SKU: SU.90810080
Instrumentation: piano; 2fl(picc), 2ob, 2cl, 2bn; 2tpt, 2tbn, 2hn, tba; perc; strings Duration: 33' Full Score & Parts: available on rental Composed: 1993 Published by: Subito Music Publishing A formidable work for piano in three movements, this is an equally virtuoso piece for orchestra, and a welcome addition to the concerto literature of this century. --Cincinnati Inquirer A wonderful work --American Record Guide.
SKU: GI.G-6896
UPC: 785147689607. English. Text by James Chepponis.
This composition may be performed with the scored forces (including brass quartet, percussion and handbells, to name a few), or it may be simplified by using only soloist, congregation, and piano/guitar accompaniment. The text emphasizes the kingdom of God and the gifts of the Spirit. Appropriate for Pentecost, confirmation, and celebrations of ministry. Guitar, C instrument, brass quartet, percussion (suspended cymbal and timpani) and handbell parts are optional Horn in F can be substituted for Trombone I.
SKU: GI.G-7299
UPC: 785147729907. English. Text by Cynthia Serjak.
Guitar, C instrument, brass quartet, percussion and 2 or 3 octaves handbells parts are optional. The percussion part is for suspended cymbal and timpani.
SKU: PR.114419290
ISBN 9781491135235. UPC: 680160676118. 9 x 12 inches.
Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, my Chinese Folk Dance Suite is written for violin solo and orchestra, and premiered by The Women's Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco. Inspired by various Chinese traditional folk dances, I've composed three movements in the suite: 1) Lion Dance. Traditionally, people dance with richly decorated hand made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In the composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from traditional Guangdong Music tune and Chaozhou Music tune ; 2) YangKo. Originated in northern China, it's a major folk dance form in mass performance popularized in the country. In YangKo performance, people always play rhythmic patterns on the drums hung around their waists while singing and dancing. In my second movement, I have imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members in the orchestra sing the non-pitch syllables in different layers as the soft background, to imitate the percussion sound which produces the ever going pulse. 3) Muqam. It is a large scale traditional music and dance form from Uygur nationality in Xinjiang province, originated in the 15th century. In my third movement, I keep the meter of seven eight and the melodic style of Muqam music. The fiery dancing gesture cumulates the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines. Scored for 2 flutes (2nd doubling piccolo), 2 oboes, 2 clarinets in Bb, 2 bassoons, 4 French horns in F, 2 trumpets in Bb, 3 trombones, percussion 1 (3 congas, low tom-tom, temple block, paddle castanets), percussion 2 (snare drum, 6 small Beijing opera gong, 12 big Beijing opera gong, crotales, tambourine), percussion 3 (suspended cymbal, a pair of 6 Chinese cymbals, bass drum), solo violin, violins I, violins II, violas, cellos and double basses. Duration is about 16 minutes. The work is recorded on Bis [CD-1352] and released in 2003, performed by Cho-Liang Lin and the Singapore Symphony Orchestra, cond. by Lan Shui. Reduction for B-flat soprano saxophone and piano by Wong Tak Chiu (2017) and edited by Chen Yi (2018) The second movement YangKo is premiered by Dr. Wong and Korak Lerpibulchai at the Singapore Saxophone Symposium on 8/13/2017. The American premiere of the saxophone and piano reduction version of Chinese Folk Dance Suite is given by Chi Him Chik and Hao Yin at the Society for American Music National Conference in Kansas City, MO on 3/2/2018.
SKU: GI.G-7982
UPC: 785147798200. English. Text Source: Lectionary for Mass
Percussion is suspended cymbal and timpani.
SKU: GI.G-9662
UPC: 785147966203. English. Text Source: Based on Psalm 29. Text by Rory Cooney. Scripture: Psalm 29.
For cantor or soloist. The percussion part is for tambourine and drum set.
SKU: GI.G-6896INST
UPC: 785147689690. English. Text by James Chepponis.
The C instrument, brass quartet and percussion (suspended cymbal and timpani) parts are optional. Horn in F can be substituted for Trombone I.
SKU: GI.G-10745
English, Filipino, Italian, Latin, Spanish. Text Source: Verses based on the Pentecost Sequence and Laudato SÃ
Peter Kolar’s “Veni, Sancte Spiritus†is an exhilarating processional anthem for Pentecost or confirmation liturgies. It features driving orchestral percussion, an exuberant shout chorus, and a recurring woodwind theme inspired by the soundtrack to The Mission. In the spirit of Pentecost, the piece is multilingual and multi-stylistic, with lyrics in English, Spanish, Filipino and Latin. The piece even offers an optional call-and-response refrain for assembles to learn its multilingual text. “Veni, Sancte Spiritus†was composed for and premiered at the National Association of Pastoral Musicians (NPM) 2022 National Convention. Hearts will surely be enflamed with the Spirit upon experiencing this powerful work! .
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