| Latin Favorites for Trombone with CD Trombone Santorella Publications
Trombone SKU: SP.TS164 Composed by Jonathon Robbins. Arranged by Jonathon...(+)
Trombone SKU: SP.TS164 Composed by Jonathon Robbins. Arranged by Jonathon Robbins. Collection; Ethnic. Book and CD. Santorella Publications #TS164. Published by Santorella Publications (SP.TS164). ISBN 9781585600144. UPC: 649571101640. The music of Latin America is as rich, diverse and stimulating as its unique culture. European, African and Indian influences have blended to create energetic rhythms and intriguing melodies that break away from their traditional origins, creating a sound that is distinctly Latin. Discover the allure of passionate and dynamic music. Latin Favorites For Trombone published by Santorella Publications has it all. Each book includes a piano with Latin percussion accompaniment CD. This Santorella Publication is arranged and edited by Jonathon Robbins in accommodating keys for trumpet, clarinet, flute, alto saxophone and trombone. A piano accompaniment book is available and sold separately. Includes: Ados Muchachos (Farewell Boys) - Adios Vida Mia - Alla en el Rancho Grande (My Ranch) - Amapola (Pretty Little Poppy) - Amor - Besame Mucho - Brazil (Aquarela Do Brasil) - Camnito (Little Lane) - Cose, Cose, Cose - Cuando Calienta El Sol (Love Me with All Your Heart) - Cuantu Le Gusta (La Parranda) - Cu-Cu-Rru-Cu-Cu, Paloma (Coo Coo Roo Coo Coo, Paloma) - El Cumbancho (Rumba Guaracha) - Granada (Fantasia Espanola) Guadalajara (Cancion Tipica de Jalisco) - Historia de un Amor (The Story of Love) - Maria Elena - Mas Que Nada (Say No More) - Mi Rival (My Rival) - Perfidia - Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps) - Rico Vacilon - Siempre en Mi Corazon (Always in My Heart) - Solamente Una Vez (You Belong to My Heart) - Tico-Tico (Tico-Tico No Fuba) - Tres Palabras (Without You). $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Samudra Manthan 1 Piano, 4 hands Zen-On
One Piano Four Hands. Composed by Akira Nishimura. Piano Duet. Classical. Sof...(+)
One Piano Four Hands.
Composed by Akira Nishimura.
Piano Duet. Classical.
Softcover. Zen-On #ZN169027.
Published by Zen-On
$23.99 - See more - Buy online | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002714 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 4. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/14. Published by Carus Verlag (CA.1002714). ISBN 9790007189358. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Intermezzo per quartetto d'archi String Quartet: 2 violins, viola, cello EMB (Editio Musica Budapest)
String Quartet SKU: BT.EMBZ14386 Composed by Balázs Horváth. EMB Co...(+)
String Quartet SKU: BT.EMBZ14386 Composed by Balázs Horváth. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2014. 40 pages. Editio Musica Budapest #EMBZ14386. Published by Editio Musica Budapest (BT.EMBZ14386). ''The four parts of the piece originate from the piano cycles of Johannes Brahms. The identical nature of the themes is implied in their descending direction, while their differences lie in their distinct meters, key signatures and tempo. I further developed the differences through the use of different musical alterations (of melody, rhythm and timbre) while the melodic contours are always constant. Depending on the listener's attention, the melody lines written above one another will be audible separately or appear to be in unison.'' (Balázs Horváth)
''Der Stoff der vier Stimmen des Stückes stammt aus den Klavierzyklen von Johannes Brahms. Die Übereinstimmung liegt in ihrer abwärts tendierenden Richtung, ihr Unterschied hingegen in abweichender Metrik, Tonart und Tempi. Die Unterschiede habe ich mit Hilfe unterschiedlicher musikalischer (melodischer, rhythmischer und tonaler) Veränderungen weitergewoben, während die Struktur der Melodien immer konstant bleibt. Die übereinander gelegten Melodienbögen erklingen abhängig von der Aufmerksamkeit des Hörers teils jede für sich, teils eine Einheit bildend.'' (Balázs Horváth). $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Max und Moritz Piano solo [Score] Carus Verlag
Unison children's choir, piano SKU: CA.1231601 Composed by Ingo Bredenbac...(+)
