SKU: BT.VOLMB296
ISBN 9788863882902. Italian-French-Spanish.
This volume includes the Violin part for Suzuki Violin School - Volume 2 along with a CD.
About Suzuki Method
The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.
SKU: BT.VOLMB295
ISBN 9788863882896. Italian-French-Spanish.
This volume includes the Violin part for Suzuki Violin School - Volume 1 along with a CD.
SKU: BT.VOLMB298
ISBN 9788863882926. Italian-French-Spanish.
This volume includes the Violin part for Suzuki Violin School - Volume 4 along with a CD.
SKU: BT.VOLMB297
ISBN 9788863882919. Italian-French-Spanish.
This volume includes the Violin part for Suzuki Violin School - Volume 3 along with a CD.
SKU: BT.VOLMB319
ISBN 9788863883138. Italian-French-Spanish.
Suzuki Piano School Volume 2 with CD.
SKU: BT.VOLMB38
ISBN 9788863880366. Italian-French-Spanish.
Suzuki Violin School Volume 2.
SKU: BT.VOLMB39
ISBN 9788863880373. Italian-French-Spanish.
Suzuki Violin School Volume 3. Eââ¬â¢ il 3ð volume del Metodo Suzuki dedicato al violino, pubblicato in una nuova edizione, per la prima volta anche in italiano.I temi di studio affrontati sono, in particolare: il progresso attraverso lââ¬â¢ascolto musicale, la tonalization, lââ¬â¢intonazione accurata, lo studio del fraseggio. Sono inclusi esercizi per il vibrato.
SKU: BT.VOLMB41
ISBN 9788863880397. English-Japanese.
Suzuki Cello School Volume 1.
SKU: BT.VOLMB318
ISBN 9788863883121. Italian-French-Spanish.
Suzuki Piano School Volume 2.
SKU: BT.VOLMB40
ISBN 9788863880380. Italian.
Suzuki Violin School Volume 4.
SKU: BT.VOLMB42
ISBN 9788863880403. English-Japanese.
Suzuki Cello School Volume 2.
SKU: BT.VOLMB44
ISBN 9788863880427. International.
Suzuki Piano School Volume 1.
SKU: BT.VOLMB37
ISBN 9788863880359. Italian-French-Spanish.
Suzuki Violin School Volume 1.
SKU: BT.VOLMB317
ISBN 9788863883114. Italian-French-Spanish.
Suzuki Piano School Volume 1 with CD.
SKU: HL.2050263
UPC: 080689139895. 6.75x10.5x0.334 inches.
Christmas is a celebration steeped in paradox. We celebrate a Sovereign who chooses to be a subject, a Prince who dons the trappings of a peasant, a spotless Lamb who possesses the lineage of a Lion, a birth that will extinguish death and ultimately a death that will offer everlasting life. It is a spectacular story, it is an irrefutable reality. It is a love story beyond imagination. The great mystery of the incarnation is the fact that Jesus chose to come. It was the initiative of love conceived in the heart of the Father, born in the person of the Christ Child and revealed to us through His Spirit. Although the coming of the Messiah went unnoticed by the world He came to save, it was heralded by heaven's angels. On the evening of the incarnation, the lowly Judean hillside radiated with the glow of Shekinah glory. It was a night of miraculous transformation. A host of angels became a choir, a band of lowly shepherds were presented to Royalty, a trio of kings became seekers of truth, a star became a beacon, a stable became a shrine, a manger became a throne, a virgin became a mother and God became a child. Gloria in Excelsis Deo!
SKU: PR.114418250
UPC: 680160640959. 9 x 12 inches.
In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.
SKU: PR.11441825S
UPC: 680160643745. 9 x 12 inches.
SKU: HL.49003264
ISBN 9790220118159. UPC: 884088061487. 8.25x11.75x0.39 inches.
I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument's lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music's character.One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration: for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony's first movement (pairs of English and French horns, muted violins and unmuted lower strings); for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate...The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him.The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London.Gavin Bryars.
SKU: MB.31103M
ISBN 9781513468792. 8.75x11.75 inches.
Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book.
This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles.
There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book.
In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read.
The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes.
The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other.
Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.
Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.
SKU: MB.WBM58M
ISBN 9781736363058. 8.75x11.75 inches.
A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.
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