SKU: HL.234744
9.0x12.0x0.035 inches.
Composer's Note: The Lullaby from The Unicorns arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa. Both the East and West want to obtain them for research so they send out rival expeditions. The Western technique is to lure the unicorn with a young girl singing a lullaby. Both East and West capture unicorns but the mythical animals escape in the end. I never completed the opera but I made a six-movement suite from it called The Unicorns. There are three songs and three instrumental numbers and the first performance was given with Elisabeth Soderstrom and Solna Brass under Lars-Gunnar Bjorklund at Ekensbergskyrkan, Solna, Sweden on 31 October 1982. This version was recorded and my arrangement of the three songs for voice and piano was recorded by Marilyn Hill Smith. The career of the Lullaby continued with a version for clarinet and piano, which I premiered with Jack Brymer aboard the Sea Princess in the Mediterranean on 29 September 1986. The oboe version was for Sarah Francis, and Duke Dobing and I have recorded it for flute an piano. Lullaby can be played with a variety of solo instruments and is also available for piano left hand and piano solo.
SKU: HL.1161348
ISBN 9781705187593. UPC: 196288121930. 9.0x12.0x0.065 inches.
Falling Berceuse premiered during the Coronavirus lock-down by the multi-talented musician Leo Popplewell.
SKU: HL.1161349
ISBN 9781705187609. UPC: 196288121947. 9.0x12.0x0.051 inches.
Written for Conor Hanick, Pastoral (Indoors/Outdoors) plays true to the title, but with small, illuminating tensions.
SKU: HL.268914
This tiny piece was written as a response to hearing the premiere of Nicola LeFanu's momentous orchestral work The Crimson Bird on 17 February 2017. Nicola was my teacher and supervisor from 1986 to 1989, during my studies at King's College London. Although my formal study with her lasted just these three years, her influence on my creative life has been immense and invaluable, and continues to be felt in every piece I write. Luna ... is marked 'A starlit lullaby'. Its final notes, E and F, supply the letters of Nicola's surname missing from the title. The work was recorded by Philippa Harrison on Return of the Nightingales-Music for solo piano (Prima Facie 2017). - Sadie Harrison.
SKU: HL.49008825
ISBN 9790001088954. 9.0x12.0x0.048 inches.
SKU: BT.MUSMS0324
Spanish.
Nuestro libro quiere hacerle descubrir, trabajar, y sobre todo tocar los arpegios en el piano. Los arpegios, presentes en todos los estilos musicales (blues, rock, jazz, clásico...), tanto en acompañamiento comoen improvisación, tocados con la mano derecha o la mano izquierda, resultan desde el punto de vista técnico y armónico imprescindibles para el pianista. Y por eso todos los estudiantes teclistas los han deconocer y dominar. Nuestro libro trata de los principales arpegios que son el arpegio mayor, el arpegio menor, el arpegio mayor 7 (may7), el arpegio menor 7 (m7), y por último, el arpegio de séptima (7).
Paracada uno de ellos descubrirá su composición, por supuesto, pero también sus digitaciones con tres ejercicios técnicos (para aprender a «manipularlos») y siete aplicaciones musicales(acompañamiento o solo) para tocar en playback. Y para cada aplicación musical le brindamos cinco grabaciones diferentes en el CD MP3 adjunto, presentadas de la manera siguiente: piano solo, en aire normal y luegomás lento, la misma parte de piano tocada ahora en el playback, y por último, el playback solo, primero en aire normal y luego más lento... para que cada uno pueda aprender y tocar a su ritmo, según sunivel y sus capacidades. O sea más de 5 horas de música en total.
SKU: BT.MUSSRO100055
English.
Nico Muhly is an American contemporary classical music composer and arranger. You Can't Get There From Here is no exception to Nico 's beautiful and accomplished style of writing. The work was commissioned by the Terez n Music Foundation as a living memorial to the composers and musicians of the Terez n concentration camp who perished during the Holocaust.
SKU: BR.EB-9428
ISBN 9790004189054. 9 x 12 inches.
The Travel Preludes are three short pieces ideally conceived for opening a concert.The first, Urgent Call, is like a bell calling the audience and stressing the importance - and at times the urgency - of making music. The second prelude, The Art of Taking a Seat, has to do with that carefulness, kindness and attention the attendance of a concert requires from the audience. Because to take a seat, to concentrate and to open heart and mind to the music is an art everybody should practice. The third piece, In Praise of Discretion, is an homage to all those musicians, who enter the stage without pretensions or theatrics, being able to concentrate on nothing but the music itself. (Nicola Campogrande, July 2021 ). Sono tre brevi pagine, idealmente pensate per aprire un concerto. La prima, Urgent call, e come un campanello che richiama il pubblico e gli ricorda in modo deciso quanto sia importante - e talvolta davvero urgente - la pratica della musica. La seconda, The Art of Taking a Seat, ha a che fare con la cura, il garbo, l'attenzione che si richiedono a chi assiste a un concerto. Perche sedersi, concentrarsi, aprire il cuore e il cervello alla musica sono davvero un'arte che tutti dovrebbero conoscere. La terza, In Praise of Discretion, e un elogio agli interpreti che salgono sul palcoscenico senza enfasi, senza teatralita, e sanno concentrarsi sulla musica. (Nicola Campogrande, luglio 2021)World premiere: Cernobbio/Italy, Piazza del Risorgimento, July 1, 2021.
