| Toccata und Fuge ex d BWV 565 -Faksimile der Ringkschen Ersthandschrift in Originalgröße- Organ Verlag Dohr
Organ SKU: VD.ED99616 Faksimile der Ringkschen Ersthandschrift in Orig...(+)
Organ SKU: VD.ED99616 Faksimile der Ringkschen Ersthandschrift in Originalgrosse. Composed by Johann Sebastian Bach. Edited by Rolf Dietrich Claus. Classical. Facsimile. 32 S. pages. Verlag Dohr #ED99616. Published by Verlag Dohr (VD.ED99616). ISBN 9790202006160. 14.17 x 9.06 inches. $40.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Toccata and Fugue in d, BWV 565 Orchestra [Set of Parts] Peters
Composed by Johann Sebastian Bach. Arranged by Leopold Stokowski. Broude Bro...(+)
Composed by Johann Sebastian
Bach. Arranged by Leopold
Stokowski. Broude Brothers.
Baroque. Part(s). 8 pages.
Edition Peters #98-030051106X.
Published by Edition Peters
$5.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata Da Circo Organ [Solo Part] Theodore Presser Co.
(Circus Sonata). By PDQ Bach. Arranged by Peter Schickele. For Organ. S. 3 Ring....(+)
(Circus Sonata). By PDQ Bach. Arranged by Peter Schickele. For Organ. S. 3 Ring. Duration 9:0. Published by Theodore Presser Company.
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| Adagio (from Toccata and Fugue in C , BWV 564 Orchestra [Set of Parts] Peters
Orchestra SKU: PE.0300510128 Composed by Johann Sebastian Bach. Arranged ...(+)
Orchestra SKU: PE.0300510128 Composed by Johann Sebastian Bach. Arranged by Leopold Stokowski. Broude Brothers. Baroque. Part(s). 16 pages. Edition Peters #98-0300510128. Published by Edition Peters (PE.0300510128). ISBN 9790300510125. Original item: BB-BB194-WND. $27.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adagio (from Toccata and Fugue in C , BWV 564), bass Orchestra [Set of Parts] Peters
Orchestra SKU: PE.0300510179 Composed by Johann Sebastian Bach. Arranged ...(+)
Orchestra SKU: PE.0300510179 Composed by Johann Sebastian Bach. Arranged by Leopold Stokowski. Broude Brothers. Baroque. Part(s). 2 pages. Edition Peters #98-0300510179. Published by Edition Peters (PE.0300510179). ISBN 9790300510170. Original item: BB-BB194-CB. $2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Toccata and Fugue Piano solo Forsyth Publications | | |
| Adagio (from Toccata and Fugue in C , BWV 564), viola Orchestra [Set of Parts] Peters
Orchestra SKU: PE.0300510152 Composed by Johann Sebastian Bach. Arranged ...(+)
Orchestra SKU: PE.0300510152 Composed by Johann Sebastian Bach. Arranged by Leopold Stokowski. Broude Brothers. Baroque. Part(s). 2 pages. Edition Peters #98-0300510152. Published by Edition Peters (PE.0300510152). ISBN 9790300510156. Original item: BB-BB194-VLA. $2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Toccata and Fugue in d, BWV 565 Orchestra [Set of Parts] Peters
Orchestra SKU: PE.0300511043 Composed by Johann Sebastian Bach. Broude Br...(+)
Orchestra SKU: PE.0300511043 Composed by Johann Sebastian Bach. Broude Brothers. Baroque. Part(s). 8 pages. Edition Peters #98-0300511043. Published by Edition Peters (PE.0300511043). ISBN 9790300511047. Original item: BB-BB93-VLN2. $5.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Toccata and Fugue in D Minor, BWV 565 (Wind Set) Orchestra [Set of Parts] Peters
Orchestra SKU: PE.0300511027 Composed by Johann Sebastian Bach. Arranged ...(+)
Orchestra SKU: PE.0300511027 Composed by Johann Sebastian Bach. Arranged by Leopold Stokowski. Broude Brothers. Baroque. Part(s). 230 pages. Edition Peters #98-0300511027. Published by Edition Peters (PE.0300511027). ISBN 9790300511023. Original item: BB-BB93-WND. $75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Little Fugue in G Minor 2 Trumpets, Keyboard (piano or organ) [Set of Parts] Eighth Note Publications
By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For 2 Trumpets ...(+)
By Johann Sebastian Bach (1685-1750). Arranged by David Marlatt. For 2 Trumpets and Keyboard. Brass - Cornet (Trumpet) Duet; Duet or Duo; Masterworks. Baroque. Part(s). Duration 00:03:50
$9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Organ Toccata & Fugue In D Minor Piano solo Alfred Lengnick
Piano SKU: HL.50512382 Composed by Bach J. S. Lengnick Publishing. Classi...(+)
Piano SKU: HL.50512382 Composed by Bach J. S. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL0153A. Published by Alfred Lengnick & Co (HL.50512382). $29.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Zu einer Toccata von Bach Tonger | | |