Unison children's choir, piano SKU: CA.1231601 Composed by Ingo Bredenbach. This edition: Paperbound. Children's music and musicals. Songs for children, Secular choral music. Full score. 52 pages. Duration 30 minutes. Carus Verlag #CV 12.316/01. Published by Carus Verlag (CA.1231601). ISBN 9790007192181. Language: German. Text: Busch, Wilhelm. Text: Wilhelm Busch. ... those who know Bredenbach's Lustige Lieder, know that his music isn't always easy, which it doesn't have to be! He [Bredenbach] knows what children are capable of ... The piece is fun: first, because the story is well-known; second, because the melodies are original and witty (children have an excellent sense for why the melody must be angular in certain places, and why an exploding pipe cannot be set in decending major thirds), third, because hymns, folksongs, and children's songs are hidden everywhere, which strengthen and underline the comedy or joke in each situation ... (Wurtt. Blatter fur Kirchenmusik 2/00). Score available separately - see item CA.1231600. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Choral SATB - Intermediate Carus Verlag
Soli ATB, SATB Choir, Blfl f1, 2 Vl, 2 Va, Vc, Bc - Level 3 SKU: CA.3118249(+)
Soli ATB, SATB Choir, Blfl f1, 2 Vl, 2 Va, Vc, Bc - Level 3 SKU: CA.3118249 Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Organ. Composed 1714. BWV 182. 28 pages. Duration 30 minutes. Carus Verlag #CV 31.182/49. Published by Carus Verlag (CA.3118249). Key: A major. Language: German/English. Text: Franck, Salomo. Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Acadia [Score] Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, Double Bass, English Horn, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.16500103F Mvt. 3 from Symphony No. 6 (Three Places in the East). Composed by Dan Welcher. Full score. 60 pages. Theodore Presser Company #165-00103F. Published by Theodore Presser Company (PR.16500103F). ISBN 9781491131763. UPC: 680160680290. Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Karl L. King: The Melody Shop Concert band [Score and Parts] - Intermediate C.L. Barnhouse
March. By Karl L. King. Arranged by Andrew Glover. Concert Band. Heritage of the...(+)
March. By Karl L. King. Arranged by Andrew Glover. Concert Band. Heritage of the March. Level: Grade 3.5. Score and set of parts. Composed 1999. Duration 0:02:05. Published by C.L. Barnhouse.
$68.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Star Spangled Banner Concert band [Score] - Easy Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-4641-01 Arranged by Huckeby. Concert Band. Concert Ba...(+)
Grade 3 SKU: CL.012-4641-01 Arranged by Huckeby. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR395). Extra full score. Composed 2018. Duration 2 minutes, 10 seconds. Opus III Wind Orchestra Publications #012-4641-01. Published by Opus III Wind Orchestra Publications (CL.012-4641-01). Ed Huckeby’s concert setting of the National Anthem is bold, creative, and filled with patriotic energy. Using an imaginative mixture of 3/4 and 4/4, the rhythms and harmonies are always respectful to the original melody, yet distinctly fresh and innovative. An optional vocal/choral part is included. This arrangement is destined to become an absolute standard favorite for your ensemble members and audience. Stunning! $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Missa sacra in C minor Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score and Parts] - Easy Carus Verlag
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Tim...(+)
Orchestra (Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org) - Grade 3 SKU: CA.4068719 Composed by Robert Schumann. Edited by Hansjörg Ewert. Set of Orchestra Parts. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068719. Published by Carus Verlag (CA.4068719). ISBN 9790007311384. Key: C minor. Latin. A mass setting by Robert Schumann? This is still likely to cause surprise among audiences â after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumannâs time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be âfashioned with great loveâ. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumannâs partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).
