. We horen het thema van de branle des chevaux in mineur, gevolgd door een doodsklok, die de verdronken inwoners van de voormalige stad herdenkt. Terug in onze eigen tijd verklankt een langzaam, expressief thema in barokke stijl de verstilde plekken in de stad, zoals het Feithenhof en het Weduwenhofje. Dan keert de levendigheid terug met motieven uit de inleiding, gevolgd door een aansprekend thema waarin het Elburg van nu met zijn vele toeristen doorklinkt. Plotseling is er dan nog even een echo uit het verleden: de dramatiek van de overstromingen en oorlogen die de stad ooit teisterden. Hieruit vloeit het grootse slotthema voort: de branle des chevaux is voor de laatste keer te horen vanuit het perspectief van de historische binnenstad. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Et je reverrai cette ville etrange Boosey and Hawkes
Percussion Ensemble, Chamber Ensemble (Score) SKU: HL.48023767 For Mix...(+)
Percussion Ensemble, Chamber Ensemble (Score) SKU: HL.48023767 For Mixed Ensemble. Composed by Claude Vivier. Boosey & Hawkes Chamber Music. Classical, Contemporary. Softcover. 24 pages. Boosey & Hawkes #M051097890. Published by Boosey & Hawkes (HL.48023767). ISBN 9781495061028. UPC: 888680611927. 9x12 inches. Premiered in 1982 by the Arraymusic ensemble at Trinity United Church, Toronto, Ontario.
Instrumentation: Trumpet in C, Piano, Viola, Cello, Double Bass, Percussion: Celesta, Vibraphone, Trompong, Chang, Balinese Gong, Tam-tam (with Super ball). $18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hans Werner Henze: Scorribanda Sinfonica Orchestra Chester
Orchestra SKU: HL.14014802 Composed by Hans Werner Henze. Music Sales Ame...(+)
Orchestra SKU: HL.14014802 Composed by Hans Werner Henze. Music Sales America. 20th Century. Book [Softcover]. Composed 2002. 80 pages. Chester Music #CH63228. Published by Chester Music (HL.14014802). ISBN 9780711992764. 9.75x13.75x0.285 inches. Composer's Notes: This piece, written during the winter months of 2000-2001, consists of one movement, Allegro con fuoco, in which an old score is revisited, raided and ravished by its composer. The earlier music had been written in the mid-fifties for a stage work Maratona di Danza and for its maker, the director Luchino Visconti. Elements from the older piece reappear on and off like shadows under the surface of new ones, like more or less vague memories, images of young people suffering pain and despair in their struggle for survival in a barbaric, pitiless modern world. My new composition is a kind of concerto for very large symphony orchestra, an etude on constant and often rapid musical changes of mood and colours, built on a variety of rhythmic figures, incessantly and brutally pushing the music ahead. Sometimes, it is as though voices are weeping, sometimes crying out loud with pain, with anxiety, under the cold hearted pressure of an overwhelming violence. Hans Werner Henze Commissioned on the occasion of the 50th anniversary of das neue werk, Hamburg. Premiered on 29th June 2001. Duration 15 minutes. $49.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grimm's Fairytale Forest Score Suite From Once Upon A Time ... Concert band - Advanced De Haske Publications
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44012456 Suite from On...(+)
Concert Band/Harmonie (Score) - Grade 5 SKU: HL.44012456 Suite from Once Upon a Time .... Composed by Jan Van der Roost. De Haske Concert Band. Softcover. Composed 2014. De Haske Publications #1145609010. Published by De Haske Publications (HL.44012456). UPC: 888680084646. English-German-French-Dutch. Based on the orchestral part of the play Es War einmal... (Once Upon a Time...) for narrator, actors, children's choir and wind band, there's now an 'enchanted' suite for band only -- Grimm's Fairytale Forest, based on four famous tales ofthe Brothers Grimm. Some of the most colourful and varied themes and melodies from Once Upon a Time... reappear in this lovely instrumental suite by Jan Van der Roost. Welcome to the enchanted forest!
Na het wereldwijde succes van het zangspel Es war einmal... (Er was eens...), is er nu het sprookjesachtige Grimm's Fairytale Forest, dat is gebaseerd op vier beroemde sprookjes van de gebroeders Grimm. Het orkestgedeelte van hetoorspronkelijke Singspiel is kleurrijk en divers, en biedt meer dan genoeg muzikaal materiaal voor deze instrumentale suite, waarin de mooiste melodieen en thema's weerklinken. Welkom in het sprookjesbos!
Nachdem Es war einmal... fur Erzahler, Schauspieler, Kinderchor und Blasorchester weltweit Einzug in die Musikwelt gehalten hat, liegt mit Grimm's Fairytale Forest nun eine marchenhafte Suite aus dem Singspiel vor. Der farbenreicheOrchesterteil bot mehr als genugend musikalisches Material fur diese Instrumentalsuite, in der die schonsten Melodien und Themen aus vier beruhmten Grimms-Marchen erklingen. Willkommen im Marchenwald!