| Toccata und Fuge für Orgel d-Moll BWV 565 (Urtextausgabe nach der Ringkschen Erstschrift) Organ [Score] Verlag Dohr
Organ SKU: VD.ED98585 Urtextausgabe nach der Ringkschen Erstschrift(+)
Organ SKU: VD.ED98585 Urtextausgabe nach der Ringkschen Erstschrift. Composed by Johann Sebastian Bach. Edited by Christoph Dohr. Hochzeitsmusik für Orgel Vol. 15. Classical. Score. 30 S. pages. Verlag Dohr #ED98585. Published by Verlag Dohr (VD.ED98585). ISBN 9790202005859. 12 x 9 inches. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Adagio (from Toccata and Fugue in C , BWV 564), violin 1 Orchestra [Set of Parts] Peters
Orchestra SKU: PE.0300510136 Composed by Johann Sebastian Bach. Arranged ...(+)
Orchestra SKU: PE.0300510136 Composed by Johann Sebastian Bach. Arranged by Leopold Stokowski. Broude Brothers. Baroque. Part(s). 2 pages. Edition Peters #98-0300510136. Published by Edition Peters (PE.0300510136). ISBN 9790300510132. Original item: BB-BB194-VLN1. $2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Adagio (from Toccata and Fugue in C , BWV 564), cello Orchestra [Set of Parts] Peters
Orchestra SKU: PE.0300510160 Composed by Johann Sebastian Bach. Arranged ...(+)
Orchestra SKU: PE.0300510160 Composed by Johann Sebastian Bach. Arranged by Leopold Stokowski. Broude Brothers. Baroque. Part(s). 2 pages. Edition Peters #98-0300510160. Published by Edition Peters (PE.0300510160). ISBN 9790300510163. Original item: BB-BB194-VLC. $2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Ultimate Organ Book
Organ [Sheet music] Hope Publishing Company
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company. Level: (Moderate).
(4)$79.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Suzuki Organ School - Vol.6 Organ [Sheet music + CD] Alfred Publishing
Composed by Dr. Shinichi Suzuki. Method/Instruction; Organ Method (Suzuki); ...(+)
Composed by Dr. Shinichi
Suzuki. Method/Instruction;
Organ Method (Suzuki);
Suzuki. Suzuki Organ School.
Book. 40 pages. Alfred Music
#00-47155. Published by
Alfred Music
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Suite No. 1 Guitar Classical guitar [Score] - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308). ISBN 9782898522253. Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.
FRANCESCO BIRAGHI
Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'Ã
Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'Ã
Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'Ã
Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'Ã
Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des Ã
Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'Ã
Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.
FRANCESCO BIRAGHI. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Classical Guitar Collection Guitar notes and tablatures Classical guitar Creative Concepts
50 Favorites by 26 Composers. Arranged by Joseph Harris. Creative Concepts Publi...(+)
50 Favorites by 26 Composers. Arranged by Joseph Harris. Creative Concepts Publishing. Guitar tablature. 168 pages. Published by Creative Concepts.
(2)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Suzuki Organ School - Vol.7 Organ [Sheet music + CD] Alfred Publishing
By Lars Hagstrom. Method/Instruction; Organ Method (Suzuki); Suzuki. Suzuk...(+)
By Lars Hagstrom.
Method/Instruction; Organ
Method (Suzuki); Suzuki.
Suzuki Organ School. Book. 48
pages. Alfred Music #00-
47158. Published by Alfred
Music
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Baroque Play-Along Clarinet [Sheet music + CD] Schott
12 favorite works from the Baroque era, with authentic orchestral backing tracks...(+)
12 favorite works from the Baroque era, with authentic orchestral backing tracks Clarinet Book/CD. By Various. Arranged by Max Charles Davies. This edition: ED13152. Instrumental Folio. BOOK W/CD. 36 pages. Published by Schott.
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Baroque Play-Along Alto Saxophone [Sheet music + CD] - Easy Schott
12 favorite works from the Baroque era, with authentic orchestral backing tracks...(+)
12 favorite works from the Baroque era, with authentic orchestral backing tracks Alto Sax Book/CD. By Various. Arranged by Max Charles Davies. This edition: ED13153. Instrumental Folio. BOOK W/CD. 36 pages. Published by Schott.