. Score and parts available separately - see item CA.4068700. $317.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cantate Domino EMB (Editio Musica Budapest)
Upper Voices Collection (UPPER VOICES) SKU: HL.50511778 Eleven choral ...(+)
Upper Voices Collection (UPPER VOICES) SKU: HL.50511778 Eleven choral works for equal voices. Composed by Miklos Sugar. EMB. Choral Works (Contemporary Hungarian). Vocal/choral score. Editio Musica Budapest #Z14488. Published by Editio Musica Budapest (HL.50511778). ISBN 9790080144886. A/4 inches. Latin. Miklos Sugar. The composition for eleven homogeneous choirs was written between 1989 and 2005. These pieces, easy to sing but written in the present-day musical idiom, can be performed by either children?s or female choirs. All the eleven pieces are short, 2-3 minutes in duration, forming a unified composition, but it is important that the varying characters, which reflect the text, should always be recognizable. The pieces may be sung separately or in any desired grouping. $15.45 - See more - Buy online | | |
| Swingville, USA [Score and Parts] - Easy C.L. Barnhouse
Grade 2 SKU: CL.031-3245-00 Composed by A. Clark. Jazz Ensemble. Barnhous...(+)
Grade 2 SKU: CL.031-3245-00 Composed by A. Clark. Jazz Ensemble. Barnhouse Easy Jazz Series. Audio recording available separately (item CL.991-2002-01). Score and set of parts. Composed 2002. Duration 2 minutes, 48 seconds. C.L. Barnhouse #031-3245-00. Published by C.L. Barnhouse (CL.031-3245-00). An incredible training chart for young jazz ensembles. Includes a number of basic swing concepts in a chart which isn’t too hard and allows inexperienced players to concentrate on the style. No solos, but does have spots for some short drum fills and there’s a written Basie style piano tag on the end. Andy’s charts always sound big and full and this one is especially nice! VERY HIGHLY RECOMMENDED! $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002715 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, basso continuo. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/15. Published by Carus Verlag (CA.1002715). ISBN 9790007189365. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002706 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Choral Score. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/06. Published by Carus Verlag (CA.1002706). ISBN 9790007181345. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score available separately - see item CA.1002700. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Please, Let It Snow! Choral 2-part 2-part, Piano [Octavo] Alfred Publishing
By Sally K. Albrecht and Jay Althouse. Choir Secular. 2-Part Choir. Choral Octav...(+)
By Sally K. Albrecht and Jay Althouse. Choir Secular. 2-Part Choir. Choral Octavo. Choral Designs. Christmas; Secular; Winter. Choral Octavo. 8 pages
(1)$1.75 $1.6625 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Circus Allegro Carus Verlag
Voice SKU: CA.1282503 A Circus Musical for all kids under 100. Com...(+)
Voice SKU: CA.1282503 A Circus Musical for all kids under 100. Composed by Peter Schindler. Carus book series: More music books. Circus Allegro (Engl). Musicals for children, Songs for children, Secular choral music. Vocal score. 64 pages. Duration 70 minutes. Carus Verlag #CV 12.825/03. Published by Carus Verlag (CA.1282503). ISBN 9790007142773. Language: English. Text: Schindler, Peter / Dieterich, Babette. Text: Peter Schindler, Babette Dieterich. Following the great success of this musical in German, it is now also available in English. Everything seems to be going wrong at Circus Allegro. Bruno the Bear refuses to appear on stage, his assistant, Bella Stella, has disappeared, and finally, even the tiger escapes! Circus director Ricardo Grande has to improvise constantly. Luckily, his new assistant, clumsy August the Clown, always has a brilliant idea just at the right time. Despite all mishaps, the audience gets to experience a splendid circus evening. And in the middle of all the excitement, the tiger and Bella suddenly reappear. The audience is swept off its feet. Wherever the world-famous Circus Allegro appears, audiences shed tears of joy and are enchanted - visually, acoustically and emotionally. The individual numbers of this children's musical are composed in different styles and the songs can be performed either with an orchestra or just with a piano. Score available separately - see item CA.1282500. $50.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Circus Allegro Carus Verlag
Orchestra version 1: 1-2 voice choir, soloists as actors, wind quintet (flute, c...(+)
