Basso (cello/double bass) (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-26

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Part. 8 pages. Duration 18'. Breitkopf and Haertel #OB 15114-26. Published by Breitkopf and Haertel (BR.OB-15114-26).

ISBN 9790004339817. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

(Finale). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Richard Meyer. Orchestra. For full (timp, snare, bass drum, crash cymbals, vln3). Full Orchestra; Part(s); Score; SmartMusic. Highland First Philharmonic. Form: Transcription. Masterwork Arrangement; Romantic. Grade 2.5. 204 pages. Published by Alfred Music Publishing

Double bass, orchestra (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-03

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Solo concerto. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Solo part. 4 pages. Duration 18'. Breitkopf and Haertel #OB 15114-03. Published by Breitkopf and Haertel (BR.OB-15114-03).

ISBN 9790004339763. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

Double concerto (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.PB-15114

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Full score. 40 pages. Duration 18'. Breitkopf and Haertel #PB 15114. Published by Breitkopf and Haertel (BR.PB-15114).

ISBN 9790004212066. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

Harpsichord/piano (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-12

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Arranged by Matthias Grunert. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Part. 16 pages. Duration 18'. Breitkopf and Haertel #OB 15114-12. Published by Breitkopf and Haertel (BR.OB-15114-12).

ISBN 9790004339770. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).

Woodwinds (solo: db - 0.2.2.2.(bsn ad lib.) - 2.2.0.0 - timp(ad lib.) - hps - str(vl obl))

SKU: BR.OB-15114-30

With violino obbligato - Urtext. Composed by Franz Anton Hoffmeister. Edited by Tobias Glockler. Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Classical. Set of parts. 22 pages. Duration 18'. Breitkopf and Haertel #OB 15114-30. Published by Breitkopf and Haertel (BR.OB-15114-30).

ISBN 9790004339824. 10 x 12.5 inches.

Thanks to its imaginative richness and sterling writing, Hoffmeister's Double Bass Concerto No. 1 has advanced to the rank of a popular audition concerto. But when compared with the transmitted sources, the previously available first edition of 1966 proved to be filled with errors. Tobias Glockler, double-bass player of the Dresdner Philharmonie, now presents a reliable Urtext in this edition. Through his competence as an instrumentalist, he even goes considerably further and offers various performance possibilities: the solo part can be played not only in solo and orchestral tuning, but also in the historical Viennese tuning. The C-major version, which is offered on hire, allows performances in orchestral tuning. The orchestral material in D major (sales material) is suited to the other two tunings. A beautiful and easy to read score, elegantly laid-out and with illuminating and informative preface notes. This concerto is among our most beautiful classical concerti, lyrical and inventive. It is a great pleasure to see our classical repertoire appear in such critical editions. (Rob Nairn in Bass World).