$22.99 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Baroque Play-Along Trumpet [Sheet music + CD] - Easy Schott
12 favorite works from the Baroque era, with authentic orchestral backing tracks...(+)
12 favorite works from the Baroque era, with authentic orchestral backing tracks Trumpet Book/CD. By Various. Arranged by Max Charles Davies. This edition: ED13155. Instrumental Folio. BOOK W/CD. 36 pages. Published by Schott.
(2)$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Baroque Play Along Violin: 12 (twelve) Works From The Baroque Era
Violin [Sheet music + CD] - Intermediate Schott
12 favorite works from the Baroque era, with authentic orchestral backing tracks...(+)
12 favorite works from the Baroque era, with authentic orchestral backing tracks Violin Book/CD. By Various. Arranged by Max Charles Davies. This edition: ED13156. Instrumental Folio. BOOK W/CD. 36 pages. Published by Schott.
(1)$22.99 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Classical Masterpieces for Banjo Banjo Mel Bay
Composed by Claudio Parravicini. Saddle-stitched. Book. 56 pages. Mel Bay ...(+)
Composed by Claudio
Parravicini. Saddle-stitched.
Book. 56 pages. Mel Bay
Publications, Inc #30719.
Published by Mel Bay
Publications, Inc
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Eine kleine Nachtmusik Piano solo [Sheet music] - Easy Schott
(60 Classical Masterpieces in Easy Piano Arrangements). By Various. Edited by Ha...(+)
(60 Classical Masterpieces in Easy Piano Arrangements). By Various. Edited by Hans-Günter Heumann. Piano Collection. Softcover. 184 pages. Schott Music #ED20764. Published by Schott Music
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Eighteen Chorals Of Leipzig (organ) Organ Leduc, Alphonse
Organ SKU: HL.48184601 Composed by Johann Sebastian Bach. Leduc. Baroque....(+)
Organ SKU: HL.48184601 Composed by Johann Sebastian Bach. Leduc. Baroque. Softcover. 86 pages. Alphonse Leduc #AL27723. Published by Alphonse Leduc (HL.48184601). UPC: 888680853914. 9.0x12.0x0.288 inches. Part of the Organ collection by J. S. Bach, this Volume IX Eighteen Chorals of Leipzig (BWV 651-668) was composed between 1740 and 1750, in Leipzig. This volume is now translated in English and French and features the annotation of Marcel Dupre, a French organist, to help the performer getting the most of the music sheet. This ninth book contains a set of eighteen religious preludes: 1. Come, Holy Ghost 2. Come, Holy Ghost 3. By the rivers of Babylon 4. Deck thyself, o my soul 5. Lord Jesus Christ, unto us turn 6. O stainless Lamb of God 7. Now thank we all our God 8. From God I will not turn 9. Come now, Saviour of the Heathen 10. Come now, Saviour of the Heathen 11. Come now, Saviour of the Heathen 12. Glory to God on high 13. Glory to God on high 14. Glory to God on high 15. Jesus Christ, our Saviour 16. Jesus Christ, our Saviour 17. Come, God, Creator, Holy Ghost 18. Before thy Throne, I now appear Some of this prelude contains toccatas, sarabandes, fugues, ritornellos and many ornaments. Quite varied, they can also be either joyful or full of lamentations. The preface of these Eighteen Chorals of Leipzig is well written, with explanations of the comments and descriptions of the techniques to use for a good interpretation of this work. . $33.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Organ Works Organ [Score] Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Organ Works. Composed by Dietrich Buxtehude. Edited by Harald Vogel. Solo instruments; Softbound. Edition Breitkopf. Renaissance/early Baroque; Baroque. Score. 84 pages. Breitkopf and Haertel #EB 9306. Published by Breitkopf and Haertel (BR.EB-9306). ISBN 9790004187708. 12 x 9 inches. This edition is the result of Harald Vogel's many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17th- and 18th-century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the Einzelanmerkungen. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude's free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary).Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on Die Fuge um Bach. Besides the description of the inclusion of triple measures into the C notation and the irregularities of the voice mutation in the polyphonic structures, this also included a discussion about the justification of the inner textual criticism. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude's work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the indicators of the fantastic style is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude's work.In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Lulea University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lubeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude's organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands.
pure source edition (no mixture of different transmissions) comprehensive commentary (Vol. I/2 & II) (with texts about the sources, chronology, use of keys, liturgic placement as well as detailed critical remarks, incl. music examples (in German only))good page turnsflexible division of voices (on 2 or 3 systems, good legibility)contains facsimiles. $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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