For Organ. (Organ). CD Sheet Music (Version 2.0). PDF file on CD. 1100 pages. Published by Subito Music.

Piano

SKU: AP.1-ADV9037

Volume 2. Composed by Bill Dobbins. Improvisation; Piano Collection; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. Book and CD. Advance Music #01-ADV9037. Published by Advance Music (AP.1-ADV9037).

ISBN 9783892218173. UPC: 805095090376. English.

This collection serves as an invitation to classically trained pianists who are interested in improvisation, and as a challenge to seasoned improvisers to make each performance fresh and spontaneous. The book includes helpful performance notes, and the CD recording features full-length performances of all preludes plus four great jazz standards.

Titles: Prelude VII * Prelude VIII * Prelude IX * Prelude X * Prelude XI * Prelude XII.

By Mendelssohn Grieg. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 1600 pages. Published by Subito Music.

Piano

SKU: AP.1-ADV9038

Volume 3. Composed by Bill Dobbins. Improvisation; Piano Collection; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. Book and CD. Advance Music #01-ADV9038. Published by Advance Music (AP.1-ADV9038).

ISBN 9783892218180. UPC: 805095090383. English.

This collection serves as an invitation to classically trained pianists who are interested in improvisation, and as a challenge to seasoned improvisers to make each performance fresh and spontaneous. The book includes helpful performance notes, and the CD recording features full-length performances of all preludes plus 5 great jazz standards.

Titles: Prelude XIII * Prelude XIV * Prelude XV * Prelude XVI * Prelude XVII * Prelude XVIII.

By Johann Sebastian Bach. For Organ. (Organ). CD Sheet Music (Version 2.0). PDF file on CD. 900 pages. Published by Subito Music.

Organ

SKU: HL.14020811

By Walter Emery. By Giovanni Battista Martini. Edited by Walter Emery. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV610013. Published by Music Sales (HL.14020811).

Prelude And Fugue In E Minor from Sonata VII by Giovanni Martini. Edited by Walter Emery.

By Carson Cooman. For solo organ. Easy to medium. Published by Wayne Leupold Editions

Guitar Solo

SKU: IS.G6760EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6760EM. Published by Metropolis Music Publishers (IS.G6760EM).

ISBN 9790365067602.

This sonata (WeissSW No. 50, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXVII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXVII is a large and mature piece, composed in Weissâ??s late period, around 1730. The Sonata has six movements: Introduzzione (an opening movement in Italian style with elements of an Allemande and Prelude), Courante, Bourrée, Sarabande, Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Guitar Solo

SKU: IS.G6764EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6764EM. Published by Metropolis Music Publishers (IS.G6764EM).

ISBN 9790365067640.

This sonata (WeissSW No. 23, London) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XVII comes from Weissâ??s middle â??productiveâ?? period, thought to have taken place between 1719 and 1725. The original tablature manuscript is in the British Library (London Ms. Add. 30387). It is the only London Sonata with a title: Divertimento à solo. The Sonata has ten separate movements: Prelude (PrÇ£lude), Entrée, Bourée I and II, Gavotte I and II, Sarabande, Menuet I and II, and Saltarella. The Entrée is nothing more than an Allemande. The Saltarella resembles the Scottish Gigue. The pairs of the middle â??dancesâ?? are intended to be played side by side, as one coherent movement in which the second part complements the musical notion of the first part. There are concordant copies of the first parts of the Bourée, Gavotte and Menuet in the Sächsisches Landesbibliothek in Dresden (Suite XXVI). Bourée I can also be found in the Bayerische Staatsbibliothek in München, although it is quite different from the London version. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

By russian. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 2000 pages. Published by Subito Music.