| Singer's Library of Musical Theatre, Volume 2 Low voice [Sheet music + CD] Alfred Publishing
(Baritone/Bass Voice). Edited by Lisa DeSpain. For Voice (Bass voice). Vocal Col...(+)
(Baritone/Bass Voice). Edited by Lisa DeSpain. For Voice (Bass voice). Vocal Collection. Singer's Library of Musical Theatre. Broadway. Book and CD. 188 pages
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
(10)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Wizard of Oz Instrumental Solos Tenor Saxophone [Sheet music + CD] - Easy Alfred Publishing
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Tenor S...(+)
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Tenor Sax. Instrumental Series. Pop Instrumental Solo Series. Movie. Level 2-3 (grade 2-3). Book & CD. 40 pages. Published by Alfred Music Publishing
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Wizard of Oz Instrumental Solos Clarinet [Sheet music + CD] - Easy Alfred Publishing
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Clarine...(+)
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Clarinet. Instrumental Series. Pop Instrumental Solo Series. Movie. Level 2-3 (grade 2-3). Book & CD. 40 pages. Published by Alfred Music Publishing
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Wizard of Oz Instrumental Solos Piano Accompaniment [Sheet music + CD] - Easy Alfred Publishing
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Piano ...(+)
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Piano Acc.. Instrumental Series. Pop Instrumental Solo Series. Movie. Level 2-3 (grade 2-3). Book & CD. 60 pages. Published by Alfred Music Publishing
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Wizard of Oz Instrumental Solos French horn [Sheet music + CD] - Easy Alfred Publishing
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Horn in...(+)
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Horn in F. Instrumental Series. Pop Instrumental Solo Series. Movie. Level 2-3 (grade 2-3). Book & CD. 40 pages. Published by Alfred Music Publishing
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Wizard of Oz Instrumental Solos for Strings Viola [Sheet music + CD] - Easy Alfred Publishing
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Viola....(+)
(70th Anniversary Edition). By E. Y. Harburg, music by Harold Arlen. For Viola. String Series. Pop Instrumental Solo Series. Movie. Level 2-3 (grade 2-3). Book & CD. 72 pages. Published by Alfred Music Publishing
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Wizard of Oz -- 70th Anniversary Deluxe Songbook (Vocal Selections)
Piano, Vocal and Guitar [Sheet music] Alfred Publishing
(Piano/Vocal/Chords). By E.Y. Yip Harburg and Harold Arlen. For Keyboard; Pian...(+)
(Piano/Vocal/Chords). By E.Y. Yip Harburg and Harold Arlen. For Keyboard; Piano; Voice. This edition: Piano/Vocal/Chords. Piano/Vocal/Chords; Shows and Movies. Movie. Book. 100 pages
(1)$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Wizard of Oz Piano solo [Sheet music] - Beginner Alfred Publishing
Arranged by Dan Coates. For Piano. Piano - Big Note Collection. Movie. Level: Bi...(+)
Arranged by Dan Coates. For Piano. Piano - Big Note Collection. Movie. Level: Big Note. Book. 36 pages. Published by Alfred Publishing.
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Granger's Fiddle Tunes for Guitarß Guitar notes and tablatures [Sheet music + Audio access] - Beginner Mel Bay
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire bound. World. Book and online audio. 236 pages. Mel Bay Publications, Inc #31103M. Published by Mel Bay Publications, Inc (MB.31103M). ISBN 9781513468792. 8.75x11.75 inches. Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book. This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles. There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book. In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read. The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes. The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other. Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection. Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Standards Real Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Intermediate Sher Music Company
By Various. Almost 600 pages of world-famous Sher Music transcriptions! Don't go...(+)
By Various. Almost 600 pages of world-famous Sher Music transcriptions! Don't go to the gig without it!. Various. Fake Book. Published by Sher Music Company.
(16)$47.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Standards Real Book - Bb Edition Bb Instruments [Fake Book] Sher Music Company
Fakebook (spiral bound) for Bb instrument and voice. With vocal melody, lyrics, ...(+)
Fakebook (spiral bound) for Bb instrument and voice. With vocal melody, lyrics, chord names, black and white photos and introductory text. 574 pages. Published by Sher Music Company.
(2)$47.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Standards Real Book - Eb Edition Eb Instruments [Fake Book] Sher Music Company
Fakebook (spiral bound) for Eb instrument and voice. With vocal melody, lyrics, ...(+)
Fakebook (spiral bound) for Eb instrument and voice. With vocal melody, lyrics, chord names, black and white photos and introductory text. 574 pages. Published by Sher Music Company.
$47.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Without Music Theodore Presser Co.
