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| Concerto in D Major, Op. 101 (Hob. VIIb: 2)
Cello, Orchestra [Study Score / Miniature]
Eulenburg
By Franz Joseph Haydn. Arranged by Hans-Hubert Schonzeler. (Study Score). Schot...(+)
By Franz Joseph Haydn. Arranged by Hans-Hubert Schonzeler. (Study Score). Schott. Size 5.25x7.5 inches. 44 pages. Published by Eulenburg.
$15.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| The Israelites in the desert
Soli, Mixted choir and accompaniment [Score]
Kunzelmann
Soloists, mixed choir, orchestra (SSTB Soli-SATB Chorus-2.0.0.1-2.3.0.0-Ti mp-St...(+)
Soloists, mixed choir, orchestra (SSTB Soli-SATB Chorus-2.0.0.1-2.3.0.0-Timp-Str-Bc) SKU: KU.OCT-10018 Composed by Carl Philipp Emanuel Bach. Edited by Gabor Darvas. Arranged by Gabor Darvas. Letter format (190 x 270). Paperback. Full score. 180 pages. Edition Kunzelmann #OCT-10018. Published by Edition Kunzelmann (KU.OCT-10018). German, English. Schönzeler, Hans-Hubert (Englisch). $33.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Incidental music to Turandot
Orchestra [Score]
Kunzelmann
Orchestra (1.Picc.2.2.2-2.2.1.0-Tim p-3Perc-Str) SKU: KU.OCT-10120 Compos...(+)
Orchestra (1.Picc.2.2.2-2.2.1.0-Timp-3Perc-Str) SKU: KU.OCT-10120 Composed by Carl Maria von Weber. Edited by Hans-Hubert Schönzeler. Letter format (190 x 270). Staple Bound. Full score. Op. 37. 49 pages. Edition Kunzelmann #OCT-10120. Published by Edition Kunzelmann (KU.OCT-10120). $25.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Israelites in the desert
Choral SATB
Kunzelmann
Mixed choir SKU: KU.GM-31_SP Composed by Carl Philipp Emanuel Bach. Edite...(+)
Mixed choir SKU: KU.GM-31_SP Composed by Carl Philipp Emanuel Bach. Edited by Gabor Darvas. Letter format (190 x 270). Staple Bound. Choral score. 24 pages. Edition Kunzelmann #GM-31_SP. Published by Edition Kunzelmann (KU.GM-31_SP). German, English. Schönzeler, Hans-Hubert (Englisch). $6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Orchestral Studies for Recorder (Recorder)
Recorder
Schott
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| Symphony no. 5
Orchestra
SATB, Orchestra [Score]
Kunzelmann
Orchestra SKU: KU.OCT-10463 Composed by Anton Bruckner. Edited by Hans-Hu...(+)
Orchestra SKU: KU.OCT-10463 Composed by Anton Bruckner. Edited by Hans-Hubert Schönzeler. Letter format (190 x 270). Paperback. Full score. 180 pages. Edition Kunzelmann #OCT-10463. Published by Edition Kunzelmann (KU.OCT-10463). Key: Bb major. $25.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| 4 little orchestral pieces
Double Bass
Kunzelmann
Double bass SKU: KU.OCT-10068_KB Composed by Anton Bruckner. Edited by Ha...(+)
Double bass SKU: KU.OCT-10068_KB Composed by Anton Bruckner. Edited by Hans-Hubert Schönzeler. Bach format (230 x 302). Folded. Part. 4 pages. Edition Kunzelmann #OCT-10068_KB. Published by Edition Kunzelmann (KU.OCT-10068_KB). ISBN 9790206207624. $4.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| 4 little orchestral pieces
Cello
Kunzelmann
Cello SKU: KU.OCT-10068_VC Composed by Anton Bruckner. Edited by Hans-Hub...(+)
Cello SKU: KU.OCT-10068_VC Composed by Anton Bruckner. Edited by Hans-Hubert Schönzeler. Bach format (230 x 302). Folded. Part. 4 pages. Edition Kunzelmann #OCT-10068_VC. Published by Edition Kunzelmann (KU.OCT-10068_VC). ISBN 9790206207617. $4.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Contemporary Collection for Violin Solo
Violin
SATB, Orchestra
Ricordi
Violin SKU: HL.50499300 Composed by Various. String Solo. Classical, Cont...(+)
Violin SKU: HL.50499300 Composed by Various. String Solo. Classical, Contemporary. Softcover. 60 pages. Ricordi #SY2740. Published by Ricordi (HL.50499300). UPC: 884088951306. 9x12 inches. This collection, the result of a cooperation with the Verlag Sonus Mundi, contains selected solos for violin by twelve contemporary composers: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-Luc Darbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin and Yoram Paporis.
This collection, the result of a cooperation with the Verlag Sonus Mundi, contains selected solos for violin by twelve contemporary composers: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-LucDarbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin and Yoram Paporis.
In Zusammenarbeit mit dem Verlag Sonus Mundi entstand diese Sammlung ausgewahlter Solowerke fur Violine von zeitgenossischen Komponisten: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-Luc Darbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin und Yoram Paporis.
