SKU: HL.49015440

ISBN 9783795716714. 9.0x12.0x0.1 inches. German. Uschi Kosa.

9 Pluspunkte fur die Oboenschule:Geeignet fur alle Alterstufen ab ca. 10 Jahren - Aufgelockert durch Illustrationen und Fotos - Viele bekannte Melodien und Lieder - Uberschaubare Lernschritte - Allmahlich aufbauend von der leichtern Mittellage bis zum Umfang von zwei Oktaven (im 1. Band) - Anregungen zum freien Musizieren, Improvisieren und Komponieren - Elementare Spieltechniken, die im 2. Band bis zu einem hohen technischen und musikalischen Niveau forgefuhrt werden - Begleitende Spielbucher mit Duetten, Trios und Stucken mit Klavierbegleitung - Gesonderte Lehrerkommentare (ED 8165-01, ED 8165-02) mit methodischen Anmerkungen und zusatzlichen Ubungen.

SKU: LM.24746

ISBN 9790230947466.

Bluff - Indocility - Opium - Pausing - Pull - Ta Douce image - Relax-Slow.

The Trio Sonata for two recorders and Basso continuo is one of many successful works from the pen of Jacques Hotteterre, a French 17th century composer. For The Platinum Series, this sonata has been adapted for two flutes. On the CD you will first hear all the accompaniments on the harpsichord, which you can use if no accompanist is available, followed by demo tracks with two flutes and harpsichord. This beautiful piece can also by performed by 2 flutes and cello with the supplied cello part.

De triosonate voor twee blokfluiten en basso continuo is een van de vele succesvolle werken die Jacques Martin Hotteterre heeft geschreven. Voor The Platinum Series is deze sonate voor twee dwarsfluiten bewerkt. Op de geweldigecd hoor je eerst alle begeleidingen (klavecimbel en fluit 2) - erg handig als er geen begeleider in de buurt is - en vervolgens de voorbeeldtracks met twee fluiten en klavecimbel. De basso continuo is bruikbaar voor zowel pianistenals klavecinisten; en met de bijlagen (een eerste en tweede fluitpartij en een cellopartij) is deze mooie muziek ook speelbaar met een eigen ensemble.

Die Triosonate fur zwei Blockfloten und Basso continuo stammt von Jacques Hotteterre, einem franzosischen Komponisten des 17. Jahrhunderts. Fur die Platinum-Serie wurde diese Sonate fur zwei Floten bearbeitet. Auf der CD erklingen zunachst alle Begleitungen auf dem Cembalo - diese konnen, wenn kein Begleiter zur Stelle ist, verwendet werden. Darauf folgen Demoversionen mit zwei Floten und Cembalo. Der enthaltene Basso continuo kann sowohl auf dem Klavier als auch auf dem Cembalo gespielt werden. Diese schone Musik kann auch von einem Ensemble (2 Floten & Cello) aufgefuhrt werden. Die Reihe The Platinum Series enthalt bekannte klassische Werke fur verschiedeneInstrumente, die nun verschiedenen Holzblasern zuganglich gemacht wurden und sich in ihrer neuen Form wunderbar als Konzertstucke eignen. Die CDs der Platinum Series bieten Ihnen die Gelegenheit, zu einer schonen Begleitung, die live mit Klavier, Cembalo, Kammerensemble oder gar Sinfonieorchester eingespielt wurde, zu spielen. Auf der CD erklingen jeweils alle Begleitungen und Demo-Versionen. Die Stucke mit Basso continuo, der auf dem Klavier oder Cembalogespielt werden kann, enthalten jeweils eine separate Solo- und Cellostimme, sodass sie auch von einem Ensemble aufgefuhrt werden konnen. Alle sechs Ausgaben sind im Schwierigkeitsgrad mittelschwer - schwer.

