SKU: VD.ED12609
ISBN 9790202026090. 12 x 9 inches.
SKU: AP.1-ADV14284
ISBN 9783954810161. UPC: 805095142846. English.
Helmut Eisel is regarded as one of the best and most versatile klezmer clarinettists in Europe. There are only a few musicians like him who are able to tell stories on their instrument, each of them born of the moment and addressed directly to their audience. In Talking Clarinet for the first time contains some of Helmut Eisel's improvisations. Faithfully transcribed, they allow fascinating insights into the current klezmer music and invite you to play these improvisations. The accompanying texts, exercises, and music shall encourage you to find your own style and tell your own stories. For music is language, yet it says so much more. The volume is accompanied by an additional C part. Titles: Talking with Music * Improvising Naturally * Talking Clarinet and Klezmer * Not Only Black and White * Talking Clarinet on Stage * Effects * Talking Clarinet on a Journey Through Time.
SKU: HL.49044896
ISBN 9790001192217. UPC: 841886019942. 9.25x12.0x0.026 inches.
The famous Golliwogg's Cakewalk is the final piece from Debussy's cycle Children's Corner which consists of 6 miniatures for piano, written for his daughter in the years 1906-1908. The style corresponds to that of ragtime, a dance which was in vogue around the turn of the century. In the middle section, he parodies several times the beginning of the opera Tristan and Isolde by Richard Wagner with whom Debussy had a rather ambiguous relationship. The present arrangement now allows musicians to play the popular movement in a version for melodic instrument with accompaniment.
SKU: FL.FX071516
This bluesy ballad proposes an easy approach of doted quaver followed by semiquaver and helps going one step further since this solemn rhythm is always followed by 2 quavers!
SKU: IS.CP4761EM
ISBN 9790365047611.
SKU: FL.FX073060
A musical journey to propose to young instrumentalists with 4 years of musical experience. ; Instruments: 1 Bb Clarinet 1 Piano; Difficuly Level: Grade 3.
SKU: FL.FX072368
This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag...A series of pieces for exams or auditions - for students playing Clarinet for 3 years onwards.This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag...A series of pieces for exams or auditions.
SKU: FL.FX072369
This collection will bring an educational and stylistic dimension, and will find its place in the context of auditions or exams. To place in your schoolbag... A series of pieces for exams or auditions - for students playing Clarinet for 4 years onwards.
SKU: HL.48180761
For clarinet and piano.
SKU: HH.HH550-SOL
ISBN 9790708185659.
Anton Stadler’s works for solo clarinet are collected into a single volume for the first time, and include hitherto unpublished music. Three Caprices and three Fantaisies are selections of popular contemporary tunes, laced together with virtuosic clarinet writing. Sets of variations, also based on popular themes, display a compendium of classical clarinet technique. The solos offer the modern player a challenging workout in the instrumental idioms of Mozart’s friend and clarinettist.
SKU: AP.1-ADV14706
UPC: 805095147063. English.
With Reading Key Jazz Rhythms: Clarinet Book & CD set by Fred Lipsius, you will learn essential jazz rhythms first hand from world-class professionals! Reading Key Jazz Rhythms is a collection of 24 easy to medium level jazz etudes, and 24 simplified guide-tone versions of the etudes. They are ideal for learning the basic language of jazz, swing phrasing, and articulation. A perfect tool for preparing for the jazz ensemble or for any other ensemble/orchestra which performs jazz related music (pops orchestras, musical, studio, movie scores, concert and marching bands, etc.). Each etude is based on a specific rhythm or a combination of rhythmic figures. Some etudes sound like very lyrical improvised jazz solos, while others are more like a melody to a standard. On the accompanying CD the soloist demonstrates the 24 melodious etudes together with a professional rhythm section. You can also improvise along with the play-along tracks using the chord symbols. The guide tones are the essential or defining notes for each given chord type. So if improvising is new to you and you find yourself getting lost, you can always return to a guide tone and play rhythmically around it. Any etude and its corresponding simplified guide tone version can be played together as a duet (with or without the CD accompaniment) with your teacher or a friend.
SKU: HL.49019401
ISBN 9790001189941. UPC: 884088924300. 9.0x12.0x0.074 inches.
The Sonatina for alto clarinet and piano has been composed for didactic purposes, at a clarinet teacher's request. It is a didactic work as it implies both the clarinetist and the pianist to be sufficiently familiar to tonal harmony. The piece is composed in a free style, four movements linked to one another so that it can be played in open form.
SKU: HL.50561537
UPC: 884088508692. 8.25x11.75x0.17 inches.
SKU: HL.48022478
UPC: 884088917494. 10.0x14.25x0.042 inches.
SKU: HL.48180766
UPC: 888680829100. 9x12 inches.
SKU: HL.14011933
ISBN 9788759859902.
Work for Clarinet solo. The composer writes 'The title refers to several levels in the piece. Partly a method I have used, where three lines are weaved, so they become one line, here the clarinet which can (nearly) only play one tone at the time. Either the three parts disappear and become one waving melodic line as in the beginning of the piece. Or they are put in different registers of the clarinet, so they are heard as separate lines weaving into one another. On a different level there is three different sequences, which are also weaved into one another; one which rises (for instance in the beginning), and one which falls, and one which falls in parallels in several registers. These three sequences become faster and faster every time they reappear. The idea of weaving melodic lines was inspired by Bach's pieces for solo strings, where he in a marvellous way established several simultaneous melodic lines, without simultaneous sounding notes. This happened by weaving parts, which in other works would sound simultaneously, into one another, so that only one note was heard at the time. This meant that in that long line, which was heard as the instrument's development of the piece, other melodies were weaving around each other with different focuses. Woven Lines was commissioned by DUT with support from the Danish Arts' Council.'.
SKU: HL.49002666
ISBN 9790220108037. 9.0x12.0x0.052 inches.
SKU: HL.14027731
ISBN 9780711963528. English.
Spanish clarinettist, composer, and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14, and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name, as his compositional works, though high quality, were few in number. From 1849-1876, Romero was the Clarinet Professor at the Madrid Conservatory, where he wrote his Complete Clarinet Method . Over 150 years later, it is still in popular use by schools and conservatories all over the world.
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