SKU: BR.OB-15132-27
ISBN 9790004341988. 10 x 12.5 inches.
Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.
SKU: BR.OB-32034-20
ISBN 9790004350928. 10 x 12.5 inches.
The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.
SKU: BR.EB-10708
In Cooperation with G. Henle Verlag
ISBN 9790201807089. 9.5 x 12 inches.
Bruch's evergreen for the first time in Urtext Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto? The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.In Cooperation with G. Henle Verlag.
SKU: LP.765762193802
UPC: 765762193802.
Action-packed drama, complete with investigations, mystery, travel and, oh yes - royalty; songs that are catchy and fun with tracks that rock, and a spiritual concept at the heart of it all, Celeste Clydesdale has done it, again! This is Celeste's first musical for LillenasKids and she has brought every strength she has to this kids' Christmas musical that tells the story of Christmas in a brand new way. When King Herod sends Sherlock Watson to find out why the kings from the East did not return to him, we discover, along with Sherlock, that Jesus is the King of kings and if we believe in Him, we answer to a higher calling than to any king on earth. Professional choreography by Judith Burns, and a new and improved Director's Resource written and designed by Sarah Harris complete the perfect package for A Rockin' Royal Christmas. Your kids will love the music and story, you will be thrilled to have the teaching helps and materials, and your audience or congregation will be touched and moved by this presentation. Don't miss this! Make yours...A Rockin' Royal Christmas.
SKU: BR.OB-32034-26
ISBN 9790004350935. 10 x 12.5 inches.
SKU: MB.97210
ISBN 9780786648009. UPC: 796279062350. 8.75 x 11.75 inches.
An extensive collection of reels, jigs, hornpipes and polkas from the French Canadian, Cape Breton, Scottish, Shetland, New England, and Southern Old-Time Traditions arranged for the piano accordion. Written with the beginner as well as the advanced player in mind, the arrangements are complete with ornamentation, fingering, left-hand notation and chord symbols. Appropriate for any G clef instrument.
SKU: PR.14440727S
UPC: 680160681907. 9 x 12 inches.
My Eighth and Ninth String Quartets, begun in late 2017, are sonic cousins. Akin to real cousins, each piece exhibits differing natures. They were requested by two ensembles that have become asecond familiesa to me: The Jupiter Quartet of Urbana, Illinois and the Amernet Quartet based in Miami, Florida. Their collective dedication to, and care for, our art remains a personal and constant are-fuelinga for me. The quartets were commissioned by, and dedicated to, Margaret and Philip Verleger of Denver, Colorado. Additional financial support was provided by the School of Music at Stetson University, Timothy Peter, Dean. Quartet No.8 is laid out in a classical four-movement design. The work does break somewhat from conventional tradition by often placing quartet members into soloistic roles as the movement titles note. individual The opening piece presents at the outset a three-note motto which is turned over, tumbled, and energetically discussed, primarily by a violin duet. It is a duel. The two players part company only infrequently during the movement's progress, pausing briefly for other commentary by their alower cohortsa, the Viola and Cello do not argue, but abet their friends' aeffortsa. The piece's overall character is fairly bright and dancelike, closing in an unresolvedastandoffa. not Two principal asound-objectsa stitch the second movement scherzo together: sliding hands (glissandos) and a plucked ashufflea (pizzicato) - both instigated by the (solo) cellist. The others are influenced - or are not - by their aleadera, and follow - or interrupt - the cello throughout their four-voiced conversation. The third movement (longest of the set) is an elegy dedicated to the memory of a close personal friend, the American composer David Maslanka (1943 - 2017). Its' genesis is a simple 5-note melody derived from my own name (SaC/DaC/EaC/H). This line commences in the (solo) viola and is obsessively uttered without relief during the movement's lamentations. The closing movement revisits much of that opening three-note material, but now dressed up for the full quartet to view. It is a slowly accelerating romp which - twice - cannot avoid a nod to the Amernet and Jupiter performers by offering a humble bow to the 4th movement of Gustav Holst's PLANETS - Jupiter: The Bringer of Jollity. My quartet serves as an honouring salute of thanks for the talent, respect, and friendship of these two young quartets. STRING QUARTET No. 8 is roughly 22 minutes in duration. It was written as an homage to Franz Joseph Haydn, my adesert-island-composera, and completed in Holly Hill, Florida in early April of 2019. S.H.
