SKU: BT.EMBZ6502
English-German.
The Two Concert Studies, which Liszt composed in 1863 for Grand Theoretical and Practical Piano School by Sigmund Lebert and Ludwig Stark, became rather popular already in his lifetime. Today they are among the most often played works by Liszt. Morceau de salon is also a publication for piano education and was written for the Méthode des méthodes de piano of François-Joseph Fétis and Ignaz Moscheles and published in 1840. The virtuoso concert study was revised by Liszt under the title Ab irato a decade later. This edition contains the score of and critical notes to the above works as published in the New Liszt Edition, as well as prefaces in English and German, which provideinformation about all the important issues concerning the genesis and performance rendering. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way. Separate editions from the New Liszt Complete Critical Edition with preface and critical notes.
The Two Concert Studies, which Liszt composed in 1863 for Grand Theoretical and Practical Piano School by Sigmund Lebert and Ludwig Stark, became rather popular already in his lifetime.Today they are among the most often played works by Liszt.Morceau de salon is also a publication for piano education and was written for the Méthode des méthodes de piano of François-Joseph Fétis and Ignaz Moscheles and published in 1840. The virtuoso concert study was revised by Liszt under thetitle Ab irato a decade later. This edition contains the score of and critical notes to the above works as published in the New Liszt Edition, as well as prefaces in English and German, which provide information about all the important issuesconcerning the genesis and performance rendering.Einzelausgabe aus der Neuen Kritischen Liszt-Gesamtausgabe mit Vorwort und kritischem Bericht.
Die Zwei Konzertetüden (1. Waldesrauschen, 2. Gnomenreigen), die Liszt 1963 für die Grosse Theoretische-praktische Klavierschule von Sigmunt Lebert und Ludwig Stark schrieb, wurden schon zu seinen Lebzeiten bekannt. Heute gehören sie zuseinen am häufigsten gespielten Stücken. Morceau de salon ist ebenfalls eine pädagogische Etüde, die Liszt für die Méthode des méthodes de piano (1840) von François-Joseph Fétis und Ignaz Moscheles schrieb. Die virtuose Etüde wurde von Liszt unter dem Titel Ab irato einJahrzehnt später als Konzertetüde veröffentlicht. Die hier vorliegende Einzelausgabe enthält die Partitur und den kritischen Kommentar aus der New Liszt Edition, sowie Vorworte in Englisch und Deutsch, mit wertvollen Hinweisen zur Entstehung undSpielweise der Stücke.
SKU: AP.36-M142791
ISBN 9781628769739. UPC: 660355085468. English.
Written in 1916, these Six Concert Etudes (Hat Koncertetud), Op. 28 were written by Hungarian composer, conductor, and pianist Ernst von Dohnányi (1877-1960). He premiered the work himself in Szeged on December 12, 1916. The collection is published in two volumes, with both available from the publisher.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-M291191
UPC: 660355183751. English.
Clara Schumann (1819-1896), then Clara Wieck, wrote this collection of Four Characteristic Pieces (Qautre Pièces Caractéristiques), Op. 5 in 1835-1836, when she 16 or 17 years old. Op. 5 was performed frequently by the young Clara in concert, along with Op. 6 and Op. 7. Frederic Chopin particularly was enchanted and enthusiastic about Op. 5, prompting him to leave with a score after hearing it. Movements: 1. Impromptu: Le Sabbat, 2. Caprice à la Boléro, 3. Romance, 4. Scene Fantastique: Le Ballet des Revenants.
SKU: HL.50510062
ISBN 9790080400838. UPC: 073999479829. 5.5x8.0x0.353 inches. Johannes Brahms; Gabor Darvas.
The first drafts of the piano concerto in B flat major were already made in the spring of 1878 but the detailed elaboration of the composition followed only three years later. Its first public performance took place in Budapest on November 9th, 1881 in a concert of the Philharmonic Society. The orchestra was conducted by Sandor Erkel, the piano part was played by the composer.
SKU: MB.31121M
ISBN 9781513477039. 8.75X11.75 inches.
In this collection of piano solos, you will find the WORLDÆS FIRST PIANO SOLO ever composed that can be played backwards and forwards and upside downà and sound the SAME! The piece is called ôSOLOSö and is an ambigram and a palindrome. Two variations of ôSOLOSö that are more difficult are added that use the melody of this unusual piece. There is a special piece called ôMirrorö. When held to a mirror it will have the mirror effect and sound very nice the way it looks in the mirror. The collection includes a Palindrome, ôSTATSö which is excellent for sight reading and is beneficial for the eyes as you read it backwards.This collection has a wide variety of pieces suitable for recitals, relaxing, and sight reading. Also included is a special piece titled ôEncoreö, which was composed just for that very reason, to play last, but not least. I used the musical letters in the name of the man that booked me for the concert after he called and requested that I have an encore ready!Every piece was composed from my piano as I heard a melody or tried to put a feeling or thought to music. Every piece has a story. I hope the music in this book speaks to your heart and brings listening pleasure as well as a feeling of love, joy, and peace.I appreciate this opportunity to share my favorite piano solos with you and may they be an inspiration for other composers and fun for students and teachers to perform.Includes access to online audio.