Jan Van der Roost a cree Grimm's Fairytale Forest en reprenant la partie orchestrale de l'oeuvre Es war einmal... (Il etait une fois...). Coloree et variee, les melodies et themes les plus memorables de l'oeuvre source y occupent unelarge place. Bienvenue dans l'univers magique des freres Grimm, un monde plein de fantaisie qui reflete pourtant la realite de la vie - comme c'est souvent le cas dans les contes de fees.
Jan Van der Roost ha composto Grimm's Fairytale Forest riprendendo la parte orchestrale del brano Es war einmal (C'era una volta). Colorite e variegate, le melodie piu memorabili dell'opera occupano una parte importante in questa nuovacreazione del compositore belga. Benvenuti nell'universo magico dei fratelli Grimm, un mondo fantastico che rispecchia pero la realta della vita. $45.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Karsten Fundal: Woven Lines Clarinet Wilhelm Hansen
Clarinet SKU: HL.14011933 Composed by Karsten Fundal. Music Sales America...(+)
Clarinet SKU: HL.14011933 Composed by Karsten Fundal. Music Sales America. Classical. Book [Softcover]. Edition Wilhelm Hansen #WH30248. Published by Edition Wilhelm Hansen (HL.14011933). ISBN 9788759859902. Work for Clarinet solo. The composer writes 'The title refers to several levels in the piece. Partly a method I have used, where three lines are weaved, so they become one line, here the clarinet which can (nearly) only play one tone at the time. Either the three parts disappear and become one waving melodic line as in the beginning of the piece. Or they are put in different registers of the clarinet, so they are heard as separate lines weaving into one another. On a different level there is three different sequences, which are also weaved into one another; one which rises (for instance in the beginning), and one which falls, and one which falls in parallels in several registers. These three sequences become faster and faster every time they reappear. The idea of weaving melodic lines was inspired by Bach's pieces for solo strings, where he in a marvellous way established several simultaneous melodic lines, without simultaneous sounding notes. This happened by weaving parts, which in other works would sound simultaneously, into one another, so that only one note was heard at the time. This meant that in that long line, which was heard as the instrument's development of the piece, other melodies were weaving around each other with different focuses. Woven Lines was commissioned by DUT with support from the Danish Arts' Council.'. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Grimm's Fairytale Forest Concert band - Advanced De Haske Publications
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1145609-010 Suite from Onc...(+)
Concert Band/Harmonie - Grade 5 SKU: BT.DHP-1145609-010 Suite from Once Upon a Time .... Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Set (Score & Parts). Composed 2014. De Haske Publications #DHP 1145609-010. Published by De Haske Publications (BT.DHP-1145609-010). English-German-French-Dutch. Based on the orchestral part of the play Es War einmal… (Once Upon a Time…) for narrator, actors, children’s choir and wind band, there’s now an ‘enchanted’ suite for band only — Grimm’s Fairytale Forest, based on four famous tales ofthe Brothers Grimm. Some of the most colourful and varied themes and melodies from Once Upon a Time… reappear in this lovely instrumental suite by Jan Van der Roost. Welcome to the enchanted forest!
Na het wereldwijde succes van het zangspel Es war einmal… (Er was eens…), is er nu het sprookjesachtige Grimm’s Fairytale Forest, dat is gebaseerd op vier beroemde sprookjes van de gebroeders Grimm. Het orkestgedeelte van hetoorspronkelijke Singspiel is kleurrijk en divers, en biedt meer dan genoeg muzikaal materiaal voor deze instrumentale suite, waarin de mooiste melodieën en thema’s weerklinken. Welkom in het sprookjesbos!
Nachdem Es war einmal... für Erzähler, Schauspieler, Kinderchor und Blasorchester weltweit Einzug in die Musikwelt gehalten hat, liegt mit Grimm’s Fairytale Forest nun eine märchenhafte“ Suite aus dem Singspiel vor. Der farbenreicheOrchesterteil bot mehr als genügend musikalisches Material für diese Instrumentalsuite, in der die schönsten Melodien und Themen aus vier berühmten Grimms-Märchen erklingen. Willkommen im Märchenwald!
Jan Van der Roost a créé Grimm’s Fairytale Forest en reprenant la partie orchestrale de l’œuvre Es war einmal... (Il était une fois...). Colorée et variée, les mélodies et thèmes les plus mémorables de l’œuvre source y occupent unelarge place. Bienvenue dans l’univers magique des frères Grimm, un monde plein de fantaisie qui reflète pourtant la réalité de la vie comme c’est souvent le cas dans les contes de fées.
