SKU: BT.MUSAM996996
ISBN 9781849380140. English.
The Complete Guitar Player series has taught hundreds of thousands how to play and the accompanying songbooks have featured hits by Paul Simon, Elvis Presley, The Beatles, John Denver and many othertopartists.Now these songbooks are available in super value omnibus editions like this one. The songs are still graded by ease of playing and everything is there... standard notation, Guitar chord boxes, full lyrics andevenstrumming patterns!Over 180 great songs! Perfect for all players and singers!The bonus CD contains backing tracks to 16 of the songs in the book.
SKU: HL.49044752
ISBN 9783795749576. UPC: 841886023826. 9.0x12.0x0.14 inches.
Giving your first concert is a special occasion for any young musician, motivating players to keep working at their instrument and music making. Making this a positive experience involves choosing pieces that are technically and musically manageable, so we have chosen 44 easy and well-known solo pieces, all tried and tested in lessons and youth music competitions. This selection of works mainly written for the guitar is arranged in periods of composition, providing a little window on the history of guitar and lute music. TEXT IN GERMAN AND ENGLISH.
SKU: GI.G-10438G
UPC: 785147043874. English, Latin. Text Source: Veni, veni Emmanuel, Latin, 9th c., tr. John M. Neale, 1818&ndash,1866, alt.; Translation: John Mason Neale.
SKU: MB.30780M
ISBN 9781513462714. 8.75 x 11.75 inches. Transcribed by Stefan Grossman.
This collection presents six legendary blues guitarists from the 1920s to early 1940s. Each has his own unique approach, style and techniques for playing. Some like Rev. Gary Davis favored regular tuning while Josh White was equally at home playing in Open D tuning as well as standard tuning. Lonnie Johnson is unique in his playing techniques as well as use of a D G D G B E tuning. Buddy Mossâ??s recordings influenced generations of Piedmont guitarists, especially Blind Boy Fuller. Bo Carter had one of the most unusual tonal approaches for playing blues, ragtime and novelty songs. And lastly there is Tommy McClennan. His recordings sound â??rough and tumbleâ? but once you explore the intricacies of his playing you will discover a powerful blues guitarist.
REV. GARY DAVIS: Cincinnati Flow â?¢ Piece without Words â?¢ Children of Zion â?¢ Twelve Gates to The City
BO CARTER: Letâ??s Get Drunk Again â?¢ Nobodyâ??s Business â?¢ Honey â?¢ What You Want Your Daddy to Do
BUDDY MOSS: Oh Lordy Mama â?¢ Sleepless Night â?¢ Someday Baby (Iâ??ll Have Mine)
JOSH WHITE Crying Blues â?¢ Bad Depression Blues â?¢ High Brown Cheater â?¢ My Soul Is Gonna Live With God â?¢ Pure Religion Hallilu
LONNIE JOHNSON: Away Down In the Alley Blues â?¢ Stomping â??Em Along Slow â?¢ Blue Ghost Blues There Is No Justice â?¢ Helena Blues â?¢ Sittinâ?? On A Log â?¢ Corn Bread Blues
TOMMY McCLENNAN: Blues as I Can Be â?¢ Iâ??m Goinâ??, Donâ??t You Know â?¢ Love With a Feeling â?¢Â New Highway No.51 â?¢ Drop Down Mama
HOW TO USE THIS BOOK: 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!!
SKU: GI.G-10516G
Text Source: Ref./Est.: Gal./Gál. 6:14, adapt. TA. Pange lingua gloriosi proelium certaminis, Venantius Fortunatus, ca. 530-609. Eng. tr. vss. / Tr. al ing. est. John M. Neale, 1818-1866, alt., Steven R. Janco. Tr. al esp. anón. / Span. tr. anon.; . Text by Venantius Fortunatus.
SKU: GI.G-10896
ISBN 9781622777549.
SKU: LM.GD1280
ISBN 9790231707311.
SKU: GI.G-10897
ISBN 9781622777556.
SKU: DY.DO-1522
ISBN 9782897963026.
Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
SKU: LM.C04668
ISBN 9790230346689.
