SKU: CA.3810916
ISBN 9790007054366. Language: Latin.
While the solos in earlier masses form an integral part of the structure of the entire work, Christian Bach made the solo sections independent in the sense of the Neopolitan school. The orchestra is occupied with longer preludes and rustling figures. In the eleven movements, Bach was able to unite the compositional techniques and expressivity of the Baroque with the beautiful sound of an Italian cantilena. From the forward by Traugott Fedtke. Score and part available separately - see item CA.3810900.
SKU: CA.3107119
ISBN 9790007136291. Key: C major. Language: German/English.
Score and parts available separately - see item CA.3107100.
SKU: CA.9124903
ISBN 9790007116064. Key: G major. Language: Latin.
Score available separately - see item CA.9124900.
SKU: CA.3119049
ISBN 9790007210151. Language: German/English.
The cantata BWV 190 has survived only in fragmentary form. This reconstruction by the celebrated Bach experts Masaaki and Masato Suzuki goes far beyond previous attempts; it draws upon only thematic and motive material of the movements themselves, closely interwoven. Score and part available separately - see item CA.3119000.
SKU: BT.DMP108188
SKU: RM.RUBIN4146
ISBN 9790560144146.
SKU: B9.1545-SC
9 x 12 inches.
Manuscript edition.
SKU: PR.165000810
ISBN 9781491112588. UPC: 680160039326. 9 x 12 inches. Key: Bb major.
SKU: KU.GM-824
SKU: VD.ED98586
ISBN 9790202005866. 11.69 x 8.26 inches.
SKU: PR.11642110L
UPC: 680160687411.
SKU: CA.3101212
ISBN 9790007204600. Key: F minor / b flat major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.
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