17 sonatiner for piano.

Innhold:

Beethoven, Sonate Op. 49 II
Mozart, Sonate C Dur
Bach, Praludium C moll
Muller, Scherzo
Haydn, Sonate C Dur
Handel, Menuett
Handel, Menuett
Handel, Sarabande mit Variationen
Beethoven, Sonate Op. 49 I
Muller, Scherzo G Dur
Phil. Em. Bach, Solfeggio
Kuhlau, Sonatine Op. 55 I
Beethoven, & Variationen G Dur
Dussek, Sonatine G Dur Op. 20 I
Kuhlau, Rondo A Dur Op. 40 II
Beethoven, 6 kleine Variationen
Clementi, Rondo F Dur

Fanfare Band - Grade 3

SKU: BT.DHP-0970953-020

Composed by Otto M. Schwarz. Applause Series. Original Light Music. Set (Score & Parts). Composed 1997. De Haske Publications #DHP 0970953-020. Published by De Haske Publications (BT.DHP-0970953-020).

Rondo Romantica is based on the Italian Rococo period. In this piece, Otto M. Schwarz depicts a colourful annual fair and the carefree atmosphere of the period. The piece also has undercurrents of modern elements, such as its diverse rhythms.

Schauplatz und Zeit von Rondo Romantica ist Italien in der Rokoko-Periode. In diesem Werk stellt Otto M. Schwarz die gemütliche Geschäftigkeit auf einem Jahrmarkt dar. Das Stück lässt aber auch die fröhliche Unbesorgtheit dieser Zeit anklingen. Otto M. Schwarz versah das Ganze mit modernen Elementen, wie z.B. Schlagzeugrhythmen. Ein unbeschwerter, leichter Musikgenuss!

Rondo Romantica est une évocation de l’Italie de la période dite “rococo”. Dans cette pièce colorée, Otto M. Schwarz décrit l’atmosphère insouciante de l’époque. Mais l’œuvre comporte également des éléments actuels représentés par la percussion.

Violin and 1 other inst. (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.EB-11238

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Solo instruments; stapled. Edition Breitkopf.

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Piano reduction. 44 pages. Duration 9'. Breitkopf and Haertel #EB 11238. Published by Breitkopf and Haertel (BR.EB-11238).

ISBN 9790201812380. 9.5 x 12 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Double bass (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-27

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Duration 9'. Breitkopf and Haertel #OB 15155-27. Published by Breitkopf and Haertel (BR.OB-15155-27).

ISBN 9790004344972. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Fanfare Band - Grade 3

SKU: BT.DHP-0970953-120

Composed by Otto M. Schwarz. Applause Series. Original Light Music. Score Only. Composed 1997. De Haske Publications #DHP 0970953-120. Published by De Haske Publications (BT.DHP-0970953-120).

Schauplatz und Zeit von Rondo Romantica ist Italien in der Rokoko-Periode. In diesem Werk stellt Otto M. Schwarz die gemütliche Geschäftigkeit auf einem Jahrmarkt dar. Das Stück lässt aber auch die fröhliche Unbesorgtheit dieser Zeit anklingen. Otto M. Schwarz versah das Ganze mit modernen Elementen, wie z.B. Schlagzeugrhythmen. Ein unbeschwerter, leichter Musikgenuss!

Rondo Romantica est une évocation de l’Italie de la période dite “rococo”. Dans cette pièce colorée, Otto M. Schwarz décrit l’atmosphère insouciante de l’époque. Mais l’œuvre comporte également des éléments actuels représentés par la percussion.

Violoncello (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.OB-14679-23

Original Finale of the Piano Concerto No. 2 - Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Hans-werner Kuthen. Stapled. Orchester-Bibliothek (Orchestral Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 14679-23. Published by Breitkopf and Haertel (BR.OB-14679-23).

ISBN 9790004340912. 10 x 12.5 inches.

Mozart no doubt proved a powerful source of inspiration in the genre of the piano concerto when Ludwig van Beethoven was composing his first work in this genre (B-flat major op. 19) in Bonn. In 1793 the young composer first wrote a final rondo with an inserted Andante, as Mozart had done in his Concerto K. 482. Beethoven then selected a different closing solution and kept the score of the B-flat major Rondo in his desk. There the work was rediscovered only after the composers death, and printed shortly afterward. The autograph thus represents Beethovens earliest surviving and complete orchestral score. The new Urtext edition of the score and orchestral parts is based on the new Beethoven Complete Edition (Henle).

Double bass (solo: pno - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.OB-14679-27

Original Finale of the Piano Concerto No. 2 - Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Hans-werner Kuthen. Stapled. Orchester-Bibliothek (Orchestral Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 14679-27. Published by Breitkopf and Haertel (BR.OB-14679-27).

ISBN 9790004340929. 10 x 12.5 inches.

Mozart no doubt proved a powerful source of inspiration in the genre of the piano concerto when Ludwig van Beethoven was composing his first work in this genre (B-flat major op. 19) in Bonn. In 1793 the young composer first wrote a final rondo with an inserted Andante, as Mozart had done in his Concerto K. 482. Beethoven then selected a different closing solution and kept the score of the B-flat major Rondo in his desk. There the work was rediscovered only after the composers death, and printed shortly afterward. The autograph thus represents Beethovens earliest surviving and complete orchestral score. The new Urtext edition of the score and orchestral parts is based on the new Beethoven Complete Edition (Henle).

Brass Band - Grade 2

SKU: BT.DHP-0870078-030

Composed by Henry Purcell. Arranged by Jan de Haan. Your Favorite Classics. Set (Score & Parts). Composed 1987. De Haske Publications #DHP 0870078-030. Published by De Haske Publications (BT.DHP-0870078-030).

Das Rondo aus dem Stück Abdelazer oder die Rache des Mohren ist eines der bekanntesten Stücke von Purcell - nicht zuletzt, weil Benjamin Britten es für seinen berühmten Young Person’s Guide to the Orchestra verwendete. Dank Jan de Haans Bearbeitung für Blasorchester können nun auch Blasorchester jeder Altersgruppe das Rondo zu feierlichen Anlässen erklingen lassen.

Violoncello (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-23

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-23. Published by Breitkopf and Haertel (BR.OB-15155-23).

ISBN 9790004344965. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Fantasia on the Rondo from the Piano Sonata in A major K. 331 Alt. Composed by Fazil Say. Woodwind Solo. Classical. Softcover. 8 pages. Schott Music #ED23175. Published by Schott Music

Viola (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-19

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-19. Published by Breitkopf and Haertel (BR.OB-15155-19).

ISBN 9790004344958. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.