MUDARRA Alonso : Pavane d'Alexandre - TARREGA Francisco : Malaguena facil - JOHNSON Robert : Alman - WEISS Silvius Leopold : Praeludium - PERNAMBUCO Juan : Chorus - REUSNER Esaias : Sarabande - DLUGRAI Adalbert : Villanella - DLUGRAI Adalbert : Finale - REUSNER Esaias : Gigue - NARVAEZ Jose-Luis : Cancion del Emperador - TARREGA Francisco : Tango - BEDARD Jean-Baptiste : Folies d'Espagne - NARVAEZ Jose-Luis : Guardame las Vacas - TARREGA Francisco : Maria (Gavotte) - WEISS Silvius Leopold : Fantaisie - SOR Fernando : Etude - DOWLAND John : Sir John Smith His Almaine - SCARLATTI Domenico : Sonate L.483 - MUDARRA Alonso : Fantasia - WEISS Silvius Leopold : Tombeau (sur la mort de M. Comte de Logy arrivee 1721) - CAMPION Francois : Air - CAMPION Francois : Gigue - SANZ Gaspar : Canarios - RONCALLI Ludovico : Passacaglia - RONCALLI Ludovico : Gigue - BACH Johann Sebastian : Sarabande - FRESCOBALDI Girolamo : La Frescobalda.
SKU: HL.242081
ISBN 9781785588617. UPC: 888680704407. 4.75x7.75x0.956 inches.
A pocket-sized collection of 195 Beatles hits presented in chord songbook format. Includes complete lyrics, chord names & a handy chord box reference sheet. Including classic hits such as: All You Need Is Love • Can't Buy Me Love • Day Tripper • Do You Want to Know a Secret • Eleanor Rigby • From Me to You • Get Back • Help! • Hey Jude • I Want to Hold Your Hand • Let It Be • Magical Mystery Tour • Ob-La-Di Ob-La-Da • Please Please Me • Ticket to Ride • Twist and Shout • and more.
SKU: M7.VOGG-770
ISBN 9783802407703. German.
Leichter geht es nicht, mit CD und DVD! Wenn der Blues dich erst einmal gepackt hat, lässt er dich ein Leben lang nicht wieder los. Das mitreißende Lebensgefühl dieser aufregenden Musik ist die Grundlage der heutigen Rock- und Popmusik. Peter Bursch zeigt dir die wichtigsten Spieltechniken und Geheimnisse der Bluesgitarre von Null an und so einfach wie möglich. Alle Beispiele, Songs und Übungen sind deshalb in Tabulatur-Schreibweise aufgeschrieben. Du musst also nicht Notenlesen können. Du lernst die typischen Blues-Akkorde, Blues-Anschlagstechniken, Turnarounds, die Blues-Tonleiter und deine ersten Blues-Soli. Auch die fantastische Bottleneck-Spielweise wird mit einem tollen Song ausführlich erklärt. Mit vielen bekannten Songs von Robert Johnson, Leadbelly, Muddy Waters. Außerdem Blues-Klassiker, die viele berühmte Musiker und Bands wie z. B. Eric Clapton, Joe Cocker, Cream, Aerosmith, Jeff Beck und Johnny Winter auf ihren Konzerten spielen. Durch spannende Geschichten rund um den Blues wird es dir niemals langweilig. Auch das Stimmen der Gitarre nach dem Gehör oder mit dem Stimmgerät wird genauso wie der Saitenwechsel erklärt. Mit vielen Tipps für den Gitarrenkauf findest du schnell die richtige Gitarre. Alle Songs und Übungen sind auf der beiliegenden CD eingespielt, so dass du sofort mitspielen kannst. Auf der DVD kannst du Peter Bursch beim Spielen genau zusehen - so bleibt keine Frage offen!
SKU: GI.G-017094
English, Spanish, english or Spanish Bilingual.
WLP’s wedding collection offers music of all styles—contemporary songs, traditional pieces, or a combination of the two! Choose from 27 different songs found on this CD and in the accompanying songbook for vocals, guitar, and piano. Many of the pieces can also be found in the C instrument book for flute and violin. Includes songs from many popular musicians and composers such as Ed Bolduc, John Angotti, Danielle Rose, Michael John Poirier, Paul Tate, bilingual pieces from Pedro Rubalcava, and Peter Kolar, and more. Elige entre 27 piezas diferentes que se encuentran en este libro de música (voz, guitarra y piano) y en el CD complementario. La colección incluye canciones en inglés y canciones bilingües de compositores conocidos como Pedro Rubalcava, Ed Bolduc, Danielle Rose, Peter Kolar y muchos otros. Muchas de las canciones también tienen partes para instrumentos en do, como flauta o violÃn, contenidas en una edición separada. .
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