Jan Van der Roost ha composto Grimm’s Fairytale Forest riprendendo la parte orchestrale del brano Es war einmal (C’era una volta). Colorite e variegate, le melodie più memorabili dell’opera occupano una parte importante in questa nuovacreazione del compositore belga. Benvenuti nell’universo magico dei fratelli Grimm, un mondo fantastico che rispecchia però la realt della vita. $236.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Circus Allegro Carus Verlag
Orchestra version 1: 1-2 voice choir, soloists as actors, wind quintet (flute, c...(+)
Orchestra version 1: 1-2 voice choir, soloists as actors, wind quintet (flute, clarinet, trumpet, saxophone, trombone), string orchestra (2 violin, viola/violin 3, cello), rhythm section (piano, bass, drums) version 2: 1-2 voice choir, soloists as actors, piano (ba SKU: CA.1282505 A Circus Musical for all kids under 100. Composed by Peter Schindler. Carus book series: More music books. Circus Allegro (Engl). Musicals for children, Songs for children, Secular choral music. Choral Score. 32 pages. Duration 70 minutes. Carus Verlag #CV 12.825/05. Published by Carus Verlag (CA.1282505). ISBN 9790007164058. Language: English. Text: Schindler, Peter / Dieterich, Babette. Text: Peter Schindler, Babette Dieterich. Following the great success of this musical in German, it is now also available in English. Everything seems to be going wrong at Circus Allegro. Bruno the Bear refuses to appear on stage, his assistant, Bella Stella, has disappeared, and finally, even the tiger escapes! Circus director Ricardo Grande has to improvise constantly. Luckily, his new assistant, clumsy August the Clown, always has a brilliant idea just at the right time. Despite all mishaps, the audience gets to experience a splendid circus evening. And in the middle of all the excitement, the tiger and Bella suddenly reappear. The audience is swept off its feet. Wherever the world-famous Circus Allegro appears, audiences shed tears of joy and are enchanted - visually, acoustically and emotionally. The individual numbers of this children's musical are composed in different styles and the songs can be performed either with an orchestra or just with a piano. Score available separately - see item CA.1282500. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Quintet Cello, Piano Schott
Score and Parts Piano Quintet (Score & Parts) SKU: HL.49045797 For Two...(+)
Score and Parts Piano Quintet (Score & Parts) SKU: HL.49045797 For Two Violins, Viola, Violoncello and Piano Score and Parts. Composed by Olli Mustonen. Ensemble. Classical. Softcover. 168 pages. Duration 1320 seconds. Schott Music #ED22250. Published by Schott Music (HL.49045797). The first movement of my Piano Quintet is filled with drama and passion. Its atmosphere can be related to my Second Symphony Johannes Angelos. The second movement is a set of polyphonic variations in a form reminiscent of a passacaglia. The music seems to be hypnotized by a theme consisting of a chromatic cluster of ten notes. In the beginning of the last movement, materials from the previous movements start to reappear, but this time in a mysterious, incoherent way. The strings find new music resembling a fragmented hymn. Fast-moving triplets start to appear and the music reaches a joyful and ecstatic conclusion. Olli Mustonen. $86.00 - See more - Buy online | | |
| Circus Allegro Carus Verlag
Voice SKU: CA.1282503 A Circus Musical for all kids under 100. Com...(+)
Voice SKU: CA.1282503 A Circus Musical for all kids under 100. Composed by Peter Schindler. Carus book series: More music books. Circus Allegro (Engl). Musicals for children, Songs for children, Secular choral music. Vocal score. 64 pages. Duration 70 minutes. Carus Verlag #CV 12.825/03. Published by Carus Verlag (CA.1282503). ISBN 9790007142773. Language: English. Text: Schindler, Peter / Dieterich, Babette. Text: Peter Schindler, Babette Dieterich. Following the great success of this musical in German, it is now also available in English. Everything seems to be going wrong at Circus Allegro. Bruno the Bear refuses to appear on stage, his assistant, Bella Stella, has disappeared, and finally, even the tiger escapes! Circus director Ricardo Grande has to improvise constantly. Luckily, his new assistant, clumsy August the Clown, always has a brilliant idea just at the right time. Despite all mishaps, the audience gets to experience a splendid circus evening. And in the middle of all the excitement, the tiger and Bella suddenly reappear. The audience is swept off its feet. Wherever the world-famous Circus Allegro appears, audiences shed tears of joy and are enchanted - visually, acoustically and emotionally. The individual numbers of this children's musical are composed in different styles and the songs can be performed either with an orchestra or just with a piano. Score available separately - see item CA.1282500. $50.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| We Have Seen the Lord Choral SATB SATB, Piano [Octavo] Laurel Press
By Earlene Rentz. For SATB choir, Barintone voice, Tenor voice and piano. Easter...(+)
By Evelyn Larter. For SATB choir, flute and piano. Christmas, Sacred. Octavo. Published by Laurel Press.
$2.95 $2.8025 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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