SKU: HL.50607005
UPC: 196288217381.
P�TER WOLF (1947) studied classical piano and jazz piano at the B�la Bart�k Secondary School under Korn�l Zempl�ni, Ferenc Rados and J�nos Gonda. In 2015 he obtained his DLA degree from the Franz Liszt Academy of Music with his thesis on jazz arrangements. In 1969 he became the keyboard-player of the band Ex Antiquis. He composed many hits of the 1970s and 1980s as well as scores for popular films and musicals. His virtuosity as an orchestrator was shown in concerts and albums of the Franz Liszt Chamber Orchestra; he also orchestrated violin pieces for Isaac Stern's ''Kreisler'' CD. In 1995 he was awarded the F�nyes Szabolcs Prize, in 2005 the Erkel Prize, and in 2018 Artisjus's Life Prize. In recent years he has had numerous large-scale compositions premiered by excellent performers: his two piano concertos and his concertos for oboe, clarinet, and violin respectively. About Inventions for Young Pianists, piano teacher Rita Znamen�k writes: ''This volume expressly aims at extending the repertoire of 3rd- and 4th-grade primary music students (and, of course, that of the older ones, too). Each of the 23 inventions expands and revolves around a musical idea. The short pieces inspire the children's imagination already with their titles. Teachers and student scan freely choose among pieces which require crossing hands, arpeggios, clusters, polyphony, syncopated rhythm, chromaticism, and pedalling. There are melodies with accompaniment, playing with alternate hands, playing legato and staccato, notes with appoggiaturas and acciaccaturas, jazz accents, and glissandi, too. The composer wrote unusual sound effects into a few pieces for the brave. It's my most sincere wish for young pianists that they find joy in studying Peter Wolf's works, and I encourage my colleagues to include pieces from this volume into their material: maybe students will also become more open to contemporary music through them.''.
SKU: HL.51481206
UPC: 888680012991. 9.0x12.0x0.147 inches.
Rachmaninoff wrote his well-known piano cycle in 1931, at a time when his great works for piano solo and the piano concertos had already made him very famous. Yet it is by no means the “work of an old manâ€. The composerÂ’s variations on the theme “La folia†(taken from a sonata by Corelli) are like a series of fireworks on the piano. He once drily said to a friend, “All this mad running about is necessary in order to efface the themeâ€. Did Rachmaninoff succeed in silencing “la folia†– i.e. the “madnessâ€? Why not seefor yourself!
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: FV.FUE-10077
ISBN 979-0-50182-077-1.
Within this work Heller already establishes herself as a composer who possesses and demonstrates a clear sense of form, as well as a feel for creating arcs of tension and contrasts. The work is pianistically challenging, even though it fits the hands well. It requires, in particular, careful listening with regard to the structures and harmonic sequences. This thoroughly entertaining piece of music is set to benefit both up-and-coming musicians and concert pianists, and deserves to be included in the standard repertoire. The piano suite composed in 1956 by the 20 year-old Barbara Heller is a major accomplishment. Within this work Heller already establishes herself as a composer who possesses and demonstrates a clear sense of form, as well as a feel for creating arcs of tension and contrasts. Stylistically, the work belongs to the moderate modernist trend, which arose sometime after Hindemith. However, this piano suite has charms of its own; at times it is the emphatic shaping of phrases, which bring about moments of dissonance and occasionally, it is the harsh and unwilling gestures. The charm of this piece also lies within its deep-rooted earnestness and its frequent seasoning of humour.
SKU: FV.FUE-3240
ISBN 979-0-50012-824-3.
The Three Preludes for piano, written long ago, may will speak for themselves, as indeed real music. For in order to become something, there must already be some-thing. (L. Maric) These original piano pieces call for proficiency virtuoso. For concert etudes or for pianistical studies. WPs:1945 Belgrad: Zdenko Marasovic.
SKU: BR.EB-3201
ISBN 9790004161609. 9 x 12 inches.
Some of the Ten Piano Pieces op. 58 were already successfully performed during the composers lifetime. At a concert in the Solemnity Hall of Helsinki University on 10 October 1911, two of the pieces (Scherzino No. 2, Serenade No. 9) had to be repeated because of the roar of applause.. Both Sibelius and Mrs. Sigrid Sundgren-Schneevoigt were called forth with storming applause. The reviews were good, describing the pieces as the most ingenious piano compositions reduced to a small form, that have been published in Finland.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
