SKU: BR.OB-5215-17
,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)
ISBN 9790004331996. 9 x 12 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).
SKU: HL.51481381
UPC: 196288019442. 9.25x12.25x0.16 inches.
Johannes Umbreit (piano reduction); Michael Schneidt (fingering) Two copies needed for performance It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed for violin or a woodwind instrument. The outer movements of the second concerto, in E major, probably written around 1738, sparkle with joy, while the expressive melodic lines of the middle movement, the Siciliano in C-sharp minor, transport the listener to the realm of his Passion music. G. Henle Publishers presents this repertoire standard in an Urtext edition with an extensive commentary. The study edition (HN 7381) features the complete orchestral score; the piano reduction (HN 1381) contains the solo part as well as a very playable piano reduction of the score prepared by Johannes Umbreit for practical use.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.49010225
ISBN 9783795772017. UPC: 841886015210. 5.25x7.5x0.107 inches.
2 violins, obligato, strings and b.c.
SKU: BR.EB-10708
In Cooperation with G. Henle Verlag
ISBN 9790201807089. 9.5 x 12 inches.
Bruch's evergreen for the first time in Urtext Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto? The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.In Cooperation with G. Henle Verlag.
SKU: BR.PB-15132
ISBN 9790004214688. 10 x 12.5 inches.
Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.
SKU: BR.OB-15132-15
ISBN 9790004341940. 10 x 12.5 inches.
SKU: BR.PB-15133-07
ISBN 9790004214695. 6.5 x 9 inches.
SKU: BR.OB-15132-19
ISBN 9790004341964. 10 x 12.5 inches.
SKU: BR.OB-15132-23
ISBN 9790004341971. 10 x 12.5 inches.
SKU: BR.OB-15132-27
ISBN 9790004341988. 10 x 12.5 inches.
SKU: BR.OB-15132-30
ISBN 9790004341995. 10 x 12.5 inches.
SKU: BR.OB-15132-16
ISBN 9790004341957. 10 x 12.5 inches.
SKU: BA.BA08343-67
ISBN 9790006522156. 32.5 x 25.5 cm inches. Key: G minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.49011497
ISBN 9790200212457.
SKU: BA.BA10946-74
ISBN 9790006569762. 32.5 x 25.5 cm inches. Key: G minor.
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA05146-90
ISBN 9790006565399. 31 x 24.3 cm inches. Key: G minor. Preface: Fischer, Wilfried.
SKU: BA.BA10946-75
ISBN 9790006569779. 32.5 x 25.5 cm inches. Key: G minor.
SKU: BA.BA05146-75
ISBN 9790006566792. 32.5 x 25.5 cm inches. Key: G minor.
SKU: BA.BA10946-79
ISBN 9790006569786. 32.5 x 25.5 cm inches. Key: G minor.
SKU: BA.BA08341-75
ISBN 9790006521999. 32.5 x 25.5 cm inches. Key: G minor.
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