SKU: P2.60035

Hydra is a programmatic work based on the ancient Greek myth, Hercules. As a penance for grisly crimes he committed while overcome by a supernatural force, Hercules was given twelve difficult and almost impossible tasks to complete. His second task was to find and kill the Hydra, a water serpent with nine heads. The music begins with a slithering sensation depicting Hercules' quest for the Hydra. Once he found the Hydra, a horrific fight ensued. Hercules began swinging his sword desperately. However, each time he chopped off a head with his sword, two heads grew back in its place. The fight went on for a lengthy period of time. The music progressively becomes more erratic and raucous as the fight intensifies. Victory was finally achieved when Hercules used a burning brand to sear the necks as he cut each head off.

SKU: P2.10022

The third part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979)by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the heavy chamber music style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term chthonic [thon-ik] generally means underworld. However, Hillman thoroughly elaborates that its true meaning extends below the earth and beyond it into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible. The trio is divided into three sections: The Way We Descend--Reflection of Narcissus--Below Nature. Taking a break from Greek myth-nerd terms, this movement introduces chthonic-flavored phrases that elaborate on our descent into the underworld, specifically through dreams. The realm of the underworld can be such a shock to our dayworld, limited, egoic consciousness that it can seem like a violation as Hillman points out, referencing the Greeks: This style of the underworld experience is overwhelming, it comes as violation, dragging one out of life and into the Kingdom that the Orphic Hymn to Pluto describes as 'void of day.' So it often says on Greek epitaphs that entering Hades is 'leaving the sweet sunlight.' (p.49) He elaborates on the differences between dayworld and underworld perspectives: The dream is not compensation but initiation. It does not complete ego-consciousness, but voids it. So it matters very much the way we descend. (p.112) He goes on to describe the various modes in which mythical figures have descended: Ulysses and Aenas to learn; Hercules to take and to test, for example. To act like Hercules, like the hero, in the underworld is to miss the point and cause more problems, the villain in the underworld is the heroic ego, not Hades. (p.113).

SKU: TM.01872SET

Score (Abridged) = Chrysander; Parts = Peters edition (Abridged). Score has more movements than the parts; some differences between score and parts, especially the recitatives.

SKU: BT.SLB-00176700

SKU: AP.48039S

UPC: 038081555188. English.

The majesty of this geographic landmark is evident in Gibraltar: The Rock by Victor López. Fabled in Greek lore to be one of the two pillars of Hercules, the bold music presented provides a fitting representation. Written with plenty of tutti and unison sections throughout, this impressive work for beginning strings will provide young ensembles the opportunity to display characteristics of musical maturity. Stepwise melodic lines, driving background rhythms, as well as bowing and fingering markings make this energetic piece easier to learn and teach. This title is available in MakeMusic Cloud. (2:00).

SKU: FP.FCJ01

ISBN 979-0-57050-026-0.

A wonderful set of 10 pieces inspired by the adventures of the Greek and Roman Gods, with stories and illustrations. Suggested grade 1-2.

SKU: BT.GOB-000275-020

Een zeer speciale compositie van Rob Goorhuis en geschreven ter nagedachtenis aan de slachtoffers van de Hercules-ramp in Eindhoven (1996).
Hierbij kwamen de meeste muzikanten en dirigent van de Fanfare Koninklijke Landmacht om.
Na een zeer geslaagde toer in Noord Italie crashte het vliegtuig bij de landing waarna het toestel in brand vloog.