(Sieben Klavierstucke in Fughettenform). By Robert Schumann. Edited by Ernst Herttrich. For solo piano. This edition: Urtext edition. Henle Music Folios. Book only, paperbound. 32 pages

Piano - Grade 5

SKU: BT.WMP2218

2015-2016 Grade 8. Composed by Josephine Koh. Teachers' Choice. Method. Book Only. 48 pages. Wells Music Publishers #WMP2218. Published by Wells Music Publishers (BT.WMP2218).

ISBN 9789810924119. English.

Teachers’ Choice, Selected Piano Repertory & Studies for grade 8 is compiled to provide teachers and students with good options for the 2015 & 2016 ABRSM Piano examinations.

- This collection ofinteresting and appealing Piano pieces contains editorial suggestions for pedagogical purposes. Most teachers will find the performance points helpful in developing stylistic awareness in the students.

-Examinationrequirements aside, details on articulation, dynamics, fingering, pedal marks and tempo serve to provide a directed approach for students to strive towards achieving musical excellence and perfection.

-Effectivetechnicalstudies suited to each level have been carefully selected, forming in themselves, supplementary materials to enhance technical competence.

-Most important of all, enjoy the high standards of music typography suchclear, professionally laid scores supported by modern publishing technology and musical semiotics. The digital print on quality cream-coloured paper ensures comfort in the reading of musical scores.

(Grades 7-8). Composed by Johann Sebastian Bach (1685-1750). Edited by Anne Marsden Thomas. For organ. Oxford Bach Books for Organ. Pieces and Studies. Level D (difficult). 64 pages. Published by Oxford University Press

Recorder

SKU: FZ.5911

Edited by Suzi Mohlmeier, Frederique Thouvenot. This edition: Facsimile. Fac-Similes Enseignement. Score. Published by Anne Fuzeau Productions - France (FZ.5911).

ISBN 9790230659116. 22.00 x 31.00 cm inches.

These original publications of Bellinzani, Loeillet and Philidor are in facsimile on Fac-similes et Enseignement collection. Bellinzani Paolo Benedetto : Sonate a flauto solo con cembalo, o violoncello. Opera terza. Venezia, Antonio Bortoli, 1720. Sonata Quarta : Adagio, sans titre, Adagio, sans titre. Loeillet Jean-Baptiste : XII Sonates a une flute & basse continue. Amsterdam, Estienne Roger. Opus III. Sonate I : Adagio, Presto, Adagio, Presto, Largo, Vivace, Adagio, Allegro, Adagio, Allegro. Philidor Anne Danican : 1er Livre de pieces pour la flute traversiere, flute a bec, violons et hautbois avec la basse continue, 1712. Sonate pour la Flute a bec : lentement, Fugue, Courante, sans titre, Fugue. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - Civico Museo Bibliographico Musicale of Bologna (Italy). - National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Organ

SKU: FZ.50529

Vocal Ensemble Ad Limina. Composed by Gaspard Corrette. Edited by Regis Allard. Book and CD. Published by Anne Fuzeau Productions - France (FZ.50529).

12.5 x 14 cm inches.

Anne Fuzeau Classique propose to discover our facsimiles' music in CD. Regis Allard, historical organ of Saint Michel de Bolbec (Calvados). Mass in the 8th tone for organ - Gaspard Corrette. Processional of the Royal Abbey of Chelles - Guillaume Gabriel Nivers. Romano-Monasticum Gradual - Guillaume Gabriel Nivers. Divine Office for use by the Ursuline Ladies of Dijon - Charles Derey. Improvised verses on the organ, Regis Alard.
Alternating with Nivers's 'musical plainchant', Corrette's Mass sounds like a homage of the organ to itself, as it gracefully takes on the role of preacher of the Divine Cult.
Regis Allard was trained by Andre Isoir and Michel Chapuis (for several years he had private lessons with the latter) as well as at the Schola Cantorum in Paris, where he graduated. He devotes himself exclusively to the interpretation of early music and participates in numerous events centred on historic instruments in France, Spain, Holland and northern Germany. He was a prize winner in the International Competition of French Music in Toulouse. His first disk, with pieces by Heinrich Scheidemann on the Arp Schnitger organ in the Stade church in northern Germany, received a Choc from Le Monde de la Musique. His latest recording, J. S. Bach's Art of the Fugue under the Hortus label performed on the new instrument of the church Saint Louis en l'isle in Paris, received critical praise.
Ad Limina This group of women cantors, all trained in the Conservatory, themselves music teachers, choir directors, soloists, come from either side of the French-Swiss border, whence the name Ad Limina, which means 'at the border'.
This ensemble pursues a novel exploration of the paths of religious music, from the baroque period to our day, with emphasis on Gregorian plainchant and European music from the 19th century to contemporary creation.

Edited by Suzanne W. Guy And Joanne A. Smith. For Piano. Great Piano Literature. Exciting and expressive masterworks with rhythmic preparation and performance suggestions. Classical. Level: Early Intermediate/Late Intermediate. Published by The FJH Music Company Inc.

Composed by Clay Christiansen. Non Hymn- Based, Recital Music, Suite. 21st Century. MorningStar Music Publishers #10-498. Published by MorningStar Music Publishers

SATB Choir, Piano

SKU: CA.926620

From: Sonne, Mond und Sterne. Composed by Peter Schindler. Carus digital: Extra digital products. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.926620).

ISBN 9790007295592. German.

Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about Gedanken uber die Zeit:Paul Fleming was one of the most important lyric poets in German Baroque literature. He wrote his poem Gedanken uber die Zeit in his early twenties; it was first published in 1634 as an epitaph. All the nuances of the concept of time are artistically contrasted, and the motif Zeit (time) is explored and played with in a dialectical manner.The male voices begin in unison at an andante maestoso tempo, followed by a leisurely progress in homophonic writing in a slightly freer rhythm. A lively middle section follows which leads into the opening motif again in the last section. The third section contains a fugue, and the end is unison once again. And so the words are like a manifesto by the poet.

For Orchestra. By Lukas Foss. For Piccolo, Flute, Oboe, English Horn, Clarinet, Bass Clarinet, Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Percussion, Harp, Organ, Piano, Celesta, Violin, Viola, Cello, Contrabass. World Premiere Chicago Symphony Orchestra February 19, 1992. Classical. Full Score - Study. 104 pages. Published by Carl Fischer.

Organ solo - Intermediate

SKU: EC.9245

Composed by Byron Adams. Score. E.C. Schirmer Publishing #9245. Published by E.C. Schirmer Publishing (EC.9245).

UPC: 600313492457.

Byron Adams's Suite in Olden Style for organ solo looks back at Baroque forms in a contemporary manner. This score can be played in its entirety, but each movement can be played singly and in any combination with any other movement as the player sees fit. The four movements that comprise the Suite in Olden Style are appropriate for either a religious service or in recital.

 

The first movement, Sinfonia, is based on the Advent chorale Nun komm, der Heiden Heiland (Savior of the Nations, come). The second movement is a reflective fugue, while the third movement is a pensive Siciliana. The last movement, Rigaudon, is extroverted, lively, and brilliant.

 

Contents:

I. Sinfonia
II. Fugue
III. Siciliana
IV. Rigaudon

By Bach, Johann Sebastian (1685-1750) (Busoni). Piano solo. Published by International Music Co.

For Piano. Includes complete printed music score with both primo and secondo piano parts, and a compact disc featuring the duets in two formats: split-channel stereo with secondo part on the left channel, primo on the right, so you can play either part; and then again with just the secondo part in stereo so you can perform the primo part alongside. Published by Music Minus One.