SKU: CL.026-4226-01
This exciting and very popular David Shaffer composition will sound great when you group performs this outstanding arrangement from the Barnhouse Build-A-Band Series! Designed for groups with severe instrumentation issues or for very small bands, it is playable as long as you have the four main parts covered by the instruments of your choice. Includes optional piano, percussion and mallet percussion parts. Full of energy and solid sounding, Last Ride of the Pony Express is perfect for any concert or contest situation and your students will love performing it.
About Build-A-Band Series
The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.)
SKU: PL.0103
The text, written by David Manuel, sings the praises of all who have gone before us in the Christian life as well as describing the transfiguration scene and our call to embrace our own transfiguration in Christ. Brass and timpani provide a stirring introduction to the hymn-anthem and their support is deeply felt throughout the entire work. The fourth verse is for four-part choir alone, while the final verse is introduced with brass fanfares. Those who know Dr. Saylor's hymn-anthems will see his exciting, vibrant style in full bloom here.
SKU: HL.1465006
ISBN 9798892703925. UPC: 196288212171. 9.0x12.0x0.438 inches.
Four-movement violin concerto portrays four great singers who changed our musical landscape: Aretha Franklin, Ella Fitzgerald, Billie Holiday, and Sarah Vaughan. In all but the first movement the soloist has opportunities to improvise. The orchestra accompaniment for which the work was written is also available from the publisher, but this piano reduction is intended largely for rehearsal purposes, though it may also serve on recital/chamber performances.
SKU: BT.BWH004982
English.
David Turnbull has written these books for learning to sight read on the piano as well as his sight-singing books. Recommended by ABRSM.
SKU: SU.80111305
Guitar Composed: 1976 Published by: Soundspells Productions 6 Studies on 8 Notes (1976) was written for guitarist David Starobin, and is exactly what the title implies.
SKU: HL.49014905
ISBN 9780946535231. 8.25x11.75x0.209 inches. English.
Aural Matters in Practice provides a set of aural training exercises based on the tracks of its companion CD, The Essential Hyperion, for use in the preparation of students for advanced music examinations. It is designed to supplement the materials in Part II of Aural Matters (Schott ED 12430) by same authors. The seminal Aural Matters is primarily a resource to help students improve their own aural perception and stylistic awarness of music. Aural Matters in Practice has been written at the request of many teachers seeking additional materials to use in classes or study groups, both to monitor progress and to provide further practice in working formal tests. The books has accordingly been designed with space for students' responses and with model answers (plus suggested marks and a scheme of work) printed on the centre folios for easy removal if desired. The 28 tests are complementary to those in Aural Matters; some encompass related musical material while others provide the opportunity to investigate styles and genres that were only touched upon in the original volume.
SKU: BR.PB-15133-07
ISBN 9790004214695. 6.5 x 9 inches.
SKU: AP.36-52711356
ISBN 9781628762853. UPC: 679360709917. English.
This collection of Christmas hymn arrangements is a wonderful educational, worship or concert resource for teachers, church musicians, or anyone who enjoys playing hymns, playing with friends, and celebrating the birth of Jesus with music. Presented in 2 volumes, the Violin 1 part is lower to middle intermediate level and is where the melody is always most clearly presented and most prominent, while the Violin 2 part is for the more adept player, full of harmonic and the occasional obbligato-style accompaniment. Written for two violins and piano (optional), both a viola and cello part are include to substitue for the Violin 2. Volume 1 includes: 1. Angels We Have Heard on High, 2. Away in a Manger, 3. Hark! The Herald Angels Sing, 4. The Holly and the Ivy/The First Noel, 5. Joy to the World, 6. O Come All Ye Faithful, 7. Once in Royal David's City, 8. Silent Night.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
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