SKU: BR.EB-8990
Here you will find the concerto R (A Portrait for Piano and Orchestra).
ISBN 9790004187197. 9 x 12 inches.
A Musical Portrait In 2012 Nicola Campogrande received a rather singular commission when a total stranger asked him to compose a musical portrait of his fiancee. The man knew exactly what he wanted: a concerto for piano and orchestra. After some reflection, Campogrande realised that he would be able to paint with music. It would never be possible, of course, to recognise the shape of the woman's face or the colour of her hair, but the score could evoke the way in which she occupied space and time, and the different movements of the composition would be like the faces on a rotating prism. Campogrande thus accepted the commission and the stranger sent him a few photos of his fiancee, spoke to him about her and, finally, introduced him to her. This is how R (A portrait for piano and orchestra) was born, first performed in April 2013 by Lilya Zilberstein with the Orchestra Verdi in Milan. Subsequently, following other performances and a TV documentary, a number of different pianists asked Campogrande to write a version for solo piano. Hence Nudo emerged, a piece that would be very similar to R , were it not for the fact that, as the title suggests, the pianist is naked, without orchestral clothing. Information on Nudo on the composer's website Audio recording of Nudo (YouTube) Un portrait musical En 2012, Nicola Campogrande s'est vu proposer une commission fort singuliere ; un parfait etranger lui demandait de composer le portrait musical de sa compagne. L'homme savait exactement ce qu'il voulait : un concert pour piano et orchestre. Apres quelques hesitations, Campogrande s'est rendu compte qu'il pouvait se servir de la musique comme d'un pinceau. Bien entendu, il ne serait jamais possible de reconnaitre la forme du visage de la femme ou la couleur de ses cheveux, mais la partition pourrait evoquer la facon dont elle se deplacait dans l'espace et dans le temps, et les differents mouvements de la piece seraient comme les figures d'un prisme en rotation. Campogrande a donc accepte la commission ; l'etranger lui a envoye des photos de sa compagne, il lui a parle d'elle, avant de les faire se rencontrer personnellement. Ainsi est ne R (Un portrait pour piano et orchestre) , interprete pour la premiere fois en avril 2013 par Lilya Zilberstein et l'orchestre Verdi de Milan. D'autres executions ont suivi, ainsi qu'un documentaire televise, apres quoi plusieurs pianistes ont prie Campogrande d'ecrire une version pour piano seul. C'est ainsi que Nudo a vu le jour : un << nu >> tres semblable au premier portrait, si ce n'est que le piano s'y trouve, comme le suggere le titre, depouille de son vetement orchestral. Ritrarre con la musica Nel 2012 Nicola Campogrande ha ricevuto la piu singolare delle commissioni, quando un perfetto sconosciuto gli ha chiesto di comporre il ritratto musicale della sUrauffuhrung fidanzata. L'uomo sapeva esattemente cio che voleva: un concerto per pianoforte e orchestra. Dopo qualche esitazione, Campogrande si e reso conto di poter dipingere con la musica; certo, non sarebbe stato possibile riconoscere la forma del viso della donna o il colore dei suoi capelli, ma la partitura avrebbe evocato il modo nel quale lei si muoveva nello spazio e nel tempo, e i vari movimenti del brano sarebbero stati come le facce di un prisma in rotazione. Campogrande ha dunque accettato la commissione e lo sconosciuto gli ha mandato alcune foto della sUrauffuhrung fidanzata, gli ha parlato di lei e, alla fine, gliela ha presentata personalmente. E cosi nato cosi R (Un ritratto per pianoforte e orchestra ), eseguito per la prima volta nell'aprile 2013 da Lilya Zilberstein insieme all'Orchestra Verdi di Milano.In seguito, dopo altre esecuzioni e un documentario tv, diversi pianisti hanno chiesto a Campogrande di preparare una versione per pianoforte solo. E stato cosi che ha preso forma Nudo , un brano del tutto simile a R tranne per il fatto che, come suggerisce il titolo, il pianista e nudo, senza un abito orchestrale. 'Nudo' is a scintillating work that paints a vivid and fascinating sequence of musical portraits of its subject. And the Breitkopf score is simply superb. (www.pianodao.com).
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