SKU: HL.48182618

UPC: 888680834661. 9.0x12.0x0.097 inches.

Andre Ameller: Kontrabassolo Op.178 (Double Bass & Piano).

SKU: HL.48185423

UPC: 888680833633. 9x12 inches.

Arthur Honegger: Prélude H79 (Double Bass & Piano).

SKU: HL.48183628

UPC: 888680870621. 9x12 inches.

“P. Hellouin: Traité des Gammes à la Contrebasse, Cycle 1 (Double Bass solo)&rdquo.

SKU: HL.48024112

9.0x12.0 inches.

Preface: The emphasis of the present etudes is on systematic exercises for the left hand. The lower positions demanded above all in orchestral playing, and the accompanying physical effort required, are consciously employed here in many variants and offer outstanding practice material. At the beginning, a slow, constant tempo should be paramount, the tempo then being increased with theaid of a metronome. I recommend these etudes as daily exercises for double bass players of all proficiency levels. Klaus Trumpf (Professor emeritus at the Colleges of Music in Berlin, Saarbrucken, and Munich).

SKU: HL.48183071

UPC: 888680877385. 9.0x12.0x0.031 inches.

Andre Ameller: Lebel-Quevillon Op.185 (Double Bass & Piano).

SKU: HL.48183742

UPC: 888680859268. 9.0x12.0x0.068 inches.

French and English text.

SKU: HL.48184456

UPC: 888680835224. 9x12 inches.

Solo Bass Lines; Tone Quality; Rhythm; Bass Lines.

SKU: HL.48014545

UPC: 073999583458. 9.0x12.0x0.05 inches.

Double Bass Solo.

SKU: HL.48185751

UPC: 888680832278. 9x12 inches.

Pièce en 2 Parties.

SKU: BR.OB-5509-27

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

ISBN 9790004338506. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.