Orchestra version 1: 1-2 voice choir, soloists as actors, wind quintet (flute, clarinet, trumpet, saxophone, trombone), string orchestra (2 violin, viola/violin 3, cello), rhythm section (piano, bass, drums) version 2: 1-2 voice choir, soloists as actors, piano (ba SKU: CA.1282505 A Circus Musical for all kids under 100. Composed by Peter Schindler. Carus book series: More music books. Circus Allegro (Engl). Musicals for children, Songs for children, Secular choral music. Choral Score. 32 pages. Duration 70 minutes. Carus Verlag #CV 12.825/05. Published by Carus Verlag (CA.1282505). ISBN 9790007164058. Language: English. Text: Schindler, Peter / Dieterich, Babette. Text: Peter Schindler, Babette Dieterich. Following the great success of this musical in German, it is now also available in English. Everything seems to be going wrong at Circus Allegro. Bruno the Bear refuses to appear on stage, his assistant, Bella Stella, has disappeared, and finally, even the tiger escapes! Circus director Ricardo Grande has to improvise constantly. Luckily, his new assistant, clumsy August the Clown, always has a brilliant idea just at the right time. Despite all mishaps, the audience gets to experience a splendid circus evening. And in the middle of all the excitement, the tiger and Bella suddenly reappear. The audience is swept off its feet. Wherever the world-famous Circus Allegro appears, audiences shed tears of joy and are enchanted - visually, acoustically and emotionally. The individual numbers of this children's musical are composed in different styles and the songs can be performed either with an orchestra or just with a piano. Score available separately - see item CA.1282500. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Pioneer's Passage Concert band [Score and Parts] - Easy C.L. Barnhouse
By Robert Sheldon. Overture. Young Concert Band. Command. Grade 2.5. Score and s...(+)
By Robert Sheldon. Overture. Young Concert Band. Command. Grade 2.5. Score and set of parts. Composed 2000. Duration 0:04:23
(1)$48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Love songs. Collection for voice & piano. 80 arrangements for weddings and celebrations Piano solo Carus Verlag
Voice & piano SKU: CA.240803 Composed by Various. Edited by Friedemann Lu...(+)
Voice & piano SKU: CA.240803 Composed by Various. Edited by Friedemann Luz. LIEDERPROJEKT. Liebeslieder Klavierband Mit 80 Liedern. Wedding. Volume for voice + piano. 112 pages. Carus Verlag #CV 02.408/03. Published by Carus Verlag (CA.240803). ISBN 9790007170806. What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? A vocal score has been published which contains all of the the songs in the new Carus book of lovesongs in easily playable accompaniments. For many of these songs choral settings by famous composers such as John Dowland, Thomas Morley, Thomas Tallis or Thoinot Arbeau have been adopted, wherever possible, in their original form. In addition, well-known and familiar original settings by Beethoven, Brahms, Benjamin Britten, and other composers will be found in this collection. Songs with entirely new accompaniments have also been included, resulting in a collection of lovesongs offering a distinctive stylistic variety suitable for many different occasions. Score available separately - see item CA.240800. $44.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Spacious Firmament 2 Choral SATB Oxford University Press
SATB choir & trumpet (SATB) - Moderately Difficult to Difficult SKU: OU.97801...(+)
SATB choir & trumpet (SATB) - Moderately Difficult to Difficult SKU: OU.9780193368675 Yet we who neither burn nor shine. Composed by Gabriel Jackson. Secular Choral - Mixed Voices. New Horizons. Vocal score. 24 pages. Duration 7'. Oxford University Press #9780193368675. Published by Oxford University Press (OU.9780193368675). ISBN 9780193368675. 12 x 8 inches. For SATB (with divisions) and trumpet The Spacious Firmament 2: Yet we who neither burn nor shine is a sequel to The Spacious Firmament. Both pieces may be performed separately, but The Spacious Firmament should always come first if they are programmed together (perhaps either side of an interval). About Oxford New Horizons New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music. $5.25 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Splendor paterne glorie Carus Verlag
Coro SSAATTBB, Vl SKU: CA.729611 Composed by Wolfram Buchenberg. Contempo...(+)
Coro SSAATTBB, Vl SKU: CA.729611 Composed by Wolfram Buchenberg. Contemporary Choir Music. Violin. Sacred vocal music. Single Part, Violin. 4 pages. Duration 12 minutes. Carus Verlag #CV 07.296/11. Published by Carus Verlag (CA.729611). ISBN 9790007246617. Language: Latin. In Splendor paterne glorie Wolfram Buchenberg works with dissolving chords and washes of sound. A special factor in this fluid game of colors is the solo violin, which always adds to the choral sound, and is never its concertante counterpart. Score and part available separately - see item CA.729600. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| To God on high alone be praised (Allein Gott in der Hoh sei Ehr) [Score and Parts] Carus Verlag
SSATTB choir, 6 instruments ad lib., basso continuo SKU: CA.1002919 Ch...(+)