Chamber Music Piano, Voice SKU: PR.111402850 Five Songs for Mezzo-sopr...(+)
Chamber Music Piano, Voice SKU: PR.111402850 Five Songs for Mezzo-soprano and Piano. Composed by Ricky Ian Gordon. Collection - Performance. 28 pages. Duration 25 minutes. Theodore Presser Company #111-40285. Published by Theodore Presser Company (PR.111402850). ISBN 9781491132005. UPC: 680160680627. What the Living Do by Maria Howe. The poetry of Marie Howe has a special place in Ricky Ian Gordon’s heart and mind, both haunting and soothing. WITHOUT MUSIC is a five-movement work in which Howe’s words and Gordon’s music together give voice to longterm grieving for a loved one lost to AIDS. The work was commissioned by Music Academy of the West for their 2019 Marilyn Horne Song Competition Winners’ Recital Tour. For a long time, I have been in dialogue with the poems of Marie Howe. Some poets speak so directly to you that they become a second voice inside you. I have so many of her poems memorized, and I speak them so often because at certain moments I know she will say it better than me.Many I have set or tried to set and felt dissatisfied and put them away. Marie’s poems are so plain spoken, you want them to feel, if you are taking the trouble to set them to music, that the songs are plain spoken as well... because it would be criminal to set Marie’s poems in a way that obscures the words and makes them feel distant or remote.I first heard Kelsey Lauritano in a Master Class that Stephanie Blythe was giving at Juilliard. I was bowled over by her poise, the beauty of her voice, her engagement with her body and her connection to text. She is a real artist through and through. I wanted to create a cycle for her where it felt like she was talking to the audience in the most intimate way possible. I wanted to be able to see her heart.These five poems are from Marie’s book, “What the Living Do,†the book which was published eight years after her brother Johnny died at 28 from AIDS. The book is impossibly beautiful, as clear as a spring in a remote forest... the poems simply tell the story of Johnny’s illness and Marie’s relationship with it, and him... as Marie would put it, they are “how some of it happened.â€I lost my partner Jeffrey Grossi to AIDS in 1996, so needless to say, this book, and Marie’s poems were balm for me... one of the myriad ways I got through an excruciating time, as Jeffrey’s death followed practically, the death of my entire community. I feel bad, and even awkward, that this is still so much a part of my story, but it is. Is it PTSD, or just, not wanting to forget? I don’t know. But these songs are steeped in that time. $18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Wizard of Oz (Selections) Trumpet Alfred Publishing
Trumpet SKU: AP.IF9528 Trumpet. Composed by Harold Arlen. Instrume...(+)
Trumpet SKU: AP.IF9528 Trumpet. Composed by Harold Arlen. Instrumental Series. Movie. Book. 20 pages. Alfred Music #00-IF9528. Published by Alfred Music (AP.IF9528). ISBN 9780897246835. UPC: 029156158038. English. E. Y. Harburg. Here are the top ten tunes from one of the most memorable movies of all time. The titles are: Ding-Dong! The Witch Is Dead * If I Only Had a Brain * If I Were King of the Forest * Lullaby League and Lollypop Guild * The Merry Old Land of Oz * Munchkinland * Optimistic Voices * Over the Rainbow * We're Off to See the Wizard. $4.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Christmas A Cappella Choral SATB SATB [Sheet music] Barenreiter
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (u...(+)
(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.
(3)$36.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Singer's Library of Musical Theatre, Vol. 2 Low voice [Sheet music] Alfred Publishing
For Voice. (Baritone/Bass Voice). Vocal Collection. Broadway. Book. 188 pages. ...(+)
For Voice. (Baritone/Bass Voice). Vocal Collection. Broadway. Book. 188 pages. Published by Alfred Publishing.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Wizard of Oz - Vocal Selections
Piano, Voice [Sheet music] - Intermediate Alfred Publishing
Lyrics by E.Y. "Yip" Harburg, music by Harold Arlen. Songbook for voice and pian...(+)
Lyrics by E.Y. "Yip" Harburg, music by Harold Arlen. Songbook for voice and piano. From the motion picture "The Wizard Of Oz". 40 pages. Published by Alfred Publishing.
(3)$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Wizard Of Oz - Easy Piano
Voice, Easy piano [Sheet music] - Easy Alfred Publishing
Lyrics by E.Y. "Yip" Harburg, music by Harold Arlen, arranged by Dan Coates. Son...(+)
Lyrics by E.Y. "Yip" Harburg, music by Harold Arlen, arranged by Dan Coates. Songbook for voice and easy piano. From the motion picture "The Wizard Of Oz". 32 pages. Published by Alfred Publishing.
(7)$10.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Character Songs from Musical Theatre - Men's Edition Low voice, Piano Hal Leonard
Composed by Various. Vocal Collection. Broadway, Musicals. Softcover. 176 pages...(+)
Composed by Various. Vocal Collection. Broadway, Musicals. Softcover. 176 pages. Published by Hal Leonard (HL.240993).
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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