Questa raccolta, frutto di una collaborazione con la casa editrice Sonus Mundi, contiene una selezione di brani per violino solo di dodici compositori contemporanei: Robert HP Platz, Lucia Papanetzova, Mela Meierhans, Klaus Huber, Jacqueline Fontyn, Jean-Luc Darbellay, Karel Reiner, Cergio Prudencio, Lucia Konakovska, Maki Ishii, Rachel Fortin e Yoram Paporis. $31.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Als Ick U Vinde
Wilhelm Hansen
(Music For Voice) SKU: HL.14066576 Composed by Hubertus Waelrant. Choral....(+)
(Music For Voice) SKU: HL.14066576 Composed by Hubertus Waelrant. Choral. General Merchandise. Duration 240 seconds. Edition Wilhelm Hansen #KB210. Published by Edition Wilhelm Hansen (HL.14066576). $2.81 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | | |
| Vor und zurueck [Score]
Breitkopf & Härtel
Oboe(s) solo SKU: BR.EB-8343 Composed by Nicolaus A. Huber. Solo instrume...(+)
Oboe(s) solo SKU: BR.EB-8343 Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf. World premiere: Montepulciano, July 1982. Music post-1945; New music (post-2000). Score. Composed 1981. 12 pages. Duration 14'30. Breitkopf and Haertel #EB 8343. Published by Breitkopf and Haertel (BR.EB-8343). ISBN 9790004176511. 9 x 12 inches. Vor und zuruck ist aus einem Rhythmus-Modell der 13. Diabelli-Variation von Beethoven entwickelt. Daraus sind alle rhythmischen Verhaltnisse nach den einzeln veranderbaren Kategorien a) Lange des Modells, b) Zahl der Anschlage, c) Proportion der Dauern abgeleitet. Die verschiedenen spieltechnischen Moglichkeiten der Oboe hinsichtlich der Dynamik, der Klangfarbe (Alternativgriffe fur einen Ton), der Klangcharakteristik, der Register, der Artikulationen und deren vielfaltige Mischung sowie die einkomponierte korperliche Anstrengung des Interpreten farben und ,,instrumentieren, ebenfalls dem Rhythmus-Modell gehorchend, drei Ausdruckscharakteristiken. Diese knupfen in stets veranderter Reihenfolge aneinander an und bilden dadurch, dass sie bei jedem Auftauchen kompositorisch neu formuliert sind, die Form des Stuckes als eines fortlaufenden, spiralartigen Prozesses. Neben diesem ,,Vor und zuruck gibt es auch ein historisches: Aus Beethovens Rhythmusmodell wird ein Stuck mit fortschrittlichen Elementen unserer Zeit. (Nicolaus A. Huber, 1981) CDs: Matthias Arter CD col legno WWE 1CD 20009 Christian Hommel CD ars musici FMF AM 1224-2 Bibliography : Nimczik , Ortwin: Konzeptionelle Rhythmuskomposition. ,,Vor und zuruck fur Oboe (1981) von Nicolaus A. Huber, in: Neue Musik vermitteln. Analysen - Interpretationen - Unterricht, hrsg. von Hans Bassler, Ortwin Nimczik und Peter W. Schatt, Mainz: Schott 2004, pp. 98-111. Schick , Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, here p. 101.
World premiere: Montepulciano, July 1982. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Ein Hauch von Unzeit
Cello [Score]
Breitkopf & Härtel
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Edited by Michael Bach. Arranged by Michael Bach. Solo instruments; stapled. Edition Breitkopf. You will need a copy of BG 1002 for each player to perform the version for variable instrumentation (BG 1004). Music post-1945; New music (post-2000). Score. Composed 1972. 12 pages. Duration 20'. Breitkopf and Haertel #EB 9074. Published by Breitkopf and Haertel (BR.EB-9074). ISBN 9790004179499. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109
World premiere: VIII version for violoncello Tokyo: October 14, 1989. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Ein Hauch von Unzeit
Organ [Score]
Breitkopf & Härtel
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Arranged by A. Digby and M. Sattelberger. Solo instruments; stapled. Edition Breitkopf. World premieres: I version for flute: Wiesbaden, 1972. Music post-1945; New music (post-2000). Score. Composed 1972. 20 pages. Duration 20'. Breitkopf and Haertel #EB 9300. Published by Breitkopf and Haertel (BR.EB-9300). ISBN 9790004187647. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109
World premiere: Stuttgart, Hospitalkirche, March 28, 2018. $39.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | | |
| Salve Regina in F major [Score]
Carus Verlag
By Franz Schubert (1797-1828). Edited by Hans-Peter Huber. Arranged by Paul Horn...(+)
By Franz Schubert (1797-1828). Edited by Hans-Peter Huber. Arranged by Paul Horn. For soprano voice solo, 2 clarinets (2 oboes), 2 horns, 2 violins, viola, basso continuo. This edition: paperbound. D 27. Full score available separately - see item CA.7005400. Stuttgart Urtext Editions; Use / Occasion: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Organ reduction. Language: Latin. Composed 1812. 12 pages. Duration 10 min. Published by Carus Verlag
$7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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