SSATTB choir, 6 instruments ad lib., basso continuo SKU: CA.1002919 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Complete orchestral parts. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 5 minutes. Carus Verlag #CV 10.029/19. Published by Carus Verlag (CA.1002919). ISBN 9790007189396. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. The six-part polyphonic choral setting of the German Gloria (the first and fourth verses are underlaid) is divided, following Italian models, by tutti sections in triple meter. Instruments join the tutti sections ad libitum, strengthening the vocal parts. Score and parts available separately - see item CA.1002900. $37.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| How brightly beams the morning star (Wie schon leuchtet der Morgenstern) Choral SATB Carus Verlag
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002805 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Choral Score. 8 pages. Duration 4 minutes. Carus Verlag #CV 10.028/05. Published by Carus Verlag (CA.1002805). ISBN 9790007181352. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score available separately - see item CA.1002800. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lord my God, my heart and soul were sore distressed (Ich hatte viel Bekummernis) Choral SATB - Intermediate Carus Verlag
STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones,...(+)
STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo - Level 3 SKU: CA.3102105 Cantata for the 3rd Sanday after Trinity/all occasions. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich hatte viel Bekummernis. Sacred vocal music, Cantatas. Choral Score. Composed 1713. BWV 21. 24 pages. Duration 45 minutes. Carus Verlag #CV 31.021/05. Published by Carus Verlag (CA.3102105). ISBN 9790007103002. Key: C dorian / c major. Language: German/English. The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score available separately - see item CA.3102100. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Privacy Trio Clarinet, Violin, Piano Violin and Piano Schott
Clarinet, violin and piano (Chamber Ensemble) - difficult SKU: HL.49019079(+)
Clarinet, violin and piano (Chamber Ensemble) - difficult SKU: HL.49019079 (in memoriam Laszlo Polgar). Composed by Detlev Mueller-Siemens. This edition: Saddle stitching. Sheet music. Ensemble. Softcover. Composed 2010. 36 pages. Duration 12'. Schott Music #ED21208. Published by Schott Music (HL.49019079). ISBN 9790001178686. UPC: 884088907358. 9.0x12.0x0.103 inches. 'Privacy' means separation. The title of the trio for clarinet, violin and piano thus describes the character of the piece. The piano weaves sound tapestries of deep and long, yet fully fingered chords which increase their tempo in the course of the piece. In contrast to that, the melody of the violin is for the most part played in a very high register. It is the clarinet that fills the space between these extremes by means of trembling trills, always following the rhythm of the violin and answering to the latter like an echo. $27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Gloria in excelsis Deo Choral SATB [Score and Parts] Carus Verlag
SSATB choir, ST vocal soli, 2 flute, 2 oboe, 3 trumpet, timpani, 2 violin, viola...(+)
SSATB choir, ST vocal soli, 2 flute, 2 oboe, 3 trumpet, timpani, 2 violin, viola, basso continuo SKU: CA.3119109 Cantata for Christmas. Composed by Johann Sebastian Bach. Edited by Ruprecht Langer. This edition: urtext. 1x 31.191/21 flute 1, 1x 31.191/22 flute 2, 1x 31.191/23 oboe 1, 1x 31.191/24 oboe 2, 4x 31.191/31 trumpet. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Christmas. Set of Orchestra Parts. BWV 191. Duration 18 minutes. Carus Verlag #CV 31.191/09. Published by Carus Verlag (CA.3119109). ISBN 9790007210168. Text language: German/English. The Christmas cantata Gloria in excelsis Deo BWV 191, which has always presented researchers with many challenging problems, is among the few works to Latin words set by Johann Sebastian Bach. It consists of three sections - a finely-woven duet flanked by two festive choral movements - which we are to encounter again almost note for note in the world-famous Mass in B minor. Score and parts available separately - see item CA.3119100. $41.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Santa's Little Helper for Trombone with CD Trombone Santorella Publications
Trombone SKU: SP.TS174 Composed by Tony Santorella. Arranged by Denise Ge...(+)
Trombone SKU: SP.TS174 Composed by Tony Santorella. Arranged by Denise Gendron. Collection; Christmas. Book and CD. Santorella Publications #TS174. Published by Santorella Publications (SP.TS174). ISBN 9781585604562. UPC: 649571101749. Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications. Santa's Little Helper for Trombone is written as solos or duets in accommodating keys for Trumpet, Clarinet, Alto Sax or Flute. The Piano Accompaniment book for Brass & Reed instruments is sold separately. Santorella's String Edition is also available for violin, viola, cello and bass. $14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
1 ... 271 Next page 301 331 361 |