SKU: BA.BA02032
ISBN 9790006416684. 32 x 25.5 cm inches.
Print on demand (POD).
SKU: BA.BA07304
ISBN 9790006486984. 29.5 x 20.8 cm inches.
SKU: BA.BA02039-01
ISBN 9790006416769. 29 x 21 cm inches.
World Premiere 07/11/1960, Radio Basel.
SKU: BA.BA03815
ISBN 9790006440108. 27 x 21 cm inches.
World Premiere 28/01/1967, Hannover.
SKU: BA.BA06757
ISBN 9790006482443. 27 x 20.7 cm inches.
World Premiere 22/10/1978, Donaueschingen.
SKU: BA.BA06795
ISBN 9790006482689. 27.1 x 21.1 cm inches.
SKU: BA.BA07312
ISBN 9790006487059. 30 x 23 cm inches.
SKU: BA.BA05293-65
ISBN 9790006532674. 32.5 x 25.5 cm inches. Key: B minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: PR.416416140
UPC: 680160642441.
Time is one of the main factors impacting the world and our lives. Einstein saw time as the relationship of the motion of one object relative to the position of another object, as measured through observation. But can we really measure time objectively? Music, the art which moves through time, can affect our perception of time, and can affect each person's perception of time differently. Depending on the emotion it stimulates, music can make time seem to pass quickly or slowly. A composer can use music to convey time to an audience and different musical ideas can create different sensations of time. Absence of Time is a concerto for woodwind quartet and orchestra. It has three main sections (fast, slow, fast), recalling traditional concerto form, but it does not use the solo instruments in the traditional way, i.e., as soloists in contest with the orchestra. Inspired by the idea of juxtaposing different experiences of time, I divided the instruments into two groups: the four soloists and the orchestra. The orchestra functions mostly as the keeper of time (real time) while the quartet of soloists fluctuates (in imaginary time or in the absence of time) around the orchestra's time. While the quartet's instruments do play solos, they also play in ensemble with the orchestra. You could say that they play in both imaginary time (as soloists) and in real time (with the orchestra). In addition to this, the woodwind section of the orchestra plays in conversation with the solo quartet, calling it back to real time. Fusion is achieved at the end of the piece through the use of strong, driving rhythm. Absence of Time was commissioned by the Pacific Symphony and was first performed by the Pacific Symphony and the Pacific Symphony Woodwind Quartet with Carl St. Clair as conductor on October 20, 2016.
SKU: PR.41641614L
UPC: 680160642458. 11 x 17 inches.
SKU: HL.49003397
ISBN 9790001033459.
String and wind instruments.
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