La collection Platinum Series rassemble des œuvres classiques composees a l'origine pour divers instrument et idealement adaptees pour des instruments a vent de la famille des bois. Chaque ouvrage de cette collection est enrichi d'un compact disc (version integrale + accompagnement) d'une grande qualite musicale. Pour vous offrir un excellent confort de jeu, les accompagnements ont ete confies au piano, au clavecin, a un ensemble de musique de chambre et quelquefois meme a un Orchestre Symphonique. Les oeuvres avec basse continue (adaptee pour le piano ou le clavecin) disposent d'une partie soliste et d'une partie pour violoncelle separees afin de pouvoir constituer unensemble instrumental.

La collezione The Platinum Series e sinonimo di alta qualita. Troverete le piu importanti pagine di musica trascritte per strumenti a fiato. Sul CD sono registrati dapprima l'intero brano col solista, e poi le sole basi musicali d'accompagnamento, realizzate con strumenti autentici che realizzano il basso continuo al clavicembalo. Da oggi potrete interpretare col saxofono le musiche di grandi compositori come Benedetto Marcello, oppure suonare al clarinetto la trascrizione del Concerto n.1 di Breval per violoncello. Per le composizioni da suonare in duo, troverete sul CD sia l'incisione completa del brano, che la sola seconda voce o il solo Basso continuo, cosi da potersuonare sia da soli che assieme ad un vostro amico.

SKU: PR.466411770

UPC: 680160640850. 9 x 12 inches.

Mississippi I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. Saga of the Mississippi Harl McDonald Born near Boulder, Colorado, July 27, 1899 Now living in Philadelphia The original suggestion for a symphonic work on the subject of the Mississippi came indirectly from the late Booth Tarkington who saw in it color and movement and atmosphere translatable into the terms of music. In the course of time, by the mysterious processes of composers' chemistry, it took shape as a tone-poem of two sections, one representing the rise of the great stream from its primeval geologic sources, the other the human history of the river. Mr. McDonald devised the following verbal outline of the general scheme of his diptych: I. Father of Waters: born of the Highlands and the Lakes; the Glaciers, the Mountains, and the Prairies. The picture of your birth is clounded in the ice and mists of ancient ages but your spirit remains our life stream. II. The Red Man knew your bountiful gifts and gave thanks to the Great Spirit on your banks. -- The Spanish and French Fathers brought the glory of Christianity to America on Mississippi. But all men, white and dark; -- Indian, Spaniard, and Negro; Bourbon and Yankee, combined to make Mississippi the heart of America. The first of the two movements, beginning molto andante, is vaguel modal to hint at antiquity. It is built upon the conventional two themes, with an episode, poco piu mosso, misterioso, for prehistoric murk and muck. There are various changes of pace and mood. The second, Allegro ma vigorosamente, prefigures an Indian ceremony. A theme presented by flute, clarinet and bassoon is a Canadian Indian fishing call collected by the late J.B. Beck. A later passage of quasi-Gregorian chant identifies the French and Spanish priests who made the great river their highway. The fishing-call is altered in rhythm and harmony to represent Negro field hands and roustabous. A turbulent close brings all these elemts together in the muddy swirling currents of the Mississippi. The work was begun in the summer of 1945, and was revised and completed in the summer of 1947. Harl McDonald, who is the manager of The Philadelphia Orchestra, has concerned himself with music as an art, as a science and as a business in course of his career. He was born on a cattle ranch in the Rockies, but since his was a musical family, his up-bringing combined piano lessons with ranch life. Years of study and professional experience followed in Los Angeles and in Germany. In 1927 he was appointed lecuter in composition at the University of Pennsylvania and he has since then made is home in Philadelphia. In 1933 under a grant of the Rockefeller FOundation he collaborated with physicists in research dealing with the measurement of instrumental and vocal tone, new scale divisions and the resultant harmonies. In that same year he was named head of the University's music faculty and conductor of its choral organizations. In 1939, having been a member of the Board of Directors for five years, he was appointed manager of The Philadelphia Orchestra. He continus to write, but otherwise his entire attention is now devoted to managerial duties. Chief items in the catalogue of his compositions are four symphonies, three orchestra suites, a half-dozen tone-poems, three concertos and considerable quantity of choral music.